Wedemir stared at him, and Cappen Varra shook his head. "The wine," said theharper. "Definitely the wine. It really is too bad...."

Lalo stared back at them. "You don't believe me. I should be relieved. How wouldyou like me to make you a Sik-kintair, Cappen Varra, or a troll such as theyhave fighting in the northern wars?" He shook his head, trying to get rid of thegrowing ache behind his eyes.

It was not fair-he should not be feeling like this until tomorrow. He hadexpected the alcohol to deaden his pain, but as his normal vision blurred, hewas seeing the truths behind men's veils more clearly than before. That boyacross the room-he had killed his own men, and would again.... Lalo winced andlooked away.

"Papa, damn it, stop!" said Wedemir angrily. "You sound crazy-how do you thinkthat makes me feel?"

"Why should I care?" muttered Lalo. "If it hadn't been for the lot of you, Iwould have been free of this wretched town long ago. I'm telling the truth, andI don't give a turd whether you believe me."

"Then, prove it!" Wedemir's voice rose, and for a moment nearby drinkers staredat them. Cappen Varra was looking uncomfortable, but the boy grabbed his arm."No, don't go! You're one of his oldest friends. Help me show him what nonsensehe's talking before he loses what wits he has!"

"All right-" said the harper slowly. "Lalo, do you have anything to draw withhere?"

Lalo looked up at him, reading in his face weakness and an extravagant bravery,venality, and a stubborn integrity that even Sanctuary had not been able to wearaway, a cynical assessment of women's susceptibility, and devotion to the idealbeauty he had never yet attained. Like Lalo, Cappen Varra was an artist whosought to make songs that would live in men's hearts. What would he think ofthis? The temptation to impress his old friend and make his cub of a son eat hiswords was overwhelming. Lalo reached into his pouch, fished among the few coinsleft there, and brought out a stick of charcoal and a worn piece of drawinglead.

"No paper-" he said after a moment, and sighed.

"Then why not use the wall?" Cappen Varra's eyes were bright, challenging. Hegestured toward the scarred plaster, already disfigured by carved initials andscrawled obscenities. "The place will be no worse for some decoration- I'm sureOne-Thumb won't mind!"

Lalo nodded and blinked several times, wishing that the blurring before his eyeswould go away. Liquor had never affected him like this before-as if he werestaring through the harbor's murky waters to a seabed littered with everythingthe sewers swept out of town.

He struggled up on his knees next to the wall. Cappen Varra was beginning tolook interested, but Wedemir's expression was eloquent with embarrassment. /'//show him, thought Lalo, then turned his gaze to the wall, cudgeling hisimagination for a subject. Lamplight flickered on the bumps and hollows of itsrough plaster, sketching a long curve here, and there a mass of shadow, almostlike...

Yes, that was what he would give them-a unicorn! After all, he had alreadypainted one for the sign outside. He felt the familiar concentration narrow hisvision as he lifted his hand; he could almost believe himself at home in hisstudio, drawing a model for a mural as he had done so many times before.

Lalo let the other part of his brain take over and guide his hand-that hiddenpart that saw the world in relationships of light and darkness, mass and textureand line, directly recording what it saw. And as his hand moved, his awarenessreached out to draw the soul of the subject into the picture, as he also haddone so many times before. The unicorn-an imagined unicorn? No, the VulgarUnicorn, of course-the soul of the Vulgar Unicorn....

Lalo's hand jerked and stopped. He shuddered as unwelcome knowledge flooded in.Here in this booth a man had died not long ago-his lifeblood flowing from thestroke of a deftly-placed blade. He had struggled, and blood had splashed thewall-that smear Lalo had assumed was soot before. Without his volition thecharcoal swept around it, incorporating it as a blacker shadow within the whole.

And now other impressions buffeted his awareness, the black, sharp fear of mensurprised by the raid of the Beysib, an intricate swirling that resonated withthe name of the witch Roxane. But there must be some humor-surely there had alsobeen good times here, enough to give a tilt to the unicorn's head, a sardonicglint to its eye. But there were not many such moments to portray, and no recentones....

Faster and faster moved the artist's hand, covering the wall with a scrollworkof figures that writhed one into another, contorting the outline that containedthem. Here was the face of a woman raped to death in one of the upper rooms,there the desperate clutch of a man robbed of the coppers that would have savedhis family. Feverishly the charcoal traced the lineaments of hatred, of hunger,of despair. ...

Lalo was vaguely aware of others around him, not only Cappen and Wedemir, butthe men who had been drinking at the next table, and others from elsewhere inthe room, even Shadowspawn, looking over his shoulder with startled eyes.

"That's Lalo the Limner, isn't it-you know, the fancy painter who did all thatwork up at the Palace," said one voice.

"Suppose One-Thumb's commissioned him to do a little daubing here?"

"Not bloody likely," answered the first voice, "and what's that he's drawing?Looks like a beast of some kind."

Lalo hardly heard. He no longer knew who had left the tavern, who had come in.At one point he felt a tug on his arm; peripheral vision showed him Wedemir'spale face. "Papa-it's all right. You don't have to go on."

Lalo pulled free with a gutteral denial. Didn't the boy understand? He could notstop now. Hand and arm moved of themselves to the next line, the next shadow,the next horror, as all the secrets of the Vulgar Unicom flowed through hisfingers onto the wall.

And then, suddenly, it was finished. The nubbin of charcoal dropped from Lalo'snerveless fingers to be lost in the filth of the floor. He forced crampedmuscles to function, eased off the bench, and stepped slowly back to see what hehad done. He shivered, remembering the moment when he had stepped back to seethe soul of the assasin Zanderei, closed his eyes briefly, then forced himselfto look at the wall.

It was worse than he had expected. How could he have spent so much time in theVulgar Unicorn and never known? Perhaps the normal barriers of the human senseshad protected him. But, like a glory-hunting warrior, he had thrown his shieldsaway, and now all the evil that had ever taken place within the tavern wasdisplayed upon its wall.

"Is this what you were trying to tell us you could do?" whispered Wedemir.

"Can't you wipe some of it off, or something?" asked Cappen Varra in a shakenvoice. "Even here, surely you don't mean to leave it that way...."

Lalo looked from him to the uneasy faces of the others who gazed at what theleaping lamplight revealed, and suddenly he was angry. They had watched,condoned, perhaps participated in the acts from which this portrait was made.Why were they so shocked to see their own evil made visible?

But the harper was right. Lalo had destroyed work before, when it was unworthy.Surely, though his portraiture had never been so true, this picture deserveddestruction.

He stepped forward, part of his cape bunched in his hand, and lifted it to thedistorted, flat-eared head with its evilly twisted hom.

The eye of the unicorn winked evilly.

Lalo stopped short, hand still poised. How had that happened? A bulge in theplaster or some trick of the light? He peered at it and realized that theunicorn's eye was red. Then his hand throbbed. He looked down and saw new bloodwelling from the old cut on his thumb.