A damsel with a dulcimer strolled among the tables, singing and playing. It could have been a dulcimer, she might have been a damsel.

About two hours along in the feast, Jocko stood up, roared for silence, belched loudly, shook off maids who were trying to steady him, and started to recite.

Same verse, different tune—he was reciting my exploits. I would have thought that he was too drunk to recite a limerick but he sounded off endlessly, in perfect scansion with complex inner rhymes and rippling alliterations, an astounding feat of virtuosity in rhetoric.

He stuck to Star's story line but embroidered it. I listened with growing admiration, both for him as a poet and for good old Scar Gordon, the one-man army. I decided that I must be a purty goddam hot hero, so when he sat down, I stood up.

The girls had been more successful in getting me drunk than in getting me fed. Most of the food was strange and it was usually tasty. But a cold dish had been fetched in, little frog-like creatures in ice, served whole. You dipped them in a sauce and took them in two bites.

The gal in the jewels grabbed one, dipped it and put it up for me to bite. And it woke up.

This little fellow—call him "Elmer"—Elmer rolled his eyes and looked at me, just as I was about to bite him.

I suddenly wasn't hungry and jerked my head back.

Miss jewelry Shop laughed heartily, dipped him again, and showed me how to do it. No more Elmer—

I didn't eat for quite a while and drank more than too much. Every time a bite was offered me I would see Elmers feet disappearing, and gulp, and have another drink.

That's why I stood up.

Once up, there was dead silence. The music stopped because the musicians were waiting to see what to improvise as background to my poem.

I suddenly realized that I didn't have anything to say.

Not anything. There wasn't a prayer that I could adlib a poem of thanks, a graceful compliment to my host—m Nevian. Hell, I couldn't have done it in English.

Star's eyes were on me. She looked gravely confident.

That did it. I didn't risk Nevian; I couldn't even remember how to ask my way to the men's room. So I gave it to ‘em, both barrels, in English. Vachel Lindsay's "Congo."

As much of it as I could remember, say about four pages. What I did give them was that compelling rhythm and rhyme scheme double-talking and faking on any fluffs and really slamming it on "beating on a table with the handle of a broom! Boom! Boom! Boomlay boom!" and the orchestra caught the spirit and we rattled the dishes.

The applause was wonderful and Miss Tiffany grabbed my ankle and kissed it.

So I gave them Mr. E. A. Foe's "Bells" for dessert. Jocko kissed me on my left eye and slobbered on my shoulder.

Then Star stood up and explained, in scansion and rhyme, that in my own land, in my own language, among my own people, warriors and artists all, I was as famous a poet as I was a hero (Which was true. Zero equals zero), and that I had done them the honor of composing my greatest work, in the jewels of my native tongue, a fitting thanks to the Doral and house Doral for Hospitality of roof, of table, of bed—and that she would, in time, do her poor best to render my music into their language.

Between us we got the Oscar.

Then they brought in the piece de resistance, a carcass roasted whole and carried by four men. From the size and shape it might have been roast peasant under glass. But it was dead and it smelled wonderful and I ate a lot of it and sobered up. After the roast there were only eight or nine other things, soups and sherbets and similar shilly-shallying. The party got looser and people didn't stay at their own tables. One of my girls fell asleep and spilled my wine cup and about then I realized that most of the crowd had gone.

Doral Letva, flanked by two girls, led me to my chambers and put me to bed. They dimmed the lights and withdrew while I was still trying to phrase a gallant good night in their language.

They came back, having shucked all jewelry and other encumbrances and posed at my bedside, the Three Graces. I had decided that the younger ones were mama's daughters. The older girl was maybe eighteen, full ripe, and a picture of what mama must have been at that age; the younger one seemed five years younger, barely nubile, as pretty for her own age and quite self-conscious. She blushed and dropped her eyes when I looked at her. But her sister stared back with sultry eyes, boldly provocative.

Their mother, an arm around each waist, explained simply but in rhyme that I had honored their roof and their table—and now their bed. What was a Hero's pleasure? One? Or two? Or all three?

I'm chicken. We know that. If it hadn't been that little sister was about the size of the little brown sisters who had scared me in the past, maybe I could have shown aplomb.

But, hell, those doors didn't close. Just arches. And Jocko me bucko might wake up anytime; I didn't know where he was. I won't say I've never bedded a married woman nor a man's daughter in his own house—but I've followed American cover-up conventions in such matters. This flat-footed proposition scared me worse than the Horned Goats. I mean "Ghosts."

I struggled to put my decision in poetic language.

I didn't manage it but I put over the idea of negative,

The little girl started to bawl and fled. Her sister looked daggers, snorted. "Hero!" and went after her. Mama just looked at me and left.

She came back in about two minutes. She spoke very formally, obviously exercising great control, and prayed to know if any woman in this house had met with the Hero's favor? Her name, please? Or could I describe her? Or would I have them paraded so that I might point her out?

I did my best to explain that, were a choice to be made, she herself would be my choice—but that I was tired and wished to sleep alone.

Letva blinked back tears, wished me a hero's rest, and left a second time, even faster. For an instant I thought she was going to slap me.

Five seconds later I got up and tried to catch her. But she was gone, the gallery was dark.

I fell asleep and dreamt about the Cold Water Gang. They were even uglier than Rufo had suggested and they were trying to make me eat big gold nuggets all with the eyes of Elmer.

Rufo shook me awake. "Boss! Get up! Right now!"

I buried my head in the covers. "Go way!" My mouth tasted of spoiled cabbage, my head buzzed, and my ears were on crooked.

"Right now! She says to."

I got up. Rufo was dressed in our Merry Men clothes and wearing sword, so I dressed the same way and buckled on mine. My valettes were not in sight, nor my borrowed finery. I stumbled after Rufo into the great dining hall. There was Star, dressed to travel, and looking grim. The fancy furnishings of the night before were gone; it was as bleak as an abandoned barn. A bare table was all, and on it a joint of meat, cold in congealed grease and a knife beside it.

I looked at it without relish. "What's that?"

"Your breakfast, if you want it. But I shall not stay under this roof and eat cold shoulder." It was a tone, a manner, I had never heard from her.

Rufo touched my sleeve. "Boss. Let's get out of here. Now."

So we did. Not a soul was in sight, indoors or out, not even children or dogs. But three dashing steeds were waiting. Those eight-legged tandem ponies, I mean, the horse version of a dachshund, saddled and ready to go. The saddle rigs were complex; each pair of legs had a leather yoke over it and the load was distributed by poles flexing laterally, one on each side, and mounted on this was a chair with a back, a padded seat, and arm rests. A tiller rope ran to each armrest.

A lever on the left was both brake and accelerator and I hate to say how suggestions were conveyed to the beast. However, the "horses" didn't seem to mind.