He lets himself into the vaultlike building, takes all of the old familiar turns, makes his way down a low ramp. The room is unlocked and a bit chilly, but he begins to perspire when he enters. The two cold lockers are in operation. He checks their monitoring systems and sees that everything is in order.

All right, go! Borrow the equipment now. They won't be using it.

He hesitates.

He draws nearer and looks down through the view plates at the faces of the sleepers. No resemblance, thank God. He realizes then that he is trembling. He backs away, turns, and flees toward the storage area.

Later, in a yellow snowslider, carrying special equipment, he heads inland.

As he drives, the snow ceases falling and the winds die down. He smiles. The snows sparkle before him, and landmarks do not seem all that unfamiliar. Good omens, at last.

Then something crosses his path, turns, halts, and faces him.

ANDREW ALDON. Andrew Aldon, once a man of considerable integrity and resource, had on his deathbed opted for continued existence as a computer program, the enchanted loom of his mind shuttling and weaving thereafter as central processing's judgmental program in the great guardian computerplex at Playpoint. And there he functions as a program of considerable integrity and resource. He maintains the city, and he fights the elements. He does not merely respond to pressures, but he anticipates structural and functional needs; he generally outguesses the weather. Like the professional soldier he once had been he keeps himself in a state of constant alert—not really difficult considering the resources available to him. He is seldom wrong, always competent, and sometimes brilliant. Occasionally he resents his fleshless state. Occasionally he feels lonely.

This afternoon he is puzzled by the sudden veering off of the storm he had anticipated and by the spell of clement weather that has followed this meteorological quirk. His mathematics were elegant, but the weather was not. It seems peculiar that this should come at a time of so many other little irregularities, such as unusual ice adjustments, equipment glitches, and the peculiar behavior of machinery in the one occupied room of the hotel—a room troublesomely tenanted by a non grata ghost from the past.

So he watches for a time. He is ready to intervene when Paul enters the administration building and goes to the bunkers. But Paul does nothing that might bring harm to the sleepers. His curiosity is dominant when Paul draws equipment. He continues to watch. This is because in his judgment, Paul bears watching.

Aldon decides to act only when he detects a development that runs counter to anything in his experience. He sends one of his mobile units to intercept Paul as the man heads out of town. It catches up with him at a bending of the way and slides into his path with one appendage upraised.

"Stop!" Aldon calls through the speaker.

Paul brakes his vehicle and sits for a moment regarding the machine.

Then he smiles faintly. "I assume you have good reason for interfering with a guest's freedom of movement."

"Your safety takes precedence."

"I am perfectly safe."

"At the moment."

"What do you mean?"

"This weather pattern has suddenly become more than a little unusual. You seem to occupy a drifting island of calm while a storm rages about you."

"So I'll take advantage of it now and face the consequences later, if need be."

"It is your choice. I wanted it to be an informed one, however."

"All right. You've informed me. Now get out of my way."

"In a moment. You departed under rather unusual circumstances the last time you were here—in breach of your contract."

"Check your legal bank if you've got one. That statute's run for prosecuting me on that."

"There are some things on which there is no statute of limitations."

"What do you mean by that? I turned in a report on what happened that day."

"One which—conveniently—could not be verified. You were arguing that day... ."

"We always argued. That's just the way we were. If you have something to say about it, say it."

"No, I have nothing more to say about it. My only intention is to caution you—"

"Okay, I'm cautioned."

"To caution you in more ways than the obvious."

"I don't understand."

"I am not certain that things are the same here now as when you left last winter."

"Everything changes."

"Yes, but that is not what I mean. There is something peculiar about this place now. The past is no longer a good guide for the present. More and more anomalies keep cropping up. Sometimes it feels as if the world is testing me or playing games with me."

"You're getting paranoid, Aldon. You've been in that box too long. Maybe it's time to terminate."

"You son of a bitch, I'm trying to tell you something. I've run a lot of figures on this, and all this shit started shortly after you left. The human part of me still has hunches, and I've a feeling there's a connection. If you know all about this and can cope with it, fine. If you don't, I think you should watch out. Better yet, turn around and go home."

"I can't."

"Even if there is something out there, something that is making it easy for you—for the moment?"

"What are you trying to say?"

"I am reminded of the old Gaia hypothesis—Lovelock, twentieth century... ."

"Planetary intelligence. I've heard of it. Never met one, though."

"Are you certain? I sometimes feel I'm confronting one."

"What if something is out there and it wants you—is leading you on like a will-o'-the-wisp?"

"It would be my problem, not yours."

"I can protect you against it. Go back to Playpoint."

"No thanks. I will survive."

"What of Dorothy?"

"What of her?"

"You would leave her alone when she might need you?"

"Let me worry about that."

"Your last woman didn't fare too well."

"Damn it! Get out of my way, or I'll run you down!"

The robot withdraws from the trail. Through its sensors Aldon watches Paul drive away.

Very well, he decides. We know where we stand, Paul. And you haven't changed. That makes it easier.

Aldon further focuses his divided attention. To Dorothy now. Clad in heated garments. Walking. Approaching the building from which she had seen Paul emerge on his vehicle. She had hailed and cursed him, but the winds had carried her words away. She, too, had only feigned sleep. After a suitable time, then, she sought to follow. Aldon watches her stumble once and wants to reach out to assist her, but there is no mobile unit handy. He routes one toward the area against future accidents.

"Damn him!" she mutters as she passes along the street, ribbons of snow rising and twisting away before her.

"Where are you going, Dorothy?" Aldon asks over a nearby PA speaker.

She halts and turns. "Who—?"

"Andrew Aldon," he replies. "I have been observing your progress."

"Why?" she asks.

"Your safety concerns me."

"That storm you mentioned earlier?"

"Partly."

"I'm a big girl. I can take care of myself. What do you mean partly?"

"You move in dangerous company."

"Paul? How so?"

"He once took a woman into that same wild area he is heading for now. She did not come back."

"He told me all about that. There was an accident."

"And no witnesses."

"What are you trying to say?"

"It is suspicious. That is all."

She begins moving again, toward the administrative building. Aldon switches to another speaker, within its entrance.

"I accuse him of nothing. If you choose to trust him, fine. But don't trust the weather. It would be best for you to return to the hotel."

"Thanks but no thanks," she says, entering the building.

He follows her as she explores, is aware of her quickening pulse when she halts beside the cold bunkers.