Not long afterward Gaea had paid a visit. Chris did not like to remember it. He thought himself as courageous as the next fellow, but to sit at the feet of this monstrous being and listen to her had almost taken the heart right out of him. She dominated him as a human might dominate a poodle.

"Sit down," she had said, and he had done so. It was like sitting at the feet of the Sphinx.

"Your friend Cirocco was very naughty," Gaea said. "I haven't completed the inventory yet, but it seems likely she destroyed three or four hundred films completely. By that, I mean they were films I only had one copy of. It's not likely any others exist on Earth. What do you think of that?"

It had taken more courage than he would have thought to make his reply.

"I think films don't mean anything compared to human life, or-"

"Human, is it?" Gaea had said, with a faint smile.

"I didn't mean that. I meant human and Titanide-"

"What about the Iron Masters? They're intelligent, surely you don't doubt that. What about whales and dolphins? What about dogs and cats, and cows, and pigs, and chickens? Is life really that sacred?"

Chris had found nothing to say.

"I'm toying with you, of course. Still, I have found no special virtue in life, intelligent or not. It exists, but it's foolish to think it has a right to exist. The manner of its death is of little importance, in the end. I don't expect you to agree with me."

"That's good, because I don't."

"Fine. Diversity of opinion is what makes life, such as it is, interesting. Myself, I find art to be the only thing that is really impressive. Art can live forever. It's a good question as to whether it remains art with no eye to see it, or ear to hear it, but it's one of those unanswerable ones, isn't it? A book or a painting or a piece of music ought to live forever. Whereas life can only wobble through its appointed moments, eating and shitting until it runs out of steam. It's all rather ugly, really.

"I happen to like film. And I think Cirocco did a great sin when she destroyed those four hundred films. What do you think?"

"Me? I would personally destroy every painting, film, record, and book that ever existed if it would save one human or Titanide life."

Gaea had frowned at him.

"Perhaps both our positions are extreme."

"Yours is."

"You have a sort of museum back home, at Tuxedo Junction."

"It's a luxury I would never miss. I won't deny the past is worth preserving, and it's a sad thing to see art-even bad art-pass out of the world forever. Destroying art is a bad thing and I don't applaud it, but Cirocco would not have done it unless she thought that by doing so she could save lives. So I don't think she sinned."

Gaea had thought that over for a while, then smiled at him. She stood up, startling Chris badly.

"Good," she said. "We're positioned perfectly, then. You on one side, I on the other. It's going to be interesting to see what Adam thinks."

"What do you mean?"

"Have you ever heard of Jiminy Cricket?"

He hadn't, then. He had since seen the film, and now understood his role. In fact, he had seen the film four times. It was one of Adam's favorites.

The shape of their days quickly became apparent.

Chris stayed at Tara. He could spend all the time he wanted with Adam, except for one rev during each of Adam's waking periods. During that time Adam was alone with the television set.

Every room in Tara had a television. Some had three or four. They could not be turned off. All of them showed the same program at the same time, so if Adam wandered from one room to another continuity was not lost.

It didn't matter much to Adam at this point. His attention span was not much more than a minute, usually, though if the program really caught his attention he might sit for five or ten minutes, giggling at things only he seemed to understand. During the times when Chris couldn't get to him and attempt to divert him from the set, he sometimes played with his toys, and sometimes spent most of the rev watching the screen. Often he went to sleep.

Chris was not impressed. In fact, he hardly noticed the television except as a constant, noisy nuisance.

He eventually noticed that some sort of neilson was in operation. The things that Adam liked most-measured in gpm, or giggles per minute-began to show up more often. Most of it was hardly objectionable. There were a lot of Walt Disney and Warner Brothers cartoons, a lot of Japanese computer animation from the 90's and the turn of the century, some old television shows. Here and there a western crept in, and there were kung fu films which Adam seemed to like because they were so noisy.

Chris actually laughed when the first obscure 20th Century Fox film showed up on the screens. It was called A Ticket to Tomahawk, and Gaea had a small part in it. Chris had watched it while Adam napped-there being little to do in his ornate prison when not actually occupied with Adam. It was a silly little western. Then he spotted Gaea in a chorus line.

It wasn't Gaea, of course, but an actress who looked very much like her. Chris looked in the end credits to find the long-dead woman's name, but couldn't pick it out.

Not long after that he spotted Gaea again in a film called All About Eve, She had a larger part in that one, and he was able to determine that the actress was named Marilyn Monroe. He wondered if she had been famous.

He soon decided she had been, as her films started appearing regularly on Tara Television. Adam took very little notice. All About Eve had rated zero on the gigglometer; Adam had hardly glanced at it. The Asphalt Jungle didn't fare much better. Neither did Gentlemen Prefer Blondes.

Then Chris started to see documentaries about the life and death of Marilyn Monroe. There were an astonishing number of them. Most of them talked about qualities Chris simply could not see. While she might have been one hell of a box-office draw during the twentieth century, when the documentaries were made, few of the films meant much to Chris.

But one thing eventually did. During one of the dull documentaries, Adam looked up from his toys, smiled, pointed at the television screen, and said, "Gay." He looked over to Chris, pointed again, and said, "Gya."

Chris began to be disturbed.

Gaea never came to Tara.

That is, she never entered it, though the place had been constructed with her monstrous frame in mind. All the doors were wide and high enough for her, and the stairs and second floor were reinforced enough to bear her weight.

But she did pay visits. When she came, she remained far away and Adam was brought to a second-floor balcony. Chris understood the logic of it. Someone so huge might alarm the child. Gaea would get Adam used to her gradually, coming a little closer every day.

When she visited she always had something interesting. One time it was fireworks, which Gaea held in her hand and then hurled up into the air. They were not too loud, but very pretty. Another time it was a herd of trained elephants. She made them jump through hoops and walk tightropes. She slung one uncomfortable-looking beast over her shoulders, then had one balance in the palm of each hand, and lifted them high in the air. Chris was impressed, and Adam giggled the whole time. Gaea kept up a running patter of baby talk, calling Adam by name, telling him she loved him, and mentioning her name as often as possible. And she always brought a marvelous gift.

"Gay, gay, gay," Adam would shout.

"Gay-aA," Gaea would call back.

Adam was about fifteen months old now. His vocabulary was expanding. It wasn't long before he could say Gaea.

Marilyn Monroe had made about thirty films. Chris had seen each of them at least once by the time of the dedication of the Universal Gate. He brooded about it as he walked down the stairs from the third floor. More and more often now, Adam would pause in his play to point to the television, laugh, and say the name of his gargantuan granny.