Much of it’s gone of course: The rolling pastoral fields. The solid mansions of John Hancock and early government luminaries. Der Kolek, the large freshwater lake (its Dutch name eventually corrupted to “The Collect,” which more accurately described the grossly polluted pond). The notorious Five Points neighborhood – in the early 1800s the most dangerous square mile on earth – where a single tenement, like the decrepit Gates of Hell, might be the site of two or three hundred murders every year.

But thousands of the old buildings remained – tenements from the nineteenth century and Colonial frame houses and Federal brick townhomes from the prior one, Baroque meeting halls, several of the Egyptian-style public buildings constructed by order of the regally corrupt Congressman Fernando Wood. Some were abandoned, their facades overgrown with weeds and floors cracked by persistent saplings. But many were still in use; this had been the land of Tammany Hall iniquity, of pushcarts and sweat-shops, of the Henry Street Settlement house, Minsky’s burlesque and the notorious Yiddish Gomorra – the Jewish Mafia. A neighborhood that gives birth to institutions like these does not die easily.

It was toward this neighborhood that the bone collector now piloted the taxi containing the thin woman and her young daughter.

Observing that the constabulary was on to him, James Schneider went once again to ground like the serpent that he was, seeking accommodations – it is speculated – in the cellars of the city’s many tenant-houses (which the reader may perchance recognize as the still-prevalent “tenements”). And so he remained, quiescent for some months.

As he drove home, the bone collector saw around him not the Manhattan of the 1990s – the Korean delis, the dank bagel shops, the X-rated-video stores, the empty clothing boutiques – but a dreamy world of bowler-clad men, women in rustling crinoline, hems and cuffs filthy with street refuse. Hordes of buggies and wagons, the air filled with the sometimes pleasant, sometimes repulsive scent of methane.

But such was the foul, indefatigable drive within him to start his collection anew that he was soon forced from his lair to waylay yet another good citizen; – this, a young man newly arrived in town to attend university.

Driving through the notorious Eighteenth Ward, once the home of nearly fifty thousand people crammed into a thousand decrepit tenements. When most people thought of the nineteenth century they thought in sepia – because of old photographs. But this was wrong. Old Manhattan was the color of stone. With choking industrial smoke, paint prohibitively expensive and dim lighting, the city was many shades of gray and yellow.

Schneider snuck up behind the fellow and was about to strike when Fortune’s conscience, at last, cried out. Two constables chanced upon the assault. They recognized Schneider and gave chase. The killer fled east, across that engineering marvel, the Manhattan Bridge, completed In 1909, two years before these events. But he stopped halfway across, seeing that three constables were approaching from Brooklyn, having heard the alarm raised by the whistles and pistol reports of their confederates from Manhattan.

Schneider, unarmed, as chance would have it, climbed onto the railing of the bridge as he was surrounded by the law. He shouted maniacal diatribes against the constables, condemning them for having ruined his life. His words grew ever madder. As the constabulary moved closer, he leapt from the rail into the River. A week later a pilot discovered his body on the shore of Welfare Island, near Hell Gale. There was little left, for the crabs and turtles had been diligently working to reduce Schneider to the very bone which he, in his madness, cherished.

He turned the taxi onto his deserted cobblestoned street, East Van Brevoort, and paused in front of the building. He checked the two filthy strings he’d run low across the doors to make certain that no one had entered. A sudden motion startled him and he heard the guttural snarling of the dogs again, their eyes yellow, teeth brown, bodies dotted with scars and sores. His hand strayed to his pistol but they suddenly turned and, yelping, charged after a cat or rat in the alley.

He saw no one on the hot sidewalks and opened the padlock securing the carriage-house door then climbed back inside the car and drove into the garage, parked beside his Taurus.

After the villain’s death his effects were secured and perused by detectives. His diary showed that he had murdered eight good citizens of the city. Nor was he above grave robbery, for it was ascertained from his pages (if his claims be true) that he had violated several holy resting places In cemeteries around the city. None of his victims had accorded him the least affront; – nay, most were upstanding citizens, industrious and innocent. And yet he felt not a modicum of guilt. Indeed, he seems to have labored under the mad delusion that he was doing his victims a favor.

He paused, wiped sweat from his mouth. The ski mask itched. He dragged the woman and her daughter out of the trunk and through the garage. She was strong and fought hard. At last he managed to get the cuffs on them.

“You prick!” she howled. “Don’t you dare touch my daughter. You touch her and I’ll kill you.”

He gripped her hard around the chest and taped her mouth. Then he did the little girl’s too.

“Flesh withers and can be weak,” – (the villain wrote in his ruthless yet steady hand) – “Bone is the strongest aspect of the body. As old as we may be in the flesh, we are always young in the bone. It is a noble goal I had, and it is beyond me why any-one might quarrel with it. I did a kindness to them all. They are immortal now. I freed them. I took them down to the bone.”

He dragged them into the basement and pushed the woman down hard on the floor, her daughter beside her. Tied their cuffs to the wall with clothesline. Then returned upstairs.

He lifted her yellow knapsack from the back of the cab, the suitcases from the trunk, and pushed through a bolt-studded wooden door into the main room of the building. He was about to toss them into a corner but found that, for some reason, he was curious about these particular captives. He sat down in front of one of the murals – a painting of a butcher, placidly holding a knife in one hand, a slab of beef in the other.

He examined the luggage tag. Carole Ganz. Carole with an E. Why the extra letter? he wondered. The suitcase contained nothing but clothes. He started through the knapsack. He found the cash right away. There must have been four or five thousand. He put it back in the zippered compartment.

There were a dozen child’s toys: a doll, a tin of water-colors, a package of modeling clay, a Mr. Potato Head kit. There were also an expensive Discman, a half-dozen CDs and a Sony travel clock radio.

He looked through some pictures. Photos of Carole and her girl. In most of the pictures the woman seemed very somber. In a few others, she seemed happier. There were no photos of Carole and her husband even though she wore a wedding ring. Many were of the mother and daughter with a couple – a heavyset woman wearing one of those old granny dresses and a bearded, balding man in a flannel shirt.

For a long time the bone collector gazed at a portrait of the little girl.

The fate of poor Maggie O’Connor, the young slip of a girl, merely eight years of age, was particularly sad. It was her misfortune, the police speculate, that she stumbled across the path of James Schneider as he was disposing of one of his victims.

The girl, a resident of the notorious “Hell’s Kitchen,” had gone out to pluck horsehairs from one of the many dead animals found in that impoverished part of the city. It was the custom of youngsters to wind tail-hairs into bracelets and rings – the only trinkets such urchins might have to adorn themselves with.