And so she had looked about for the proper kind of well-paid slave to do her bidding. And she had found the professionally qualified young man called Michael Garfield and had brought him here and had paid him no doubt a large fee, and had in due course built a house for him. Michael Garfield, thought Poirot, looking round him, had not failed her.

He went and sat down on a bench, a bench which had been strategically placed.

He pictured to himself what the sunken quarry would look like in the spring.

There were young beech trees and birches with their white shivering barks. Bushes of thorn and white rose, little xxjuniper trees. But now it was autumn, and autumn had been catered for also. The gold and red of acers, a parrot ia or two, a path that led along a winding way to fresh delights.

There were flowering bushes of gorse or Spanish broom-Poirot was not famous for knowing the names of either flowers or shrubs-only roses and tulips could he approve and recognise.

But everything that grew here had the appearance of having grown by its own will. It had not been arranged or forced into submission. And yet, thought Poirot, that is not really so. All has been arranged, all has been planned to this tiny little plant that grows here and to that large towering bush that rises up so fiercely with its golden and red leaves. Oh yes. All has been planned here and arranged. What is more, I would say that it had obeyed.

He wondered then whom it had obeyed.

Mrs. Llewellyn-Smy the or Mr. Michael Garfield? It makes a difference, said Poirot to himself, yes, it makes a difference. Mrs.

Llewellyn-Smythe was knowledgeable, he felt sure. She had gardened for many years, she was no doubt a- Fellow of the Royal Horticultural Society, she went to shows, she consulted catalogues, she visited gardens. She took journeys abroad, no doubt, for botanical reasons.

She would know what she wanted, she would say what she wanted. Was that enough? Poirot thought it was not quite enough. She could have given orders to gardeners and made sure her orders were carried out.

But did she know really know see in her mind's eye exactly what her orders would look like when they had beAn carried out?

Not in the first year of their planting, not even the second, but things that she would see two years later, three years later, perhaps, even six or seven years later.

Michael Garfield, thought Poirot, Michael Garfield knows what she wants because she has told him what she wants, and he knows how to make this bare quarry of stone and rock blossom as a desert can blossom. He planned and he brought it about; he had no doubt the intense pleasure that comes to an artist who is commissioned by a client with plenty of money. Here was his conception of a fairy-land tucked away in a conventional and rather dull hillside, and here it would grow up.

Expensive shrubs for which large cheques would have to be written, and rare plants that perhaps would only be obtainable through the goodwill of a friend, and here, too, the humble things that were needed and which cost next to nothing at all. In spring on the bank just to his left there would be primroses, their modest green leaves all bunched together up the side of it told him that.

"In England," said Poirot, "people show you their herbaceous borders and they take you to see their roses and they talk at inordinate length about their iris gardens, and to show they appreciate one of the great beauties of England, they take you on a day when the sun shines and the beech trees are in leaf, and underneath them are all the bluebells.

Yes, it is a very beautiful sight, but I have been shown it, I think, once too often. I prefer " the thought broke off in his mind as he thought back to what he had preferred. A drive through Devon lanes. A winding road with great banks going up each side of it, and on those banks a great carpet and showing of primroses. So pale, so subtly and timidly yellow, and coming from them that sweet, faint, elusive smell that the primrose has in large quantities, which is the smell of spring almost more than any other smell. And so it would not be all rare shrubs here. There would be spring and autumn, there would be little wild cyclamen and there would be autumn crocus here too. It was a beautiful place.

He wondered about the people who lived in Quarry House now. He had their names, a retired elderly Colonel and his wife, but surely, he thought, Spence might have told him more about them. He had the feeling that whoever owned this now had not got the love of it that dead Mrs.

Llewellyn-Smythe had had. He got up and walked along the path a little way. It was an easy path, carefully levelled, designed, he thought, to be easy for an elderly person to walk where she would at will, without undue amount of steep steps, and at a convenient angle at convenient intervals a seat that looked rustic but was much less rustic than it looked. In fact, the angle for the back and for one's feet was remarkably comfortable. Poirot thought to himself, I'd like to see this Michael Garfield. He made a good thing of this. He knew his job, he was a good planner and he got experienced people to carry his plans out, and he managed, I think, to get his patron's plans so arranged that she would think that the whole planning had been hers. But I don't think it was only hers. It was mostly his. Yes, I'd like to see him.

If he's still in the cottage-or the bungalow-that was built for him, I suppose-his thought broke off.

He stared. Stared across a hollow that lay at his feet where the path ran round the other side of it. Stared at one particular golden red branching shrub which framed something that Poirot did not know for a moment was really there or was a mere effect of shadow and sunshine and leaves.

What am I seeing? thought Poirot. Is this the result of enchantment?

It could be. In this place here, it could be. Is it a human being I see, or is it what could it be? His mind reverted to some adventures of his many years ago which he had christened "The Labours of Hercules".

Somehow, he thought, this was not an English garden in which he was sitting.

There was an atmosphere here. He tried to pin it down. It had qualities of magic, of enchantment, certainly of beauty, bashful beauty, yet wild. Here, if you were staging a scene in the theatre, you would have your nymphs, your fauns, you would have Greek beauty, you would have fear too.

Yes, he thought, in this sunk garden there is fear. What did Spence's sister say?

Something about a murder that took place in the original quarry years ago? Blood had stained the rock there, and afterwards, death had been forgotten, all had been covered over, Michael Garfield had come, had planned and had created a garden of great beauty, and an elderly woman who had not many more years to live had paid out money for it.

He saw now it was a young man who stood on the other side of the hollow, framed by golden red leaves, and a young man, so Poirot now recognised, of an unusual beauty. One didn't think of young men that way nowadays. You said of a young man that he was sexy or madly attractive, and these evidences of praise are often quite justly made.

A man with a craggy face, a man with wild greasy hair and whose features were far from regular.

You didn't say a young man was beautiful.

If you did say it, you said it apologetically as though you were praising some quality that had been long dead. The sexy girls didn't want Orpheus with his lute, they wanted a pop singer with a raucous voice, expressive eyes and large masses of unruly hair.

Poirot got up and walked round the path. As he got to the other side of the steep descent, the young man came out from the trees to meet him. His youth seemed the most characteristic thing about him, yet, as Poirot saw, he was not really young. He was past thirty, perhaps nearer forty. The smile on his face was very, very faint. It was not quite a welcoming smile, it was just a smile of quiet recognition.