Once this was done I stood up and looked around. The crickets sang, as they had in my dreams, and the trees huddled close on either side of the lane, as they always did in my dreams. Overhead, the sky was a fading strip of blue.

I set off, walking up the right hand wheelrut. Jo and I had had one neighbor at this end of the road, old Lars Washburn, but now Lars’s driveway was overgrown with juniper bushes and blocked by a rusty length of chain. Nailed to a tree on the left of the chain was NO Trespassing.

Nailed to one on the right was NEXT CENTURY REAL ESTATE, and a local number. The words were faded and hard to read in the growing gloom.

I walked on, once more conscious of my heavily beating heart and of the way the mosquitoes were buzzing around my face and arms. Their peak season was past, but I was sweating a lot, and that’s a smell they like.

It must remind them of blood.

Just how scared was I as I approached Sara Laughs? I don’t remember. I suspect that fright, like pain, is one of those things that slip our minds once they have passed. What I do remember is a feeling I’d had before when I was down here, especially when I was walking this road by myself. It was a sense that reality was thin. I think it is thin, you know, thin as lake ice after a thaw, and we fill our lives with noise and light and motion to hide that thinness from ourselves. But in places like Lane Forty-two, you find that all the smoke and mirrors have been removed. What’s left is the sound of crickets and the sight of green leaves darkening toward black; branches that make shapes like faces; the sound of your heart in your chest, the beat of the blood against the backs of your eyes, and the look of the sky as the day’s blue blood runs out of its cheek.

What comes in when daylight leaves is a kind of certainty: that beneath the skin there is a secret, some mystery both black and bright. You feel this mystery in every breath, you see it in every shadow, you expect to plunge into it at every turn of a step. It is here; you slip across it on a kind of breathless curve like a skater turning for home.

I stopped for a moment about half a mile south of where I’d left the car, and still half a mile north of the driveway. Here the road curves sharply, and on the right is an open field which slants steeply down toward the lake. Tidwell’s Meadow is what the locals call it, or sometimes the Old Camp. It was here that Sara Tidwell and her curious tribe built their cabins, at least according to Marie Hingerman (and once, when I asked Bill Dean, he agreed this was the place. . although he didn’t seem interested in continuing the conversation, which struck me at the time as a bit odd).

I stood there for a moment, looking down at the north end of Dark Score.

The water was glassy and calm, still candy-colored in the afterglow of sunset, without a single ripple or a single small craft to be seen. The boat-people would all be down at the marina or at Warrington’s Sunset Bar by now, I guessed, eating lobster rolls and drinking big mixed drinks. Later a few of them, buzzed on speed and martinis, would go bolting up and down the lake by moonlight. I wondered if I would be around to hear them. I thought there was a fair chance that by then I’d be on my way back to Derry, either terrified by what I’d found or disillusioned because I had found nothing at all.

“You funny little man, said Strickland.”

I didn’t know I was going to speak until the words were out of my mouth, and why those words in particular I had no idea. I remembered my dream of Jo under the bed and shuddered. A mosquito whined in my ear. I slapped it and walked on.

In the end, my arrival at the head of the driveway was almost too perfectly timed, the sense of having re-entered my dream almost too complete. Even the balloons tied to the SARA LAUGHS sign (one white and one blue, both with WELCOME BACK MIKE, carefully printed on them in black ink) and floating against the ever-darkening backdrop of the trees seemed to intensify the deja vu I had quite deliberately induced, for no two dreams are exactly the same, are they? Things conceived by minds and made by hands can never be quite the same, even when they try their best to be identical, because we’re never the same from day to day or even moment to moment.

I walked to the sign, feeling the mystery of this place at twilight. I squeezed down on the board, feeling its rough reality, and then I ran the ball of my thumb over the letters, daring the splinters and reading with my skin like a blind man reading braille: S and A and R and A; L and A and U and G and H and S.

The driveway had been cleared of fallen needles and blown-down branches, but Dark Score glimmered a fading rose just as it had in my dreams, and the sprawled hulk of the house was the same. Bill had thoughtfully left the light over the back stoop burning, and the sunflowers growing through the boards had long since been cut down, but everything else was the same.

I looked overhead, at the slot of sky over the lane. Nothing. . I waited… and nothing… waiting still… and then there it was, right where the center of my gaze had been trained. At one moment there was only the fading sky (with indigo just starting to rise up from the edges like an infusion of ink), and at the next Venus was glowing there, bright and steady. People talk about watching the stars come out, and I suppose some people do, but I think that was the only time in my life that I actually saw one appear. I wished on it, too, but this time it was real time, and I did not wish for Jo. “Help me,” I said, looking at the star. I would have said more, but I didn’t know what to say. I didn’t know what kind of help I needed.

That’s enough, a voice in my mind said uneasily. That’s enough, now. Go on back and get your car. Except that wasn’t the plan. The plan was to go down the driveway, just as I had in the final dream, the nightmare.

The plan was to prove to myself that there was no shroud-wrapped monster lurking in the shadows of the big old log house down there. The plan was pretty much based on that bit of New Age wisdom which says the word “fear” stands for Face Everything And Recover. But, as I stood there and looked down at that spark of porch light (it looked very small in the growing darkness), it occurred to me that there’s another bit of wisdom, one not quite so good-morning-starshine, which suggests fear is actually an acronym for Fuck Everything And Run. Standing there by myself in the woods as the light left the sky, that seemed like the smarter interpretation, no two ways about it. I looked down and was a little amused to see that I had taken one of the balloons—untied it without even noticing as I thought things over. It floated serenely up from my hand at the end of its string, the words printed on it now impossible to read in the growing dark. Maybe it’s all moot, anyway; maybe I won’t be able to move. Maybe that old devil writer’s walk has got hold of me again, and I’ll just stand here like a statue until someone comes along and hauls me away. But this was real time in the real world, and in the real world there was no such thing as writer’s walk. I opened my hand.

As the string I’d been holding floated free, I walked under the rising balloon and started down the driveway. Foot followed foot, pretty much as they had ever since I’d first learned this trick back in 1959. I went deeper and deeper into the clean but sour smell of pine, and once I caught myself taking an extra-big step, avoiding a fallen branch that had been in the dream but wasn’t here in reality. My heart was still thudding hard, and sweat was still pouring out of me, oiling my skin and drawing mosquitoes. I raised a hand to brush the hair off my brow, then stopped, holding it splay-fingered out in front of my eyes. I put the other one next to it. Neither was marked; there wasn’t even a shadow of scar from the cut I’d given myself while crawling around my bedroom during the ice storm. “I’m all right,” I said. “I’m all right.” You funny little man, said Strickland, a voice answered. It wasn’t mine, wasn’t Jo’s; it was the UFO voice that had narrated my nightmare, the one which ’had driven me on even when I wanted to stop. The voice of some outsider. I started walking again. I was better than halfway down the driveway now. I had reached the point where, in the dream, I told the voice that I was afraid of Mrs. Danvers. “I’m afraid of Mrs. D…” I said, trying the words aloud in the growing dark. “What if the bad old housekeeper’s down there?” A loon cried on the lake, but the voice didn’t answer. I suppose it didn’t have to. There was no Mrs. Danvers, she was only a bag of bones in an old book, and the voice knew it. I began walking again. I passed the big pine that Jo had once banged into in our Jeep, trying to back up the driveway. How she had sworn! Like a sailor! I had managed to keep a straight face until she got to “Fuck a duck,” and then I’d lost it, leaning against the side of the Jeep with the heels of my hands pressed against my temples, howling until tears rolled down my cheeks, and Jo glaring hot blue sparks at me the whole time. I could see the mark about three feet up on the trunk of the tree, the white seeming to float above the dark bark in the gloom. It was just here that the unease which pervaded the other dreams had skewed into something far worse.