It was obviously some kind of plug-in military program. Out of the mailer, it looked like the magazine of a small assault rifle, coated with nonreflective black plastic. The edges and corners showed bright metal; it had been knocking around for a while.

"I'll give you a bargain on it, Jack. For old times' I had to smile at that. Getting a bargain from the Finn was like God repealing the law of gravity when you have to carry a heavy suitcase down ten blocks of airport corridor.

"Looks Russian to me," I said. "Probably the emergency sewage controls for some Leningrad suburb. Just what I need."

"You know," said the Finn. "I got a pair of shoes older than you are. Sometimes I think you got about as much class as those yahoos from Jersey. What do you want me to tell you, it's the keys to the Kremlin? You figure out what the goddamn thing is. Me, I just sell the stuff."

I bought it.

Bodiless, we swerve into Chrome's castle of ice. And we're fast, fast. It feels like we're surfing the crest of the invading program, hanging ten above the seething glitch systems as they mutate. We're sentient patches of oil swept along down corridors of shadow.

Somewhere we have bodies, very far away, in a crowded loft roofed with steel and glass. Somewhere we have microseconds, maybe time left to pull out.

We've crashed her gates disguised as an audit and three subpoenas, but her defenses are specifically geared to cope with that kind of official intrusion. Her most sophisticated ice is structured to fend off warrants, writs, subpoenas. When we breached the first gate, the bulk of her data vanished behind core-command ice, these walls we see as leagues of corridor, mazes of shadow. Five separate landlines spurted May Day signals to law firms, but the virus had already taken over the parameter ice. The glitch systems gobble the distress calls as our mimetic subprograms scan anything that hasn't been blanked by core command.

The Russian program lifts a Tokyo number from the unscreened data, choosing it for frequency of calls, average length of calls, the speed with which Chrome returned those calls.

"Okay," says Bobby, "we're an incoming scrambler call from a pal of hers in Japan. That should help."

Ride ‘em, cowboy.

Bobby read his future in women; his girls were omens, changes in the weather, and he'd sit all night in the Gentleman Loser, waiting for the season to lay a new face down in front of him like a card.

I was working late in the loft one night, shaving down a chip, my arm off and the little waldo jacked straight into the stump.

Bobby came in with a girl I hadn't seen before, and usually I feel a little funny if a stranger sees me working that way, with those leads clipped to the hard carbon studs that stick out of my stump. She came right over and looked at the magnified image on the screen, then saw the waldo moving under its vacuum-sealed dust cover. She didn't say anything, just watched. Right away I had a good feeling about her; it's like that sometimes.

"Automatic Jack, Rikki. My associate."

He laughed, put his arm around her waist, something in his tone letting me know that I'd be spending the night in a dingy room in a hotel.

"Hi," she said. Tall, nineteen or maybe twenty, and she definitely had the goods. With just those few freckles across the bridge of her nose, and eyes somewhere between dark amber and French coffee. Tight black jeans rolled to midcalf and a narrow plastic belt that matched the rose-colored sandals.

But now when I see her sometimes when I'm trying to sleep, I see her somewhere out on the edge of all this sprawl of cities and smoke, and it's like she's a hologram stuck behind my eyes, in a bright dress she must've worn once, when I knew her, something that doesn't quite reach her knees. Bare legs long and straight. Brown hair, streaked with blond, hoods her face, blown in a wind from somewhere, and I see her wave goodbye.

Bobby was making a show of rooting through a stack of audio cassettes. "I'm on my way, cowboy," I said, unclipping the waldo. She watched attentively as I put my arm back on.

"Can you fix things?" she asked.

"Anything, anything you want, Automatic Jack'll fix it." I snapped my Duralumin fingers for her.

She took a little simstim deck from her belt and showed me the broken hinge on the cassette cover.

"Tomorrow," I said, "no problem."

And my oh my, I said to myself, sleep pulling me down the six flights to the street, what'll Bobby's luck be like with a fortune cookie like that? If his system worked, we'd be striking it rich any night now. In the street I grinned and yawned and waved for a cab.

Chrome's castle is dissolving, sheets of ice shadow flickering and fading, eaten by the glitch systems that spin out from the Russian program, tumbling away from our central logic thrust and infecting the fabric of the ice itself. The glitch systems are cybernetic virus analogs, self-replicating and voracious. They mutate constantly, in unison, subverting and absorbing Chrome's defenses.

Have we already paralyzed her, or is a bell ringing somewhere, a red light blinking? Does she know?

Rikki Wildside, Bobby called her, and for those first few weeks it must have seemed to her that she had it all, the whole teeming show spread out for her, sharp and bright under the neon. She was new to the scene, and she had all the miles of malls and plazas to prowl, all the shops and clubs, and Bobby to explain the wild side, the tricky wiring on the dark underside of things, all the players and their names and their games. He made her feel at home.

"What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner.

"Hang-gliding," I said, "accident."

"Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser."

I don't remember how I changed the subject, but I did.

I was still telling myself that it wasn't Rikki who was getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep.

I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had NEXT printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser.

I knew what he did to them. He turned them into emblems, sigils on the map of his hustler's life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself, not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing.

So he made do with women.

When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.