DAW Books Presents

The Finest in Imaginative Fiction by

TAD WILLIAMS

MEMORY, SORROW AND THORN

THE DRAGONBONE CHAIR

STONE OF FAREWELL

TO GREEN ANGEL TOWER

THE LAST KING OF OSTEN ARD

THE WITCHWOOD CROWN

EMPIRE OF GRASS*

THE HEART OF WHAT WAS LOST

* * *

THE BOBBY DOLLAR NOVELS

THE DIRTY STREETS OF HEAVEN

HAPPY HOUR IN HELL

SLEEPING LATE ON JUDGEMENT DAY

SHADOWMARCH

SHADOWMARCH

SHADOWPLAY

SHADOWRISE

SHADOWHEART

OTHERLAND

CITY OF GOLDEN SHADOW

RIVER OF BLUE FIRE

MOUNTAIN OF BLACK GLASS

SEA OF SILVER LIGHT

TAILCHASER’S SONG

THE WAR OF THE FLOWERS

*Coming soon from DAW

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Copyright © 2017 by Tad Williams.

All Rights Reserved.

Jacket illustration by Michael Whelan.

Jacket design by G-Force Design.

Maps by Isaac Stewart.

DAW Book Collectors No. 1761.

Published by DAW Books, Inc.

375 Hudson Street, New York, NY 10014.

All characters and events in this book are fictitious.

Any resemblance to persons living or dead is strictly coincidental.

The scanning, uploading, and distribution of this book via the Internet or any other means without the permission of the publisher is illegal, and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage the electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.

Ebook ISBN: 9780698191488

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  DAW TRADEMARK REGISTERED

  U.S. PAT. AND TM. OFF. AND FOREIGN COUNTRIES

  —MARCA REGISTRADA

  HECHO EN U.S.A.

Version_1

Dedication

After much consideration I’ve decided that this book really must be dedicated to the three people who have done the most over the years to lead me back to Osten Ard.

My publishers Betsy Wollheim and Sheila Gilbert have politely nudged me for ages, reminding me approximately every seventeen minutes that everyone else but me was certain that the prophecy at the birth of Josua’s and Vorzheva’s twins was meant to set up a sequel, and that they’d really love to see me write it. (Actually they were quite patient. But they did remind me from time to time. Occasionally they threatened me with sticks.) And their nudging came not just from business reasons, but also because they thought I could do something wonderful with it.

My wife and partner Deborah Beale also kept after me over the years with equal sweetness and patience, being sensitive to my process (which for peak efficiency requires months at a time spent almost entirely napping) while asking me at courteous intervals why exactly I couldn’t ever write a sequel to Memory, Sorrow, and Thorn.

Prompted by one such conversation, I finally sat down to think carefully about why I couldn’t do it. The reason had always been that I needed to have a story first, otherwise it would feel as uninspired to me as opening a franchise operation. Every book starts as a story for me—but I didn’t have another Osten Ard story inside me. So in my mind I shot down possibility after possibility—lame, derivative, self-parodying—because I wanted to show Deb (and by extension, everybody who’d ever asked me about a sequel) why a sequel just wasn’t going to happen. But by the time a long day or so of thinking had passed, I realized I did have a story to tell, and by the time I described it to Deb I was getting pretty excited about it. Not too many weeks later, I was actually writing it.

There are also about nine hundred other ways Deb has supported this book, from reading and analyzing the manuscript in draft (with her usual acumen) to generating publicity from our dining table like P. T. Barnum in a bathrobe. Figuratively speaking, her fingerprints are all over the book.

Sheila and Betsy also contributed in many, many ways from the publishing end, including their usual loving attention to editing the manuscript in process and to creating the look of the thing.

So I dedicate this book to all three of them—Sheila and Betsy and Deborah.

Betsy and Sheila, thanks for everything, your friendship by no means the least. I’m really happy (and, I’ll admit it, a bit damp-eyed and sentimental) to be sharing this particular publication with you—finally.

Deborah, you are the one. For these and so very many other things, thank you.

Contents

Also by Tad Williams

Title Page

Copyright

Dedication

Acknowledgments

Author’s Note

Map

Foreword

Part One: Widows

Chapter 1: The Glorious

Chapter 2: The Finest Tent on the Frostmarch

Chapter 3: Conversation with a Corpse-Giant

Chapter 4: Brother Monarchs

Chapter 5: Awake

Chapter 6: An Aversion to Widows

Chapter 7: Island of Bones

Chapter 8: A Meeting on Lantern Bridge

Chapter 9: Heart of the Kynswood

Chapter 10: Hymns of the Lightless

Chapter 11: The Third Duke

Chapter 12: The Bloody Sand

Chapter 13: Lady Alva’s Tale

Chapter 14: Ghosts of the Garden

Chapter 15: Atop the Holy Tree

Chapter 16: A Layer of Fresh Snow

Chapter 17: White Hand

Chapter 18: A Bad Book

Chapter 19: The Moon’s Token

Chapter 20: His Bright Gem

Chapter 21: Crossroad

Chapter 22: Death Songs

Chapter 23: Testament of the White Hand

Part Two: Orphans

Chapter 24: Terrible Flame

Chapter 25: Example of a Dead Hedgehog

Chapter 26: The Inner Council

Chapter 27: Noontide at The Quarely Maid

Chapter 28: Cradle Songs of Red Pig Lagoon

Chapter 29: Brown Bones and Black Statues

Chapter 30: The Slow Game

Chapter 31: A High, Dark Place

Chapter 32: Rosewater and Balsam

Chapter 33: Secrets and Promises

Chapter 34: Feeding the Familiar

Chapter 35: The Man with the Odd Smile

Chapter 36: A Foolish Dream

Chapter 37: Two Bedroom Conversations

Chapter 38: The Factor’s Ship

Chapter 39: A Grassland Wedding

Chapter 40: Watching Like God

Part Three: Exiles

Chapter 41: Hern’s Horde

Chapter 42: Forest Music

Chapter 43: Into Deeper Shadows


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