Will Graham drove slowly past the house where the Charles Leeds family had lived and died. The windows were dark. One yard light burned. He parked two blocks away and walked back through the warm night, carrying the Atlanta police detectives' report in a card-board box.

Graham had insisted on coming alone. Anyone else in the house would distract him -that was the reason he gave Crawford. He had another, private reason: he was not sure how he would act. He didn't want a face aimed at him all the time.

He had been all right at the morgue.

The two-story brick home was set back from the street on a wooded lot. Graham stood under the trees for a long time looking at it. He tried to be still inside. In his mind a silver pendulum swung in darkness. He waited until the pendulum was still.

A few neighbors drove by, looking at the house quickly and looking away. A murder house is ugly to the neighbors, like the face of someone who betrayed them. Only outsiders and children stare.

The shades were up. Graham was glad. That meant no relatives had been inside. Relatives always lower the shades.

He walked around the side of the house, moving carefully, not using his flashlight. He stopped twice to listen. The Atlanta police knew he was here, but the neighbors did not. They would be jumpy. They might shoot.

Looking in a rear window, he could see all the way through to the light in the front yard, past silhouettes of furniture. The scent of Cape jasmine was heavy in the air. A latticed porch ran across most of the back. On the porch door was the seal of the Atlanta police department. Graham removed the seal and went in.

The door from the porch into the kitchen was patched with plywood where the police had taken out the glass. By flashlight he unlocked it with the key the police had given him. He wanted to turn on lights. He wanted to put on his shiny badge and make some official noises to justify himself to the silent house where five people had died. He did none of that. He went into the dark kitchen and sat down at the breakfast table.

Two pilot lights on the kitchen range glowed blue in the dark. He smelled furniture polish and apples.

The thermostat clicked and the air conditioning came on. Graham started at the noise, felt a trickle of fear. He was an old hand at fear. He could manage this one. He simply was afraid, and he could go on anyway.

He could see and hear better afraid; he could not speak as concisely, and fear sometimes made him rude. Here, there was nobody left to speak to, there was nobody to offend anymore.

Madness came into this house through that door into this kitchen, moving on size-eleven feet. Sitting in the dark, he sensed madness like a bloodhound sniffs a shirt.

Graham had studied the detectives' report at Atlanta Homicide for most of the day and early evening. He remembered that the light on the vent hood over the stove had been on when the police arrived. He turned it on now.

Two framed samplers hung on the wall beside the stove. One said "Kissin' don't last, cookin' do." The other was "It's always to the kitchen that our friends best like to come, to hear the heartbeat of the house, take comfort in its hum."

Graham looked at his watch. Eleven-thirty P.M. According to the pathologist, the deaths occurred between eleven P.M. and one AM.

First there was the entry. He thought about that…

The madman slipped the hook on the outside screen door. Stood in the darkness of the porch and took something from his pocket. A suction cup, maybe the base of a pencil sharpener designed to stick to a desktop.

Crouched against the wooden lower half of the kitchen door, the madman raised his head to peer through the glass. He put out his tongue and licked the cup, pressed it to the glass and flicked the lever to make it stick. A small glass cutter was attached to the cup with string so that he could cut a circle.

Tiny squeal of the glass cutter and one solid tap to break the glass. One hand to tap, one hand to hold the suction cup. The glass must not fall. The loose piece of glass is slightly egg-shaped because the string wrapped around the shaft of the suction cup as he cut. A little grating noise as he pulls the piece of glass back outside. He does not care that he leaves AB saliva on the glass.

His hand in the tight glove snakes in through the hole, finds the lock. The door opens silently. He is inside. In the light of the vent hood he can see his body in this strange kitchen. It is pleasantly cool in the house.

Will Graham ate two Di-Gels. The crackle of the cellophane irritated him as he stuffed it in his pocket. He walked through the living room, holding his flashlight well away from him by habit. Though he had studied the floor plan, he made one wrong turn before he found the stairs. They did not creak.

Now he stood in the doorway of the master bedroom. He could see faintly without the flashlight. A digital clock on a nightstand projected the time on the ceiling and an orange night light burned above the baseboard by the bathroom. The coppery smell of blood was strong.

Eyes accustomed to the dark could see well enough. The madman could distinguish Mr. Leeds from his wife. There was enough light for him to cross the room, grab Leeds 's hair and cut his throat. What then? Back to the wall switch, a greeting to Mrs. Leeds and then the gunshot that disabled her?

Graham switched on the lights and bloodstains shouted at him from the walls, from the mattress and the floor. The very air had screams smeared on it. He flinched from the noise in this silent room full of dark stains drying.

Graham sat on the floor until his head was quiet. Still, still, be still.

The number and variety of the bloodstains had puzzled Atlanta detectives trying to reconstruct the crime. All the victims were found slain in their beds. This was not consistent with the locations of the stains.

At first they believed Charles Leeds was attacked in his daughter's room and his body dragged to the master bedroom. Close examination of the splash patterns made them reconsider.

The killer's exact movements in the rooms were not yet deterrnined.

Now, with the advantage of the autopsy and lab reports, Will Graham began to see how it had happened.

The intruder cut Charles Leeds's throat as he lay asleep beside his wife, went back to the wall switch and turned on the light – hairs and oil from Mr. Leeds's head were left on the switchplate by a smooth glove. He shot Mrs. Leeds as she was rising, then went toward the children's rooms.

Leeds rose with his cut throat and tried to protect the children, losing great gouts of blood and an unmistakable arterial spray as he tried to fight. He was shoved away, fell and died with his daughter in her room.

One of the two boys was shot in bed. The other boy was also found in bed, but he had dust balls in his hair. Police believed he was dragged out from under his bed to be shot.

When all of them were dead, except possibly Mrs. Leeds, the smashing of mirrors began, the selection of shards, the further attention to Mrs. Leeds.

Graham had full copies of all the autopsy protocols in his box. Here was the one on Mrs. Leeds. The bullet entered to the right of her navel and lodged ii] her lumbar spine, but she died of strangulation.

The increase in serotonin and free histamine levels in the gunshot wound indicated she had lived at least five minutes after she was shot. The histamine was much higher than the serotonin, so she had not lived more than fifteen minutes. Most of her other injuries were probably, but not conclusively, postmortem.

If the other injuries were postmortem, what was the killer doing in the interval while Mrs. Leeds waited to die? Graham wondered. Struggling with Leeds and killing the others, yes, but that would have taken less than a minute. Smashing the mirrors. But what else?