“That's very good,” I said. “What did she say?”

“Nothing,” Deb said.

“Nothing at all?”

“Nothing at all,” Deb repeated. “Except she just says thanks, in a kind of way like you'd say it to the valet parking attendant. And she gives me this funny little smile and turns away.”

“Well, but Deb,” I said, “you can't really expect her to-”

“And then I found out why she smiled like that,” Deb said. “Like I'm some kind of unwashed half-wit and she's finally figured out where to lock me up.”

“Oh, no,” I said. “You mean you're off the case?”

“We're all off the case, Dexter,” Deb said, her voice as tired as I felt. “LaGuerta's made an arrest.”

There was far too much silence on the line all of a sudden and I couldn't think at all, but at least I was wide awake. “What?” I said.

“LaGuerta has arrested somebody. Some guy who works at the arena. She has him in custody and she's sure he's the killer.”

“That's not possible,” I said, although I knew it was possible, the brain-dead bitch. LaGuerta, not Deb.

“I know that, Dexter. But don't try to tell LaGuerta. She's sure she got the right guy.”

“How sure?” I asked. My head was spinning and I felt a little bit like throwing up. I couldn't really say why.

Deb snorted. “She has a press conference in one hour,” she said. “For her, that's positive.”

The pounding in my head got too loud to hear what Deb might have said next. LaGuerta had made an arrest? Who? Who could she possibly have tagged for it? Could she truly ignore all the clues, the smell and feel and taste of these kills, and arrest somebody? Because nobody who could do what this killer had done-was doing!-could possibly allow a pimple like LaGuerta to catch him. Never. I would bet my life on it.

“No, Deborah,” I said. “No. Not possible. She's got the wrong guy.”

Deborah laughed, a tired, dirty-up-to-here cop's laugh. “Yeah,” she said. “I know it. You know it. But she doesn't know it. And you want to know something funny? Neither does he.”

That made no sense at all. “What are you saying, Deb? Who doesn't know?”

She repeated that awful little laugh. “The guy she arrested. I guess he must be almost as confused as LaGuerta, Dex. Because he confessed.”

“What?”

“He confessed, Dexter. The bastard confessed.”

HIS NAME WAS DARYLL EARL MCHALE AND HE WAS what we liked to call a two-time loser. Twelve of his last twenty years had been spent as a guest of the State of Florida. Dear Sergeant Doakes had managed to dig his name out of the arena's personnel files. In a computer cross-check for employees with a record of violence or felony convictions, McHale's name had popped up twice.

Daryll Earl was a drunk and a wife beater. Apparently he occasionally knocked over filling stations, too, just for the entertainment value. He could be relied on to hold down a minimum wage job for a month or two. But then some fine Friday night he'd throw back a few six-packs and start to believe he was the Wrath of God. So he'd drive around until he found a gas station that just pissed him off. He'd charge in waving a weapon, take the money, and drive away. Then he'd use his massive $80 or $90 haul to buy a few more six-packs until he felt so good he just had to beat up on somebody. Daryll Earl was not a large man: five six and scrawny. So to play it safe, the somebody he beat on usually turned out to be his wife.

Things being what they were, he'd actually gotten away with it a couple of times. But one night he went a little too far with his wife and put her into traction for a month. She pressed charges, and since Daryll Earl already had a record, he'd done some serious time.

He still drank, but he'd apparently been frightened enough at Raiford to straighten out just a bit. He'd gotten a job as a janitor at the arena and actually held on to it. As far as we could tell, he hadn't beaten up his wife for ages.

And more, Our Boy had even had a few moments of fame when the Panthers made their run at the Stanley Cup. Part of his job had been to run out and clean up when the fans threw objects on the ice. That Stanley Cup year, this had been a major job, since every time the Panthers scored the fans threw three or four thousand plastic rats onto the rink. Daryll Earl had to schlep out and pick them all up, boring work, no doubt. And so encouraged by a few snorts of very cheap vodka one night, he'd picked up one of the plastic rats and done a little “Rat Dance.” The crowd ate it up and yelled for more. They began to call for it when Daryll Earl skidded out onto the ice. Daryll Earl did the dance for the rest of the season.

Plastic rats were forbidden nowadays. Even if they had been required by federal statute, nobody would have been throwing them. The Panthers hadn't scored a goal since the days when Miami had an honest mayor, sometime in the last century. But McHale still showed up at the games hoping for one last on-camera two-step.

At the press conference LaGuerta played that part beautifully. She made it sound like the memory of his small fame had driven Daryll Earl over the edge into murder. And of course with his drunkenness and his record of violence toward women, he was the perfect suspect for this series of stupid and brutal murders. But Miami 's hookers could rest easy; the killing was over. Driven by the overwhelming pressure of an intense and merciless investigation, Daryll Earl had confessed. Case closed. Back to work, girls.

The press ate it up. You couldn't really blame them, I suppose. LaGuerta did a masterful job of presenting just enough fact colored with high-gloss wishful thinking that nearly anyone would have been convinced. And of course you don't actually have to take an IQ test to become a reporter. Even so, I always hope for just the smallest glimmer. And I'm always disappointed. Perhaps I saw too many black-and-white movies as a child. I still thought the cynical, world-weary drunk from the large metropolitan daily was supposed to ask an awkward question and force the investigators to carefully reexamine the evidence.

But sadly, life does not always imitate art. And at LaGuerta's press conference, the part of Spencer Tracy was played by a series of male and female models with perfect hair and tropical-weight suits. Their penetrating questions amounted to, “How did it feel to find the head?” and “Can we have some pictures?”

One lone reporter, Nick Something from the local NBC TV affiliate, asked LaGuerta if she was sure McHale was the killer. But when she said that the overwhelming preponderance of evidence indicated that this was the case and anyway the confession was conclusive, he let it go. Either he was satisfied or the words were too big.

And so there it was. Case closed, justice done. The mighty machinery of Metro Miami's awesome crime-fighting apparatus had once again triumphed over the dark forces besieging Our Fair City. It was a lovely show. LaGuerta handed out some very sinister-looking mug shots of Daryll Earl stapled to those new glossy shots of herself investigating a $250-an-hour high-fashion photographer on South Beach.

It made a wonderfully ironic package; the appearance of danger and the lethal reality, so very different. Because however coarse and brutal Daryll Earl looked, the real threat to society was LaGuerta. She had called off the hounds, closed down the hue and cry, sent people back to bed in a burning building.

Was I the only one who could see that Daryll Earl McHale could not possibly be the killer? That there was a style and wit here that a brickhead like McHale couldn't even understand?

I had never been more alone than I was in my admiration for the real killer's work. The very body parts seemed to sing to me, a rhapsody of bloodless wonder that lightened my heart and filled my veins with an intoxicating sense of awe. But it was certainly not going to interfere with my zeal in capturing the real killer, a cold and wanton executioner of the innocent who absolutely must be brought to justice. Right, Dexter? Right? Hello?