Gravely he bowed his thanks, then wheeled his horse and was gone, white as a gull over the long curve of the dunes.

The witch went back into the hut, glancing about its one room to see that everything was in place: bats, onions, cauldrons, carpets, broom, toad-stones, crystal balls (cracked through), the thin crescent moon hung up on the chimney, the Books, the familiar—She looked again, then hurried out and called, «Dicky!»

The wind from the west was cold now, bending the coarse grass down.

«Dicky! … Kitty, kitty kitty!»

The wind caught the voice from her lips, tore it into bits, and blew it away.

She snapped her fingers. The broom came zooming out the door, horizontal and about two feet off the ground, while the hut shivered and hopped about in excitement. «Shut up!» the witch snapped, and the door obediently slammed. Mounting the broom she took off in a long gliding swoop southward down the beach, now and then crying out, «Dicky! … Here, kitty, kitty, kitty!»

The young prince, rejoining his men, had dismounted to walk with them. As they reached the pass and saw the city below them on the plain, he felt a tug at his cloak.

«Prince—»

A little boy, so little he was still fat and round-cheeked, stood with a scared look, holding up a battered, sandy box. Beside him a black cat sat smiling broadly. «The sea brought this—it's for the prince of the land, I know it is—please take it!»

«What's in it?»

«Darkness, sir.»

Rikard took the box and after a slight hesitation opened it a little, just a crack. «It's painted black inside,» he said with a hard grin.

«No, prince, truly it's not. Open it wider!»

Cautiously Rikard lifted the lid higher, an inch or two, and peered in. Then he shut it quickly, even as the child said, «Don't let the wind blow it out, prince!»

«I shall take this to the king.»

«But it's for you, sir—»

«All seagifts are the king's. But thank you for it, boy.» They looked at each other for a moment, the little round boy and the hard splendid youth; then Rikard turned and strode on, while Dicky wandered back down the hills, silent and disconsolate. He heard his mother's voice from far away to the south, and tried to answer; but the wind blew his call landward, and the familiar had disappeared.

The bronze gates of the city swung open as the troop approached. Watchdogs bayed, guards stood rigid, the people of the city bowed down as Rikard on his horse clattered at full gallop up the marble streets to the palace. Entering, he glanced up at the great bronze clock on the bell tower, the highest of the nine white towers of the palace. The moveless hands said ten minutes of ten.

In the Hall of Audience his father awaited him: a fierce gray-haired man crowned with iron, his hands clenched on the heads of iron chimaeras that formed the arms of the throne. Rikard knelt and with bowed head, never looking up, reported the success of his foray. «The Exile was killed, with the greater pan of his men; the rest fled in their ships.»

A voice answered like an iron door moving on unused hinges: «Well done, prince.»

«I bring you a seagift, Lord.» Still with head bowed, Rikard held up the wooden box.

A low snarl came from the throat of one of the carven monsters of the throne.

«That is mine,» said the old king so harshly that Rikard glanced up for a second, seeing the teeth of the chimaeras bared and the king's eyes glittering.

«Therefore I bring it to you, Lord.»

«That is mine—I gave it to the sea, I myself! And the sea spits back my gift.» A long silence, then the king spoke more softly. «Well, keep it, prince. The sea doesn't want it, nor do I. It's in your hands. Keep it—locked. Keep it locked, prince!»

Rikard, on his knees, bowed lower in thanks and consent, then rose and backed down the long hall, never looking up. As he came out into the glittering anteroom, officers and noblemen gathered round him, ready as usual to ask about the battle, laugh, drink, and chatter. He passed among them without a word or glance and went to his own quarters, alone, carrying the box carefully in both hands.

His bright, shadowless, windowless room was decorated on every wall with patterns of gold inset with topazes, opals, crystals, and, most vivid of all jewels, candle flames moveless on golden sconces. He set the box down on a glass table, threw off his cloak, unbuckled his swordbelt, and sat down sighing. The gryphon loped in from his bedroom, talons rasping on the mosaic floor, stuck her great head onto his knees, and waited for him to scratch her feathery mane. There was also a cat prowling around the room, a sleek black one; Rikard took no notice. The palace was full of animals, cats, hounds, apes, squirrels, young hippogriffs, white mice, tigers. Every lady had her unicorn, every courtier had a dozen pets. The prince had only one, the gryphon which always fought for him, his one unquestioning friend. He scratched the gryphon's mane, often glancing down to meet the loving golden gaze of her round eyes, now and then glancing too at the box on the table. There was no key to lock it.

Music played softly in a distant room, a ceaseless interweaving of notes like the sound of a fountain.

He turned to look at the clock on the mantel, an ornate square of gold and blue enamel. It was ten minutes of ten: time to rise and buckle on his sword, call up his men, and go to battle. The Exile was returning, determined to take the city and reclaim his right to the throne, his inheritance. His black ships must be driven back to sea. The brothers must fight, and one must die, and the city be saved. Rikard rose, and at once the gryphon jumped up lashing her tail, eager for the fight. «All right, come along!» Rikard told her, but his voice was cold. He took up his sword in the pearl-encrusted sheath and buckled it on, and the gryphon whined with excitement and rubbed her beak on his hand. He did not respond. He was tired and sad, he longed for something—for what? To hear music that ceased, to speak to his brother once before they fought … he did not know. Heir and defender, he must obey. He set the silver helmet on his head and turned to pick up his cloak, flung over a chair. The pearly sheath slung from his belt clattered against something behind him; he turned and saw the box, lying on the floor, open. As he stood looking at it with the same cold, absent look, a little blackness like smoke gathered about it on the floor. He stooped and picked it up, and darkness ran out over his hands.

The gryphon backed away, whining.

Tall and white-armored, fair-haired, silver-capped in the glittering shadowless room, Rikard stood holding the open box, watching the thick dusk that dripped slowly from it. All around his body now, below his hands, was twilight. He stood still. Then slowly he raised the box up, clear up over his head, and turned it upside down.

Darkness flowed over his face. He looked about him, for the distant music had stopped and things were very silent. Candles burned, dots of light picking out flecks of gold and flashes of violet from walls and ceiling. But all the corners were dark, behind each chair lay darkness, and as Rikard turned his head his shadow leapt along the wall. He moved then, quickly, dropping the box, for in one of the black corners he had glimpsed the reddish glow of two great eyes. The gryphon, of course. He held out his hand and spoke to her. She did not move, but gave a queer metallic cry.

«Come on! Are you afraid of the dark?» he said, and then all at once was afraid himself. He drew his sword. Nothing moved. He took a step backward toward the door, and the monster jumped. He saw the black wings spread across the ceiling, the iron beak, the talons; her bulk was on him before he could stab upward. He wrestled, the great beak snapping at his throat and the talons tearing at his arms and chest, till he got his sword arm free and could slash down, pull away, and slash again. The second blow half severed the gryphon's neck. She dropped off, lay writhing in the shadows among splinters of glass, then lay still.