What kind of a man wouldn't open his letters? Some of these were six months old, she realized, shuffling through them. Perhaps he read his mail only on New Year's Day, or maybe that's when he threw away the previous year's unread.

She found an envelope that bore the seal of the Manchester lawyers who had written to her and told her of the conditions of her mother's will-the conditions that had brought her here. She tucked the letter into her pocket and continued to sift through the remainder. She recognized the thin, spidery writing of Miss Anne Trent, and abstracted this envelope also. She had a fair idea of the contents. They would not be flattering and she'd decide later whether or not to pass on this document to her new guardian.

With the letters in her pocket she set off to explore the remainder of the house. Dante reluctantly left his mousing and followed her up the great carved staircase. A series of passages ran off the landing at the head of the stairs. The house was a rabbit warren of gloomy corridors, faded tapestries hanging on the paneled walls, piles of dust in the corners, and a closed-in musty smell that Chloe was convinced was mice. Judging by Dante's eager lunges and scampering pursuits, the dog also thought so.

She opened doors onto deserted bedrooms with heavy carved furniture and poster beds, the testers and canopies threadbare and in some cases torn and hanging from the frame. She couldn't imagine sleeping in any of them until she came upon a corner room with three windows and a big fireplace. The bed had dimity hangings, rather grubby and faded, certainly, but intact and much lighter and more pleasing than the tapestries and heavy brocades in the other rooms. An embroidered Elizabethan rug covered the dusty wooden floor. The views from the three windows were lovely-across the moor from one side and over the valley on the other.

She flung open the windows, letting light and air into the room. Dante flopped down in front of the empty hearth with an exaggerated sigh, giving his seal of approval to the choice. The first thing to do, Chloe decided, was to install the cat and her litter away from any further threat of the stables. If they weren't visible, the master of the house would perhaps forget about them. The parrot too.

It took fifteen minutes to put the parrot's cage on the broad windowsill and the hat box with cat and kittens into a cool, dark cupboard. Then Chloe left the room, firmly closing the door on Dante, who yelped frantically for a few minutes as she walked away.

At the end of another corridor she found double doors. The brass handles were not as tarnished as the others she'd noticed, and she had the sudden conviction that the room beyond was inhabited. It must be Sir Hugo's apartments. Inveterately curious, she didn't stop to consider but gently lifted the latch, pushing open the doors, praying they wouldn't squeak.

She stood on the threshold and absorbed the room in silence. It was the largest she'd seen, furnished as heavily as the others. The bed was enormous, the pillars carved with strange animallike shapes, the tester and hangings of gold-embroidered brocade. But it was all now shabby, a shadow of its former glory. The curtains around the bed had been left open and the sleeping man didn't stir as she took a tentative step into the room. The windows were open and she could hear someone whistling from the courtyard below. Presumably, there was a groom or stablehand even if there were no servants in the house.

She glanced at the bed again. Thick chestnut-brown hair flopped over a turned cheek on the pillow; one shoulder and arm were flung over the sheet across his body. Chloe stared, fascinated, at the bare, muscled flesh. The skin was deeply tanned, the hair on his arms sun-bleached. She had the impression of a powerful mass of body beneath the thin sheet. In the hall, she'd been aware of his height and breadth only peripherally, there'd been too many other things to deal with. But the man whose responsibility she would be for the next four years now struck her as a force of some magnitude, even lying inert in his sleep.

The force was a lodestone, drawing her into the room. She stepped closer to the bed. And then the world turned upside down.

One minute she was upright, the next spread-eagle across the bed, her face buried in the coverlet, one arm painfully caught up behind her back, the ridged muscles of his thighs hard beneath her stomach. Her legs flailed and her arm was jerked upward, bringing tears to her eyes. In reflex, she lay still, and the pressure was slightly relieved.

"You prying little sneak," the furious voice hissed above her. "What the hell do you think you're doing, poking and prying in my room? What were you looking for?" Another jerk on her arm punctuated the livid question, and she bit back a cry of pain.

"I wasn't looking for anything." She tried to turn her head out of the muffling confines of the bedding. "Please… you're hurting me." Again, there was a minute easing of the pressure. "I wasn't looking for anything," she repeated, tears of shock in her voice. "I was just looking-looking at, not for."

There was a short silence, during which her position remained the same. Hugo kept his grip on her wrist and became aware of the feel of her body across his thighs.

She was very light… as her mother had been. Sorrow flashed, short but bitter, across his mind.

"An interesting distinction," he said after a minute. "And just what were you looking at?"

The delicate frame shifted against him and with an unpleasant start he realized her proximity was having an unlooked-for effect. He tightened his grip on her wrist. "Well?"

"Things… everything… the house… I wanted to explore, to learn where things are. And I found the letters from the lawyer and the Misses Trent." Too late, she remembered that she'd not made up her mind about the latter document. "I was going to give them to you… Please let me up."

"I hardly think they had to be given to me in my sleep," he observed, wondering why the artless explanation should have sounded so convincing. He released her wrist. "You may stand up."

She pushed backward and he was left without the slight weight, the scent of her hair and body. It was only as the delicate fragrance departed that he realized he'd been aware of it-rose petals and lavender, he thought, with just a hint of clover honey.

"Stand back and let me look at you."

Chloe did so, regarding him warily, massaging her aching arm. She was accustomed to cool greetings, but that had been a decidedly unpleasant experience.

Hugo hitched himself farther up the pillows, noticing absently that his headache had gone and he felt as well as he usually did once the hangover had been pushed aside… until the next morning-after. Glancing at the dock, he saw that he'd slept for an hour and a half. Hardly a long night, but it would have to do. He returned his attention to the girl, seeing her dearly for the first time, assessing where she resembled her mother.

He realized with a shock that Chloe Gresham was stunningly beautiful. He had always thought Elizabeth had been, and her daughter had all the elements of that beauty, but wherever Elizabeth's had been slightly marred, the daughter's was perfection. Elizabeth's mouth had been a fraction too small, her eyes perhaps a scrap too close together, her nose a little too long. Not the kind of flaws one would ordinarily notice, except when faced with perfection.

The girl's fair hair was scraped tightly back from her forehead, hanging in two thick plaits down her back. The effect was to dim the luster of her hair while throwing the planes and shadows of her face into harsh relief. Yet it did nothing to impair the overall impression of a stellar beauty.

Her body was clad in a dull, round gown of drab schoolgirlish brown sei^ge that squashed where it shouldn't and hung loose where it shouldn't. A cleverly designed costume, he thought, if the intention was to conceal womanhood. But still not clever enough to mask the dainty, fragile perfection of Chloe's small-boned, well-proportioned body. His own stirred again, and he tried to ignore it.