And she knew Miss Tick. By now she would be just bursting to ask a question, because witches hate not knowing things. And, sure enough, when the village was left behind, Miss Tick said, after a lot of shifting and clearing her throat:

‘Aren’t you going to open it?’

‘Open what?’ said Tiffany, not looking at her.

‘He gave you a present,’ said Miss Tick.

‘I thought you were examining an interesting stone, Miss Tick,’ said Tiffany accusingly.

‘Well, it was only fairly interesting,’ said Miss Tick, completely unembarrassed. ‘So… are you?’

‘I’ll wait until later,’ said Tiffany. She didn’t want a discussion about Roland at this point or, really, at all.

She didn’t actually dislike him. She’d found him in the land of the Queen of the Fairies and had sort of rescued him, although he had been unconscious most of the time. A sudden meeting with the Nac Mac Feegle when they’re feeling edgy can do that to a person. Of course, without anyone actually lying, everyone at home had come to believe that he had rescued her. A nine-year-old girl armed with a frying pan couldn’t possibly have rescued a thirteen-year-old boy who’d got a sword.

Tiffany hadn’t minded that. It stopped people asking too many questions she didn’t want to answer or even know how to. But he’d taken to… hanging around. She kept accidentally running into him on walks more often than was really possible, and he always seemed to be at the same village events she went to. He was always polite, but she couldn’t stand the way he kept looking like a spaniel that had been kicked.

Admittedly—and it took some admitting—he was a lot less of a twit than he had been. On the other hand, there had been such of lot of twit to begin with.

And then she thought, Horse, and wondered why until she realized that her eyes had been watching the landscape while her brain stared at the past…

‘I’ve never seen that before,’ said Miss Tick.

Tiffany welcomed it as an old friend. The Chalk rose out of the plains quite suddenly on this side of the hills. There was a little valley cupped into the fall of the down, and there was a carving in the curve it made. Turf had been cut away in long flowing lines so that the bare chalk made the shape of an animal.

‘It’s the White Horse,’ said Tiffany.

‘Why do they call it that?’ said Miss Tick.

Tiffany looked at her.

‘Because the chalk is white?’ she said, trying not to suggest that Miss Tick was being a bit dense.

‘No, I meant why do they call it a horse? It doesn’t look like a horse. It’s just… flowing lines…’

…that look as if they’re moving, Tiffany thought.

It had been cut out of the turf right back in the old days, people said, by the folk who’d built the stone circles and buried their kin in big earth mounds. And they’d cut out the Horse at one end of this little green valley, ten times bigger than a real horse and, if you didn’t look at it with your mind right, the wrong shape, too. Yet they must have known horses, owned horses, seen them every day, and they weren’t stupid people just because they lived a long time ago.

Tiffany had once asked her father about the look of the Horse, when they’d come all the way over here for a sheep fair, and he told her what Granny Aching had told him when he was a little boy. He passed on what she said word for word, and Tiffany did the same now.

‘’Taint what a horse looks like,’ said Tiffany. ‘It’s what a horse be.’

‘Oh,’ said Miss Tick. But because she was a teacher as well as a witch, and probably couldn’t help herself, she added, ‘The funny thing is, of course, that officially there is no such thing as a white horse. They’re called grey.’1

‘Yes, I know,’ said Tiffany. ‘This one’s white,’ she added, flatly.

That quietened Miss Tick down for a while, but she seemed to have something on her mind.

‘I expect you’re upset about leaving the Chalk, aren’t you?’ she said as the cart rattled on.

‘No,’ said Tiffany.

‘It’s OK to be,’ said Miss Tick.

‘Thank you, but I’m not really,’ said Tiffany.

‘If you want to have a bit of a cry, you don’t have to pretend you’ve got some grit in your eye or anything—’

‘I’m all right, actually,’ said Tiffany. ‘Honestly.’

‘You see, if you bottle that sort of thing up it can cause terrible damage later on.’

‘I’m not bottling, Miss Tick.’

In fact, Tiffany was a bit surprised at not crying, but she wasn’t going to tell Miss Tick that. She left a sort of space in her head to burst into tears in, but it wasn’t filling up. Perhaps it was because she’d wrapped up all those feelings and doubts and left them up on the hill by the pot-bellied stove.

‘And if of course you were feeling a bit downcast at the moment, I’m sure you could open the present he—’ Miss Tick tried.

‘Tell me about Miss Level,’ Tiffany said quickly. The name and address was all she knew about the lady she was going to stay with, but an address like ‘Miss Level, Cottage in the Woods near the dead oak tree in Lost Man’s Lane, High Overhang, If Out Leave Letters in Old Boot by Door’ sounded promising.

‘Miss Level, yes,’ said Miss Tick, defeated. ‘Er, yes. She’s not really very old but she says she’ll be happy to have a third pair of hands around the place.’

You couldn’t slip words past Tiffany, not even if you were Miss Tick.

‘So there’s someone else there already?’ she said.

‘Er… no. Not exactly,’ said Miss Tick.

‘Then she’s got four arms?’ said Tiffany. Miss Tick had sounded like someone trying to avoid a subject.

Miss Tick sighed. It was difficult to talk to someone who paid attention all the time. It put you off.

‘It’s best if you wait until you meet her,’ she said. ‘Anything I tell you will only give you the wrong idea. I’m sure you’ll get along with her. She’s very good with people, and in her spare time she’s a research witch. She keeps bees—and goats, the milk of which, I believe, is very good indeed, owing to homogenized fats.’

‘What does a research witch do?’ Tiffany asked.

‘Oh, it’s a very ancient craft. She tries to find new spells by learning how old ones were really done. You know all that stuff about “ear of bat and toe of frog”? They never work, but Miss Level thinks it’s because we don’t know exactly what kind of frog, or which toe—’

‘I’m sorry, but I’m not going to help anyone chop up innocent frogs and bats,’ said Tiffany firmly.

‘Oh, no, she never kills any!’ said Miss Tick hurriedly. ‘She only uses creatures that have died naturally or been run over or committed suicide. Frogs can get quite depressed at times.’

The cart rolled on, down the white, dusty road, until it was lost from view.

Nothing happened. Skylarks sang, so high up they were invisible. Grass seeds filled the air. Sheep baa’d, high up on the Chalk.

And then something came along the road. It moved like a little slow whirlwind, so it could be seen only by the dust it stirred up. As it went past, it made a noise like a swarm of flies.

Then it, too, disappeared down the hill

After a while a voice, low down in the long grass, said: ‘Ach, crivens! And it’s on her trail, right enough!’

A second voice said: ‘Surely the old hag will spot it?’

“Whut? The teachin’ hag? She’s nae a proper hag!’

‘She’s got the pointy hat under all them flowers, Big Yan,’ said the second voice, a bit reproachfully. ‘I seen it. She presses a wee spring an’ the point comes up!’

‘Oh, aye, Hamish, an’ I daresay she does the readin’ and the writin’ well enough, but she disnae ken aboot stuff that’s no’ in books. An’ I’m no’ showin’ meself while she’s aroond. She’s the kind of a body that’d write things doon about a man! C’mon, let’s go and find the kelda!’

вернуться

1. She had to say that, because she was a witch and a teacher, and that’s a terrible combination. They want things to be right. They like things to be correct. If you want to upset a witch, you don’t have to mess around with charms and spells– you just have to put her in a room with a picture that’s hung slightly crooked and watch her squirm.


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