He wiped his face and went to the control booth. Following Diktor's simple instructions he brought all four spheres together at the center of the tetrahedron. He glanced over the side of the booth and saw that the Gate had disappeared entirely. "Check!" he thought. "Everything on zero—no Gate." He moved the white sphere slightly. The Gate reappeared. Turning on the speculum he was able to see that the miniature scene showed the inside of the Hall of the Gate itself. So far so good—but he would not be able to tell what time the Gate was set for by looking into the hall. He displaced a space control slightly; the scene flickered past the walls of the palace and hung in the open air. Returning the white time control to zero he then displaced it very, very slightly. In the miniature scene the sun became a streak of brightness across the sky; the days flickered past like light from a low frequency source of illumination. He increased the displacement a little, saw the ground become sear and brown, then snow covered and finally green again.

Working cautiously, steadying his right hand with his left, he made the seasons march past. He had counted ten winters when he became aware of voices somewhere in the distance. He stopped and listened, then very hastily returned the space controls to zero, leaving the time control as it was—set for ten years in the past—and rushed out of the booth.

He hardly had time to grasp his bags, lift them and swing them through the Gate, himself with them. This time he was exceedingly careful not to touch the edge of the circle.

He found himself, as he had planned to, still in the Hall of the Gate, but, if he had interpreted the controls correctly, ten years away from the events he had recently participated in. He had intended to give Diktor a wider berth than that, but there had been no time for it. However, he reflected, since Diktor was, by his own statement and the evidence of the little notebook Wilson had lifted from him, a native of the twentieth century, it was quite possible that ten years was enough. Diktor might not be in this era. If he was, there was always the Time Gate for a getaway. But it was reasonable to scout out the situation first before making any more jumps.

It suddenly occurred to him that Diktor might be looking at him through the speculum of the Time Gate. Without stopping to consider that speed was no protection—since the speculum could be used to view any time sector—he hurriedly dragged his two suitcases into the cover of the control booth. Once inside the protecting walls of the booth he calmed down a bit. Spying could work both ways. He found the controls set at zero; making use of the same process he had used once before, he ran the scene in the speculum forward through ten years, then cautiously hunted with the space controls on zero. It was a very difficult task; the time scale necessary to hunt through several months in a few minutes caused any figure which might appear in the speculum to flash past at an apparent speed too fast for his eye to follow. Several times he thought he detected flitting shadows which might be human beings but he was never able to find them when he stopped moving the time control.

He wondered in great exasperation why whoever had built the double-damned gadget had failed to provide it with graduations and some sort of delicate control mechanism—a vernier, or the like. It was not until much later that it occurred to him that the creator of the Time Gate might have no need of such gross aids to his senses. He would have given up, was about to give up, when, purely by accident, one more fruitless scanning happened to terminate with a figure in the field.

It was himself, carrying two suitcases. He saw himself walking directly into the field of view, grow large, disappear. He looked over the rail, half expecting to see himself step out of the Gate.

But nothing came out of the Gate. It puzzled him, until he recalled that it was the setting at that end, ten years in the future, which controlled the time of egress. But he had what he wanted; he sat back and watched. Almost immediately Diktor and another edition of himself appeared in the scene. He recalled the situation when he saw it portrayed in the speculum. It was Bob Wilson Number Three, about to quarrel with Diktor and make his escape back to the twentieth century.

That was that—Diktor had not seen him, did not know that he had made unauthorized use of the Gate, did not know that he was hiding ten years in the "past," would not look for him there. He returned the controls to zero, and dismissed the matter.

But other matters needed his attention—food, especially. It seemed obvious, in retrospect, that he should have brought along food to last him for a day or two at least. And maybe a gun. He had to admit that he had not been very foresighted. But he easily forgave himself—it was hard to be foresighted when the future kept slipping up behind one. "All right, Bob, old boy," he told himself aloud, "let's see if the natives are friendly—as advertised."

A cautious reconnoiter of the small part of the palace with which he was acquainted turned up no human beings or life of any sort, not even insect life. The place was dead, sterile, as static and unlived-in as a window display. He shouted once just to hear a voice. The echoes caused him to shiver; he did not do it again.

The architecture of the place confused him. Not only was it strange to his experience—he had expected that—but the place, with minor excep­tions, seemed totally unadapted to the uses of human beings. Great halls large enough to hold ten thousand people at once—had there been floors for them to stand on. For there frequently were no floors in the accepted meaning of a level or reasonably level platform. In following a passageway he came suddenly to one of the great mysterious openings in the structure and almost fell in before he realized that his path had terminated. He crawled gingerly forward and looked over the edge. The mouth of the passage debouched high up on a wall of the place; below him the wall was cut back so that there was not even a vertical surface for the eye to follow. Far below him, the wall curved back and met its mate of the opposite side—not decently, in a horizontal plane, but at an acute angle.

There were other openings scattered around the walls, openings as unserviceable to human beings as the one in which he crouched. "The High Ones," he whispered to himself. All his cockiness was gone out of him. He retraced his steps through the fine dust and reached the almost friendly familiarity of the Hall of the Gate.

On his second try he attempted only those passages and compartments which seemed obviously adapted to men. He had already decided what such parts of the palace must be—servants' quarters, or, more probably, slaves' quarters. He regained his courage by sticking to such areas. Though deserted completely, by contrast with the rest of the great structure a room or a passage which seemed to have been built for men was friendly and cheerful. The sourceless ever-present illuminations and the unbroken silence still bothered him, but not to the degree to which he had been upset by the gargantuan and mysteriously convoluted chambers of the "High Ones."

He had almost despaired of finding his way out of the palace and was thinking of retracing his steps when the corridor he was following turned and he found himself in bright sunlight.

He was standing at the top of a broad steep ramp which spread fanlike down to the base of the building. Ahead of him and below him, distant at least five hundred yards, the pavement of the ramp met the green of sod and bush and tree. It was the same placid, lush and familiar scene he had looked out over when he breakfasted with Diktor—a few hours ago and ten years in the future.

He stood quietly for a short time, drinking in the sunshine, soaking up the heart-lifting beauty of the warm, spring day. "This is going to be all right," he exulted. "It's a grand place."