IV

Dully and confusedly, with much effort, Reynard struggled back to consciousness. For a brief interim, he could not remember where he was nor what had happened. He was troubled by the painful throbbing of his head, by the humming of agitated voices about him, by the glaring of many lights and the thronging of many faces when he opened his eyes; and, above all, by the sense of nameless but grievous calamity and uttermost horror that weighed him down from the first dawning of sentiency.

Memory returned to him, laggard and reluctant; and with it, a full awareness of his surroundings and situation. He was lying on the tavern floor, and his own warm, sticky blood was rilling across his face from the wound on his aching head. The long room was half-filled with people of the neighborhood, bearing torches and knives and halberds, who had entered and were peering at the corpses of Villom and Coupain, which lay amid pools of wine-diluted blood and the wreckage of the shattered furniture and table-ware.

Nicolette, with her green gown in shreds, and her body crushed by the embraces of the demon, was moaning feebly while women crowded about her with ineffectual cries and questions which she could not even hear or understand. The two cronies of Villom, horribly clawed and mangled, were dead beside their overturned table.

Stupefied with horror, and still dizzy from the blow that had laid him unconscious, Reynard staggered to his feet, and found himself surrounded at once by inquiring faces and voices. Some of the people were a little suspicious of him, since he was the sole survivor in the tavern, and bore an ill repute; but his replies to their questions soon convinced them that the new crime was wholly the work of the same demons that had plagued Vyônes in so monstrous a fashion for weeks past.

Reynard, however, was unable to tell them all that he had seen, or to confess the ultimate sources of his fear and stupefaction. The secret of that which he knew was locked in the seething pit of his tortured and devil-ridden soul.

Somehow, he left the ravaged inn, he pushed his way through the gathering crowd with its terror-muted murmurs, and found himself alone on the midnight streets. Heedless of his own possible peril, and scarcely knowing where he went, he wandered through Vyônes for many hours; and somewhile in his wanderings, he came to his own workshop. With no assignable reason for the act, he entered, and re-emerged with a heavy hammer, which he carried with him during his subsequent peregrinations. Then, driven by his awful and unremissive torture, he went on till the pale dawn had touched the spires and the house-tops with a ghostly glimmering.

By a half-conscious compulsion, his steps had led him to the square before the cathedral. Ignoring the amazed verger, who had just opened the doors, he entered and sought a stairway that wound tortuously upward to the tower on which his own gargoyles were ensconced.

In the chill and livid light of sunless morning, he emerged on the roof; and leaning perilously from the verge, he examined the carven figures. He felt no surprise, only the hideous confirmation of a fear too ghastly to be named, when he saw that the teeth and claws of the malign, cat-headed griffin were stained with darkening blood; and that shreds of apple-green cloth were hanging from the talons of the lustful, bat-winged satyr.

It seemed to Reynard, in the dim ashen light, that a look of unspeakable triumph, of intolerable irony, was imprinted on the face of this latter creature. He stared at it with fearful and agonizing fascination, while impotent rage, abhorrence, and repentance deeper than that of the damned arose within him in a smothering flood. He was hardly aware that he had raised the iron hammer and had struck wildly at the satyr’s horned profile, till he heard the sullen, angry clang of impact, and found that he was tottering on the edge of the roof to retain his balance.

The furious blow had merely chipped the features of the gargoyle, and had not wiped away the malignant lust and exultation. Again Reynard raised the heavy hammer.

It fell on empty air; for, even as he struck, the stone-carver felt himself lifted and drawn backward by something that sank into his flesh like many separate knives. He staggered helplessly, his feet slipped, and then he was lying on the granite verge, with his head and shoulders over the dark, deserted street.

Half-swooning, and sick with pain, he saw above him the other gargoyle, the claws of whose right foreleg were firmly embedded in in his shoulder. They tore deeper, as if with a dreadful clenching. The monster seemed to tower like some fabulous beast above its prey; and he felt himself slipping dizzily across the cathedral gutter, with the gargoyle twisting and turning as if to resume its normal position over the gulf. Its slow, inexorable movement seemed to be part of his vertigo. The very tower was tilting and revolving beneath him in some unnatural nightmare fashion.

Dimly, in a daze of fear and agony, Reynard saw the remorseless tiger-face bending toward him with its horrid teeth laid bare in an eternal rictus of diabolic hate. Somehow, he had retained the hammer. With an instinctive impulse to defend himself, he struck at the gargoyle, whose cruel features seemed to approach him like something seen in the ultimate madness and distortion of delirium.

Even as he struck, the vertiginous turning movement continued, and he felt the talons dragging him outward on empty air. In his cramped, recumbent position, the blow fell short of the hateful face and came down with a dull clangor on the foreleg whose curving talons were fixed in his shoulder like meat-hooks. The clangor ended in a sharp cracking sound; and the leaning gargoyle vanished from Reynard’s vision as he fell. He saw nothing more, except the dark mass of the cathedral tower, that seemed to soar away from him and to rush upward unbelievably in the livid, starless heavens to which the belated sun had not yet risen.

It was the Archbishop Ambrosius, on his way to early Mass, who found the shattered body of Reynard lying face downward in the square. Ambrosius crossed himself in startled horror at the sight; and then, when he saw the object that was still clinging to Reynard’s shoulder, he repeated the gesture with a more than pious promptness.

He bent down to examine the thing. With the infallible memory of a true art-lover, he recognized it at once. Then, through the same clearness of recollection, he saw that the stone foreleg, whose claws were so deeply buried in Reynard’s flesh, had somehow undergone a most unnatural alteration. The paw, as he remembered it, should have been slightly bent and relaxed; but now it was stiffly outthrust and elongated, as if, like the paw of a living limb, it had reached for something, or had dragged a heavy burden with its ferine talons.

BEYOND THE SINGING FLAME

When I, Philip Hastane, gave to the world the journal of my friend Giles Angarth, I was still doubtful as to whether the incidents related therein were fiction or verity. The trans-dimensional adventures of Angarth and Ebbonly, the city of the Flame with its strange residents and pilgrims, the immolation of Ebbonly, and the hinted return of the narrator himself for a like purpose, after making the last entry in his diary, were very much the sort of thing that Angarth might have imagined in one of the fantastic novels for which he had become so justly famous.

Add to this the seemingly impossible and incredible nature of the whole tale, and my hesitancy in accepting it as veridical will easily be understood.

However, on the other hand, there was the unsolved and eternally recalcitrant enigma offered by the disappearance of the two men. Both were well-known, the one as a writer, the other as an artist; both were in flourishing circumstances, with no serious cares or troubles; and their vanishment, all things considered, was difficult to explain on the ground of any motive less unusual or extraordinary than the one assigned in the journal.