He was disappointed not to find her. The flute music grew livelier. The vipers lifted their heads, swaying back and forth with the motion of their handlers. Raistlin had read an account in one of Master Theobald's books on snake charming, a practice developed among the elves, who killed no living thing if they could help it but used the charming to rid their gardens of deadly serpents.

According to the book, the charm was not magical in nature. Snakes could be put into trances by means of music, a fact Raistlin had found difficult to credit. Now, watching the vipers and their reactions to the changes in the flute music, he began to think there might be something to it.

The audience was impressed. People gasped in awe and thrilled horror. Women gathered their skirts around their ankles and pulled children onto their laps. Men muttered and grasped their knives. The priests were unconcerned, serene. When their dance in honor of the statue concluded, they set the baskets containing the snakes on the floor of the arena. The vipers remained inside the baskets, their heads moving back and forth in a sleepy rhythm. Those people seated in the front rows watched the snakes warily.

The priests and priestesses formed a semicircle around the statue and began to chant. The chanting was led by a middle-aged man with long, gray-streaked black hair. His robes were a darker color than the robes of the other priests, were made of a finer cloth. He wore a gold chain around his neck, a chain from which hung the image of a viper. Word whispered around the room that this was the High Priest of Belzor.

His expression was genial, serene, though Raistlin noted that the man's eyes were much like the eyes of the statue; they reflected the light, gave none of their own. He recited the chants in a somnambular monotone that was punctuated with an occasional shout at odd moments, shouts perhaps intended to jolt into wakefulness members of the audience who had dozed off.

The chanting droned on and on. From mildly annoying, it soon became quite irritating, rasping on the nerves.

"This is intolerable," Sturm muttered.

Raistlin agreed. Between the echoing noise, the smoke of the fires burning in the braziers, and the stench of several hundred people crowded into a single windowless room, he was finding it increasingly difficult to breathe. His head ached, his throat burned. He didn't know how much longer he could stand this and hoped it would end soon. He feared he might fall ill and have to leave, and he had yet to find Judith. He had yet to witness these purported miracles.

The chanting ceased abruptly. An audible sigh whispered among the audience, whether of reverence or relief, Raistlin couldn't tell. A hidden door located inside the statue opened up, and a woman entered the arena.

Raistlin leaned forward, regarded her intently. There was no mistaking her, though it had been many years since he had last seen her. He had to make absolutely certain. Grabbing hold of Caramon's arm, Raistlin shook his twin into wakefulness.

"Huh?" Caramon gazed around dazedly. His eyes focused, he sat upright. His gaze was fixed on the priestess who had just entered, and Raistlin could tell from the sudden rigidity of his brother's body that Caramon had also recognized her.

"The Widow Judith!" Caramon said hoarsely.

"Is it?" Kit asked. "I only saw her once. Are you sure?"

"I'm not likely to ever forget her," Caramon said grimly.

"I recognize her as well," Sturm stated. "That is the woman we knew as the Widow Judith."

Kit smiled, pleased. Crossing her arms over her chest, she settled back comfortably, her bent leg propped over one knee, and stared at the priestess to the exclusion of anyone else in the temple.

Raistlin also watched Judith attentively, though the sight of her brought back intensely painful memories. He waited to see her perform a miracle.

The High Priestess was clad in sky-blue robes similar to those the others wore, with two exceptions: Hers were trimmed in golden thread, and whereas the sleeves on the robes of the others fit tightly over their arms, her sleeves were voluminous. When she spread her arms wide, the sleeves made a rippling motion, providing her with an eerie, not-of-this-world aspect. This was further enhanced by her extremely pale complexion, a pallor that Raistlin suspected was probably enhanced by the skillful use of chalk. She had darkened her eyelids with kohl, rubbed coral powder on her lips to make them stand out in the flickering light.

Her hair was drawn back from her head, pulled back so tightly that it stretched the skin over her cheekbones, erasing many of her wrinkles, making her look younger. She was an impressive sight, one that the audience, in their opiated state, appreciated to the fullest. Murmurs of admiration and awe swept through the arena.

Judith raised her hands for silence. The audience obeyed. All was hushed, no one coughed, no baby whimpered.

"Those supplicants who have been deemed acceptable may now come forward to speak to those who have passed beyond," the High Priest called out. He had an oddly high-pitched voice for a man his size.

Eight people, who had been herded into a sort of pen on one side of the arena, now shuffled down the stairs in single file, guided by the priests. The supplicants were not permitted to step onto the floor of the arena itself, but were kept back by ropes.

Six were middle-aged women, dressed in black mourning clothes. They looked pleased and self- important as they entered behind the priests. The seventh was a young woman not much older than Raistlin, who looked pale and worn and sometimes put her hand to her eyes. She was also wearing mourning clothes, her grief was obviously fresh. The eighth was a stolid farmer in his forties. He stood rock still, stared straight ahead, his face carefully arranged so as to betray no emotion. He was not dressed in mourning and looked extremely out of place.

"Step forward and make your requests. What is it you would ask Belzor?" the High Priest called out.

The first woman was escorted to the fore by a priest. Standing in front of the High Priestess, she made her request.

She wanted to speak to her deceased husband, Arginon. "I want to make sure he's fine and wearing his flannel weskit to keep off the chill," she said. "This being what kilt him."

High Priestess Judith listened, and when the woman finished, the High Priestess made a gracious bow. "Belzor will consider your request," she said.

The next woman came forward with much the same desire, to speak to a dead husband, as did the four who came after.

The High Priestess was gracious to each, promising that Belzor was listening.

Then the priests led forward the young woman. She pressed her hands together, gazed earnestly at the High Priestess.

"My little girl died of. of the fever. She was only five. And she was so afraid of the dark! I want to make sure. it's not dark. where she is…" The bereaved mother broke down and sobbed.

"Poor girl," said Caramon softly.

Raistlin said nothing. He had seen Judith frown slightly, her lips compress in a tight, forbidding smile that he remembered very well.

The High Priestess promised, in a tone somewhat colder than that she had used with the others, that Belzor would look into the matter. The young woman was helped back to her place in line, and the priests led forth the farmer.

He appeared nervous but determined. Clasping his hands, he cleared his throat. In a loud and booming voice, speaking very rapidly, without a pause for breath or punctuation, he stated, "My father died six months ago we know he had money when he died 'cause he spoke of it when the fit was on him he must have hid it but we can't none of us find it what we want to know is where the money is hid thank you."

The farmer gave a curt nod and stepped back in line, nearly trampling the priest who had come up to escort him.