Roma felt his amusement fade, replaced by irritation. "I wish to hear none of that. You have been against this plan from the start and you will latch onto any excuse to abort it."

Mauricio had finished with the first phalanx. He tossed the bone fragments back into the sack, then went to work on the rest of the finger.

"I've tried to discourage you for good reason. I was put here to advise you, remember?"

"To serve me, Mauricio."

The monkey glared at him. "I serve the Otherness, as do you."

"But I am The One. I decide, you facilitate. Do not forget that."

They'd had this argument before—many times. Mauricio had been sent to aid him, but over the years he had come to see himself as a mentor. Roma resented that. No one on this plane had worked longer in service of the Otherness than he. He had learned the hard way, through pain, imprisonment, even death, and the last thing he needed was someone offering half-baked advice, especially at this late date.

Mauricio said, "Why won't you listen to me when I tell you this whole plan is premature? You are too impatient."

"Impatient? I have waited ages—literally ages—for this. Do not dare call me impatient!"

"Very well then: You are not impatient. But you have not dealt with The Lady, and the signs are not quite right yet."

They are right, Roma thought, because I say they are right.

"The Lady does not matter."

"And why here?" Mauricio went on. "New York is too crowded. Too many variables, too many ways for something to go wrong. Why not somewhere in the desert? A hotel in, say, Nevada, or New Mexico?"

"No. I want it here."

"Why?"

"I have my reasons."

Mauricio hurled the partially eaten finger across the room and leaped to the floor. He shot upright to stand on his hind legs. His usually high-pitched voice dropped two octaves as he abandoned his capuchin monkey guise and expanded to his true self—a powerful, bull-chested, midnight-furred creature with blood-red eyes, standing four feet tall,

"You're not allowed reasons! You are The One. You are here to open the way. It is your duty and your destiny. Personal vendettas have no place in your life!"

"Then someone else should have been chosen," Roma said calmly, coldly. "Not someone with a past—a long past. Not someone with scores to settle. But there is no one else on this plane with the capacity to make the choice. So if I say it begins here, then here is where it will begin."

"I see I have no say in the matter," Mauricio said sullenly. He shrank into the capuchin guise again. "But mark my words well: I still think this is premature—the wrong time as well as the wrong place—and that it will end badly. I also think allowing that stranger in was a mistake. He's an enemy. And a terrible dresser."

Roma laughed, glad to ease the tension between them. Mauricio needed to be put in his place every so often, but he was too valuable an ally to alienate. "Admit it, Mauricio. That is what really bothers you about him, isn't it."

"Well, after all, did you see that hideous warm-up he wore? Absolutely dreadful." He looked Roma up and down. "How about your new suit? Any compliments on it?"

"Many." Not that he cared in the least.

"See? I told you—"

Roma held up his hand. "Wait!" A tingle began running over his skin. "Feel it? It's happening…the power is growing, building. Any moment now."

A portal would be opening soon. And as it did, he could only imagine what was going on with the sleeping sensitives racked on the floors above him. The last place he'd want to be right now was in their dreams. He almost felt sorry for them.

Almost.

Olive…

…awakens to the sound of chanting. She forces her eyes open and gasps.

Hooded forms, thirteen of them, crowd around her bed, each holding a thick black candle. She screams but only a muffled squeak struggles past the cloth gag bunched in her mouth. She tries to move but her hands are tied behind her and she's bound to the bed.

Panic detonates within as she realizes her rings are gone, and the crucifix has been taken from around her neck.

"Did you think you could be saved, Olive?" says a voice.

It echoes from one of the forms but she can't tell which because their faces are lost in the inky shadows within their cowls. It sounds like her father's voice, but that can't be…he's dead—he died ten years ago.

She begins to pray. Our Father, Who art in Heaven …

"Yes," says the voice, "I really do believe she thinks she's saved. Pathetic, isn't it."

Laughter from the other forms, male and female voices, mocking her.

"Let us remind you why you can never be saved," says the voice. "Let us take you back and show you why the face of God will be forever turned from you."

Olive screams through her gag. Not that! Oh, please, not that again!

She feels herself shrinking, the gag popping out of her mouth, the cords on her hands and feet falling away, to be replaced by bands of duct tape winding around her body, pinning her arms to her sides and her legs together. She tries to scream again but she has no voice here. The hotel room melts away, leaving her in a dank subcellar lit by smoky torches.

And she knows this place, oh, dear God, she remembers every detail of the horrors that were perpetrated here. For years, decades, she had no memory of these events, but gradually, through many sessions with her memory recovery therapist, she unlocked doors that had been sealed shut by her protective brain. One after another they opened and she learned what had happened to her.

And her father was the villain. After the divorce, her Bible-toting mother had filled her ears with maledictions about his drunken, no-account ways, yet still Olive had to spend every other weekend with him. And on one of those weekends, he and some of his friends dragged her along to one of their "services"…

And now she sees the subcellar more clearly than ever before…almost as if she's there…

Suddenly she realizes that she is here. They're not going to make her remember…she's five again and she's going to relive the horror.

No-no-no-no-no! PLEASE NO!

But she cannot turn away, cannot even close her eyes. It's all here—the pentagrams and inverted crosses painted in blood on the walls. Straight ahead lies a huge marble block, dripping red. In the high, deep fireplace to the right, something that looks like a monkey is turning on a spit.

A goblet is pressed to her lips.

"Drink!" says her father's voice.

When Olive sees the thick red fluid within, and sniffs the coppery odor, she turns her head away in revulsion.

"Drink!" the voice commands.

Her head is grabbed and tilted back, her jaws forced open; thick, warm, salty liquid pours into her mouth. She coughs, gags, but they keep pouring. She feels it running over her face, clogging her nostrils, she must swallow or drown, swallow or drown…

Olive swallows, gasps, tries to vomit it back up, but they squeeze her throat and keep it down.

Then she's dragged to a table—a rough wooden bench, really—and watches as one of the hooded figures slices flesh from the monkey turning on the spit…a chubby little thing with an unusually large head for a monkey. The flesh is laid before Olive. They don't even give her a chance to refuse it. The greasy meat is thrust into her mouth, then her jaws are forced shut and her nostrils pinched.

Again—swallow or suffocate.

She swallows.

Still gagging, she is carried to another corner of the room where a huge sow lies spread-eagled on a stone block. Its throat has been slit; its many-nippled abdomen has been opened and all the organs removed. Olive is folded into the red stinking cavity, her head in the pelvis, her feet against the diaphragm. She kicks and screams and twists as they sew the skin flaps closed, but to no avail. Soon she is entombed in the wet, suffocating darkness.