Andy McLoughlin lingered in his car on the other side of the road. It was parked in the twilight zone between two pools of orange lamplight and he had seen without being seen. His hands shook on the steering wheel. God, he needed a drink. Had she kissed him? It was difficult to be sure. Did it matter anyway? It was their easy understanding, the way their bodies had leant against each other in uncomplicated friendship that had rocked him. He didn't want her loved. He eased himself out of the car and went inside in search of Walsh. "How did it go?"

The Inspector was standing at his office window, glowering into the night. "Did you see them? They've just gone."

"No."

"Damned solicitor took three hours to get here, arrived sporting a filthy string vest and looking like the hairy man of Borneo. Matter of fact, I'm highly doubtful about his credentials." He took out his pipe. "You were quite right, Andy. It was beef blood. We were being had. Why?"

McLoughlin lowered himself into a chair. "A diversion. To draw you away from the rest of the house."

Walsh walked back to his desk and sat down. "Possibly. In that case it didn't work. There wasn't a stone left unturned by the time we'd finished." There was a long silence before he tapped his pipe on a sheaf of letters in front of him. "Jones found this little lot in Mrs. Goode's studio." He pushed the papers towards McLoughlin and waited while the Sergeant skimmed through them. "Interesting, don't you think?"

"Did Jonesy question her about them?"

"Tried to. She said it was none of his business, that she'd got her fingers burnt and preferred to forget it, certainly had no intention of answering questions on the matter." He fingered tobacco into the bowl of the pipe. "When he told her he would have to take the letters, she lost her temper and tried to snatch them back." There was a twinkle of amusement in his eye as he lit the tobacco and sucked in warm smoke. "Two PCs had to restrain her while he removed them to his car."

"And I thought she was the least volatile of the three. What about Mrs. Maybury?"

"Good as gold. She took herself off to the greenhouse and spent most of the afternoon rooting Pelargonium cuttings while we turned her house inside out and found nothing." Noises of succulent contentment puttered from his mouth. "I've detailed a couple of lads to tout those shoes round the menders. It's a long shot but someone might remember re-heeling them. I don't care what Mrs. Thompson says-let's face it, she's so damn cuckoo she wouldn't recognise her own reflection if it didn't have a halo round it-those shoes are the missing Daniel's. Size eight and brown. Too much of a coincidence."

McLoughlin forced his pricking eyes to stay open as he re-read the top letter. It was undated and very brief. "Monday. My dear Diana, Of course I regret what's happened, but my hands are tied. If it will help I can come out on Thursday to discuss the position with you. Yours ever, Daniel." The address was Larkfield, East Deller, and scored across the page in angry writing was: "Meeting confirmed." The previous letter, a carbon copy of a demand from Diana for an up-to-date statement of Daniel Thompson's business, was dated Friday, 20th May.

"So when did he go missing?"

"Thursday, twenty-fifth of May," said Walsh with satisfaction, "the very day he had arranged an appointment with Mrs. Goode."

"So why didn't you bring her in with Miss Cattrell?"

"I can only cope with one at a time, lad. She'll keep another twelve hours. At the moment I'm rather more interested in why Miss Cattrell went to such extraordinary lengths to get herself brought in for questioning. Any ideas?"

McLoughlin looked at the floor and shook his head.

Anne was dog-tired. Her body had been pumping adrenaline for several hours, exciting her brain, racing her heart, keeping her at a peak of almost intolerable stimulation. Her reaction when she sank into the back of the warm police car was immediate and total. She fell asleep, upright at first but ending in a flat ungainly sprawl along the length of the seat when the driver took a bend too fast. Thus, the photographers outside the unlit gates of Streech Grange missed the picture they had been waiting for: Murder Enquiry-Journalist In Questioning Drama. They had seen too many police cars come and go to be interested in one without a passenger. Fred, sitting doggedly on an old deckchair at the padlocked gates, was not so easily fooled. He let the car in, satisfied himself with a momentary flash of his torch that it contained Anne, then with a sigh of relief resumed his seat. His clutch was safely in the nest. When the police car had gone he could retire to bed.

Barely awake, Anne let herself in through the front door and staggered sleepily across the carpet. Outside, with a new passenger in the shape of PC Williams, now relieved from guard duty, the police car grated away across the gravel. Anne leaned against the wall for a moment to collect her scattered wits. Behind Phoebe's door, she heard the warning bark of the dogs. The next moment, Jane Maybury precipitated herself into the hall and flung herself on her godmother. Together, they collapsed in a heap on the floor where Anne lay, eyes closed, and trembling.

"My God," said Jane, turning to her mother who had appeared in the doorway behind her, "there's something wrong with her. Jon!" she shrilled with alarm. "Come quick. Anne's ill."

"I'm not ill," said the shaking body, opening its eyes. "I'm laughing." She sat up. "God, I am knackered. Get off me, you great dollop," she said, giving the girl a kiss, "and get me a brandy. I'm suffering severe post-interrogation trauma."

Phoebe hauled her to her feet and marched her into the drawing-room while Jane fetched a brandy. Anne folded happily on to the sofa and beamed about her. "What's the matter? You all look as if you've been sucking lemons."

Diana pulled a face. "We've been worried sick, you idiot."

"You should have more faith," said Anne sternly, accepting the brandy from Jane. "And how's my goddaughter?" She examined the girl circumspectly while she warmed her glass.

Jane smiled. "I'm fine." She was still too thin but Anne was pleased to see that her face had filled out and lost some of its tension.

"You look it," she agreed.

Phoebe turned to Jonathan. "Shall we have that celebration we promised ourselves?"

"Sure thing. I'll raid the cellar. What does anyone fancy? Chateau Lafite '78 or those last bottles of the '75 Champagne? Anne, you choose."

"The Lafite. Champagne on top of brandy will make me puke."

He looked questioningly at his mother. "Shall I drive down and get Fred and Molly to join us? It hasn't been much fun for them either."

Phoebe nodded. "Good idea." She held out a hand to Elizabeth who was sitting slightly apart on the tapestry stool. "You go too, Lizzie darling. Molly can say no to all of us, and does regularly, but she won't refuse you." She looked pointedly at Jonathan.

"Come on," he said. "You, too, Jane." They went out.

Phoebe walked over to the mantelpiece. "I wish David had never used the cellar for storing his wretched imports."

Anne sniffed her brandy. "Why? I bless his memory for it regularly."

"Exactly," agreed Phoebe dryly, "so do I. It's very upsetting." She glanced at Diana. "Lizzie's worried about something. Is it Molly and Fred?"

"No. I'm afraid it's me."

"Why?"

Diana attempted a laugh which didn't work. "Because I told her I'd be the next one in the police mincing machine." She swung to face Anne. "Why did they take you in?"

"They found the safe and it had some incriminating evidence in it." Anne chuckled into her brandy. "A bloody carving-knife, wrapped in a bloody rag." She stirred her glass in her hands, warming it. "It was straight out of Enid Blyton, but they all got very excited and I refused to answer any more questions till Bill arrived."