"Ashti Beg," Maati said. "Tell me more about her. Did she say why she left?"
Eiah frowned. Color was coming back to her cheeks, but her lips were
still pale, her hair clinging to her neck like ivy.
"It was me," Vanjit said, the andat squirming in her lap. "It's my doing."
"Perhaps, but it wasn't what she said," Eiah replied. "She said she was
tired, and that she felt we'd all gone past her. She didn't see that she
would ever complete a binding of her own, or that her insights were
particularly helping us. I tried to tell her otherwise, give her some
perspective. If she'd stayed on until the morning, perhaps I could have."
Maati sipped his wine, wondering how much of what Eiah said was true,
how much of it was being softened because Vanjit and Clarity-ofSight
were in the room. It seemed more likely to him that Ashti Beg had taken
offense at Vanjit's misstep and been unable to forgive it. He recalled
the woman's dry tone, her cutting humor. She had not been an easy woman
or a particularly apt pupil, but he believed he would miss her.
"Was there other news? Anything of the Galts?" Vanjit asked. There was
something odd about her voice, but it might only have been that
Clarity-of-Sight had started its wordless, wailing complaint. Eiah
appeared to notice nothing strange in the question.
"There would have been if I'd reached Pathai, I'd expect," she said.
"But since there would have been nothing to do about it and our business
was done early, I wanted to come back quickly."
"Ah," Vanjit said. "Of course."
Maati tugged at his fingers. There was something near disappointment in
the girl's tone. As if she had expected someone that had not arrived.
"You're ready to work again?" Small Kae said. Irit flapped a cloth at
her, and Small Kae took a pose that unasked the question. Eiah smiled.
"I've had a few thoughts," she said. "Let me look them over tonight
after we unload the cart, and we can talk in the morning."
"Oh, there's no more work for you tonight," Irit said. "You've been on
the road all this time. We can hand a few things down from a cart."
"Of course," Vanjit said. "You should rest, Eiah-kya. We'll be happy to
help."
Eiah put down her soup and took a pose that offered gratitude. Something
in the cant of her wrists caught Maati's attention, but the pose was
gone as quickly as it had come and Eiah was sitting back, drinking wine
and leaning her still-wet hair toward the fire. Large Kae rejoined them,
smelling of wet horse, and Eiah told the whole story again for her
benefit and then left for her rooms. Maati felt the impulse to follow
her, to speak in private, but Vanjit took him by the hand and led him
out to the cart with the others.
The supplies were something less than Maati had expected. Two chests of
salted pork, a few jars of lard and flour and sweet oil. Bags of rice.
It wasn't inconsiderable-certainly there was enough to keep them all
well-fed for weeks, but likely not months. There were few spices, and no
wine. Large Kae made a few small remarks about the failures of low-town
trade fairs, and the others chuckled their agreement. The rain
slackened, and then, as Vanjit balanced the last bag of rice on one hip
and Clarity-of-Sight on the other, snow began to fall. Maati went back
to his rooms, heated a kettle over his fire, and debated whether to try
to boil enough water for a bath. Immersion was the one way he was sure
he could chase the cold from his joints, but the effort required seemed
worse than enduring the chill. And there was an errand he preferred to
complete.
Light glowed through the cracks around Eiah's door. Dim and flickering,
it was still more than a single night candle would have made. Maati
scratched at the door. For a moment, nothing happened. Perhaps Eiah had
taken to her cot. Perhaps she was elsewhere in the school. A soft sound,
no more than a whisper, drew him back to the door.
"Eiah-kya?" he said, his voice low. "It's me."
Her door opened. Eiah had changed into a simple robe of thick wool, her
hair tied back with a length of twine. She looked powerfully like her
mother. The room she brought Maati into had once been a storage pantry.
Her cot and brazier and a low table were all the furnishings. There was
no window, and the air was thick with the heat and smoke from the coals.
Papers and scrolls lay on the table beside a wax tablet half-whitened by
fresh notes. Medical texts in the languages of the Westlands, Eiah's own
earlier drafts of the binding of Wounded. And also, he saw, the
completed binding they had all devised for Clarity-of-Sight. Eiah sat on
the cot, the frail structure creaking under her. She didn't look up at him.
"Why did she leave?" Maati asked. "Truth, now"
"I told her to," Eiah said. "She was frightened to come back. I told her
that I understood. What happens if two poets come into conflict? If one
poet has something like Floats-in-Air and the other has something like
Sinking?"
"Or one poet can blind, and the other heal injury?"
"As an example," Eiah said.
Maati sighed and lowered himself to sit beside her. The cot complained.
He laced his fingers together, looking at the words and diagrams without
seeing them.
"I don't entirely know. It hasn't happened in my lifetime. It hasn't
happened in generations."
"But it has happened," Eiah said.
"There was the war. The one that ended the Second Empire. That was ...
what, ten generations ago? The andat are flesh because we've translated
them into flesh, but they are also concepts. Abstractions. It might
simply be that the poets' wills are set against each other's. A kind of
wrestling match mediated through the andat. Whoever has the greater
strength of mind and the andat more suited to the struggle gains the
upper hand. Or it could be that the concepts of the two andat don't
coincide, and any struggle would have to be expressed physically. In the
world we inhabit. Or ..."
"Or?"
"Or something else could happen. The grammar and meaning in one binding
could relate to some structure or nuance in another. Imagine two singers
in competition. What if they chose songs that harmonized? What if the
words of one song blended with the words of the other, and something new
came from it? Songs are a poor metaphor. What are the odds that the
words of any two given songs would speak to each other? If the bindings
are related in concept, if the ideas are near, it's much more likely
that sort of resonance could happen. By chance."