Benton enjoyed the rep.

John Lee Benton was a small man with a strong nose and mousy hair combed forward over watery blue eyes. He wore a straw-colored mustache, cut square. When he looked at himself in the bathroom mirror in the morning, he thought he looked like somebody, but he couldn't think who. Somebody famous. He'd think of it sooner or later.

John Lee Benton hated blacks, Indians, Mexicans, Jews and Asians, more or less in that order. His hate for blacks and Jews was a family heritage, passed down from his daddy as Benton grew up in a sprawling blue-collar slum in St. Louis. He'd developed his animus for Indians, Mexicans and Asians on his own.

Every Monday afternoon Benton sat in a stifling office in the back of the Indian Center off Franklin Avenue and talked to his assholes. He was supposed to call them clients, but fuck that. They were criminals and assholes, every single one.

"Mr. Benton?"

Benton looked up. Betty Sails stood in the doorway. A tentative, gray-faced Indian woman with a beehive hairdo, she was the office's shared receptionist.

"Is he here?" John Lee spoke sharply, impatiently. He was a man who sweated hate.

"No, he's not," Betty Sails said. "But there's another man to see you. Another Indian man."

Benton frowned. "I didn't have any more appointments today."

"He said it was about Mr. Cloud."

Glory be, an actual excuse. "All right. Give me a couple of minutes, then send him in," Benton said. Betty Sails went away and Benton looked through Cloud's file again. He didn't need to review it but liked the idea of keeping the Indian waiting. Two minutes later, Tony Bluebird appeared at the door. Benton had never seen him before.

"Mr. Benton?" Bluebird was a stocky man with close-set eyes and short-cropped hair. He wore'a gingham shirt over a rawhide thong. A black obsidian knife dangled from the thong and Bluebird could feel it ticking against the skin below his breast bone.

"Yes?" Benton let his anger leak into his tone.

Bluebird showed him a gun. "Put your hands on your lap, Mr. Benton."

Three people saw Bluebird. Betty Sails saw him both coming and going. A kid coming out of the gym dropped a basketball, and Bluebird stopped it with a foot, picked it up and tossed it back, just as Betty Sails started screaming. On the street, Dick Yellow Hand, who was seventeen years old and desperately seeking a taste of crack, saw him walk out the door and called, "Hey, Bluebird."

Bluebird stopped. Yellow Hand sidled over, scratching his thin beard. "You look bad, man," Bluebird said.

Yellow Hand nodded. He was wearing a dirty T-shirt with a fading picture of Mick Jagger on the front. His jeans, three sizes too large, were cinched at the waist with a length of clothesline. His elbow joints and arms looked like cornstalks. He was missing two front teeth. "I feel bad, man. I could use a few bucks, you know?"

"Sorry, man, I got no money," Bluebird said. He stuck his hands in his pockets and pulled them out empty.

"That's okay, then," Yellow Hand said, disappointed.

"I seen your mama last week," Bluebird said. "Out at the res."

"How's she?"

"She's fine. She was fishing. Walleyes."

Sails' hysterical screams became audible as somebody opened an outside door to the Indian Center.

"That's real good about Mama," said Yellow Hand. "Well, I guess I gotta go," Bluebird said, easing away. "Okay, man," said Yellow Hand. "See you."

Bluebird walked, taking his time, his mind in another place. What was her name? It had been years ago. Anna? She was a pretty woman, with deep breasts and warm hazel eyes. She'd liked him, he thought, though they were both married, and nothing ever happened; nothing but a chemistry felt across backyard hedges, deep down in Minneapolis' Indian Country.

Anna's husband, a Chippewa from Nett Lake, had been put in the Hennepin County Jail. Drunk, late at night, he'd seen a Coke machine glowing red-and-white through the window of a gas station. He'd heaved a chunk of concrete through the window, crawled in after it and used the concrete to crack the machine. About a thousand quarters had run out onto the floor, somebody told Bluebird. Anna's husband had still been picking them up, laboriously, one at a time, when the cops arrived. He'd been on parole and the break-in was a violation. He'd gotten six months on top of the remaining time from the previous conviction.

Anna and her husband had never had money. He drank up most of it and she probably helped. Food was short. Nobody had clothes. But they did have a son. He was twelve, a stocky, withdrawn child who spent his evenings watching television. One Saturday afternoon, a few weeks after his daddy was taken to jail, the boy walked down to the Lake Street bridge and jumped into the Mississippi. A lot of people saw him go and the cops had him out of the river in fifteen minutes. Dead.

Bluebird had heard, and he went down to the river. Anna was there, her arms wrapped around the body of her son, and she looked up at him with those deep pain-filled eyes, and… what?

It was all part of being Indian, Bluebird thought. The dying. It was somethin'g they did better than the whites. Or more frequently, anyway.

When Bluebird walked out of the room after slashing Benton's throat, he'd looked down at the man's face and thought he seemed familiar. Like a famous person. Now, on the sidewalk, as he left Yellow Hand behind, as he thought about Anna, Benton's face floated up in his mind's eye.

Hitler, he thought. John Lee Benton looked exactly like a young Adolf Hitler.

A young dead Adolf Hitler.

Lucas Davenport lounged on a brocaded couch in the back of a used-book store, eating a roast beef sandwich. In his lap was a battered paperback copy of T. Harry Williams' biography of Huey Long.

T. Harry had gotten it right, Lucas reflected. The man in the white suit flashing among the Longites as they stood outside the governor's office. The shot. The Kingfish hit, the screaming, the running. The cops going berserk.

"Roden and Coleman fired at almost the same time, with Coleman's bullet probably reaching the man first," T. Harry wrote. "Several other guards had unholstered their guns and were blazing away. The man crumpled and fell facedown-ward near the wall of the corridor from which he had come. He lay there with his face resting on one arm and did not move and was obviously dead. But this did not satisfy some of the guards. Crazed with rage or grief, they stood over the body and emptied their guns into it. It was later discovered to have thirty bullet holes in the back and twenty-nine in the front (many of these were caused by the same bullet making an entry and exit) and two in the head. The face was partially shot away, and the white suit was cut to ribbons and drenched with blood."

Murder was never as neat as it was on television. No matter how brutal it was on the screen, in real life it was worse. In real life, there was always an empty husk lying there, the spirit departed, the flesh slack, the eyes like ball bearings. And it had to be dealt with. Somebody had to pick up the body, somebody had to mop up the blood. Somebody had to catch the killer.

Lucas rubbed his eyebrow where the scar crossed it. The scar was the product of a fishing accident. A wire leader had snapped back from a snag and buried itself in his face. The scar was not a disfigurement: the women he knew said it made him look friendlier. The scar was fine; it was his smile that was scary.

He rubbed his eyebrow and went back to the book. He did not look like a natural reader, sitting on the couch, squinting in the dim light. He had the air of the street about him. His hands, which were covered with a dark fuzz for three inches below his wrists, seemed too large and blocky as he handled the paperback. His nose had been broken, more than once, and a strong neck was rooted in heavy shoulders. His hair was black, just touched with gray.