He was astonished.

"Now, would you show me where the bathroom is?"

She took his arm and went with him down the hall.

"I can find my own way back."

In the bathroom she patted her hair and ran her fingers along the top of the basin, hunting toothpaste or mouthwash. She tried to find the door of the medicine cabinet and found there was no door, only hinges and exposed shelves. She touched the objects on them carefully, leery of a razor, until she found a bottle. She took off the cap, smelled to verify mouthwash, and swished some around.

When she returned to the parlor, she heard a familiar sound – the whir of a projector rewinding.

"I have to do a little homework," Dolarhyde said, handing her a fresh martini.

"Sure," she said. She didn't know how to take it. "If I'm keeping you from working, I'll go. Will a cab come up here?"

"No. I want you to be here. I do. It's just some film I need to check. It won't take long."

He started to take her to the big chair. She knew where the couch was. She went to it instead.

"Does it have a soundtrack?"

"No."

"May I keep the music?"

"Um-hmmm."

She felt his attention. He wanted her to stay, he was just frightened. He shouldn't be. All right. She sat down.

The martini was wonderfully cold and crisp.

He sat on the other end of the couch, his weight clinking the ice in her glass. The projector was still rewinding.

"I think I'll stretch out for a few minutes if you don't mind," she said. "No, don't move, I have plenty of room. Wake me up if I drop off, okay?"

She lay on the couch, holding the glass on her stomach; the tips of her hair just touched his hand beside his thigh.

He flicked the remote switch and the film began.

Dolarhyde had wanted to watch his Leeds film or his Jacobi film with this woman in the room. He wanted to look back and forth from the screen to Reba. He knew she would never survive that. The women saw her getting into his van. Don't even think about that. The women saw her getting into his van.

He would watch his film of the Shermans, the people he would visit next. He would see the promise of relief to come, and do it in Reba's presence, looking at her all he liked.

On the screen, The New House spelled in pennies on a shirt cardboard. A long shot of Mrs. Sherman and the children. Fun in the pool. Mrs. Sherman holds to the ladder and looks up at the camera, bosom swelling shining wet above her suit, pale legs scissoring.

Dolarhyde was proud of his self-control. He would think of this film, not the other one. But in his mind he began to speak to Mrs. Sherman as he had spoken to Valerie Leeds in Atlanta.

You see me now, yes

That's how you feel to see me, yes

Fun with old clothes. Mrs. Sherruan has the wide hat on. She is before the mirror. She turns with an arch smile and strikes a pose for the camera, her hand at the back of her neck. There is a cameo at her throat.

Reba McClane stirs on the couch. She sets her glass on the floor. Dolarhyde feels a weight and warmth. She has rested her head on his thigh. The nape of her neck is pale and the movie light plays on it.

He sits very still, moves only his thumb to stop the film, back it up. On the screen, Mrs. Sherman poses before the mirror in the hat. She turns to the camera and smiles.

You see me now, yes

That's how you feel to see me, yes

Do you feel me now? yes

Dolarhyde is trembling. His trousers are mashing him so hard. He feels heat. He feels warm breath through the cloth. Reba has made a discovery.

Convulsively his thumb works the switch.

You see me now, yes

That's how you feel to see me, yes

Do you feel this? yes

Reba has unzipped his trousers.

A stab of fear in him; he has never been erect before in the presence of a living woman. He is the Dragon, he doesn't have to be afraid.

Busy fingers spring him free.

OH.

Do you feel me now? yes

Do you feel this yes

You do I know it yes

Your heart is loud yes

He must keep his hands off Reba's neck. Keep them off. The women saw them in the van. His hand is squeezing the arm of the couch. His fingers pop through the upholstery.

Your heart is loud yes

And fluttering now

It's fluttering now

It's trying to get out yes

And now it's quick and light and quicker and light and…

Gone.

Oh, gone.

Reba rests her head on his thigh and turns her gleaming cheek to him. She runs her hand inside his shirt and rests it warm on his chest.

"I hope I didn't shock you," she said.

It was the sound of her living voice that shocked him, and he felt to see if her heart was going and it was. She held his hand there gently.

"My goodness, you're not through yet, are you?"

A living woman. How bizarre. Filled with power, the Dragon's or his own, he lifted her from the couch easily. She weighed nothing, so much easier to carry because she wasn't limp. Not upstairs. Not upstairs. Hurrying now. Somewhere. Quick. Grandmother's bed, the satin comforter sliding under them.

"Oh, wait, I'll get them off. Oh, now it's torn. I don't care. Come on. My God, man. That's so sweeeet. Don't please hold me down, let me come up to you and take it."

With Reba, his only living woman, held with her in this one bubbleskin of time, he felt for the first time that it was all right: it was his life he was releasing, himself past all mortality that he was sending into her starry darkness, away from this pain planet, ringing harmonic distances away to peace and the promise of rest.

Beside her in the dark, he put his hand on her and pressed her together gently to seal the way back. As she slept, Dolarhyde, damned murderer of eleven, listened time and again to her heart.

Images. Baroque pearls flying through the friendly dark. A Very pistol he had fired at the moon. A great firework he saw in Hong Kong called "The Dragon Sows His Pearls."

The Dragon.

He felt stunned, cloven. And all the long night beside her he listened, fearful, for himself coming down the stairs in the kimono.

She stirred once in the night, searching sleepily until she found the bedside glass. Grandmother's teeth rattled in it.

Dolarhyde brought her water. She held him in the dark. When she slept again, he took her hand off his great tattoo and put it on his face.

He slept hard at dawn.

Reba McClane woke at nine and heard his steady breathing. She stretched lazily in the big bed. He didn't stir. She reviewed the layout of the house, the order of rugs and floor, the direction of the ticking clock. When she had it straight, she rose quietly and found the bathroom.

After her long shower, he was still asleep. Her torn underclothes were on the floor. She found them with her feet and stuffed them in her purse. She pulled her cotton dress on over her head, picked up her cane and walked outside.

He had told her the yard was large and level, bounded by hedges grown wild, but she was cautious at first.

The morning breeze was cool, the sun warm. She stood in the yard and let the wind toss the seed heads of the elderberry through her hands. The wind found the creases of her body, fresh from the shower. She raised her arms to it and the wind blew cool beneath her breasts and arms and between her legs. Bees went by. She was not afraid of them and they left her alone.