I suppose that should have worried me a little.
It didn't.
It made me feel almost giddy, like a high-school girl watching as the captain of the football team worked up his nerve to ask for a date. You mean me? Little old me? Oh my stars, really? Pardon me while I flutter my eyelashes.
I took a deep breath and tried to remind myself that I was a good girl and I didn't do those things. But I knew he did them, and I truly wanted to go out with him. Please, Harry?
Because far beyond simply doing some interesting things with a new friend, I needed to find this killer. I had to see him, talk to him, prove to myself that he was real and that-
That what?
That he wasn't me?
That I was not the one doing such terrible, interesting things?
Why would I think that? It was beyond stupid; it was completely unworthy of the attention of my once-proud brain. Except-now that the idea was actually rattling around in there, I couldn't get the thought to sit down and behave. What if it really was me? What if I had somehow done these things without knowing it? Impossible, of course, absolutely impossible, but-
I wake up at the sink, washing blood off my hands after a “dream” in which I carefully and gleefully got blood all over my hands doing things I ordinarily only dream about doing. Somehow I know things about the whole string of murders, things I couldn't possibly know unless-
Unless nothing. Take a tranquilizer, Dexter. Start again. Breathe, you silly creature; in with the good air, out with the bad. It was nothing but one more symptom of my recent feeble-mindedness. I was merely going prematurely senile from the strain of all my clean living. Granted I had experienced one or two moments of human stupidity in the last few weeks. So what? It didn't necessarily prove that I was human. Or that I had been creative in my sleep.
No, of course not. Quite right; it meant nothing of the kind. So, um-what did it mean?
I had assumed I was simply going crazy, dropping several handfuls of marbles into the recycle bin. Very comforting-but if I was ready to assume that, why not admit that it was possible I had committed a series of delightful little pranks without remembering them, except as fragmented dreams? Was insanity really easier to accept than unconsciousness? After all, it was just a heightened form of sleepwalking. “Sleep murder.” Probably very common. Why not? I already gave away the driver's seat of my consciousness on a regular basis when the Dark Passenger went joyriding. It really wasn't such a great leap to accept that the same thing was happening here, now, in a slightly different form. The Dark Passenger was simply borrowing the car while I slept.
How else to explain it? That I was astrally projecting while I slept and just happened to tune my vibrations to the killer's aura because of our connection in a past life? Sure, that might make sense-if this was southern California. In Miami, it seemed a bit thin. And so if I went into this half building and happened to see three bodies arranged in a way that seemed to be speaking to me, I would have to consider the possibility that I had written the message. Didn't that make more sense than believing I was on some kind of subconscious party line?
I had come to the outside stairwell of the building. I stopped there for a moment and closed my eyes, leaning against the bare concrete block of the wall. It was slightly cooler than the air, and rough. I ground my cheek against it, somewhere between pleasure and pain. No matter how much I wanted to go upstairs and see what there was to see, I wanted just as much not to see it at all.
Talk to me, I whispered to the Dark Passenger. Tell me what you have done.
But of course there was no answer, beyond the usual cool, distant chuckle. And that was no actual help. I felt a little sick, slightly dizzy, uncertain, and I did not like this feeling of having feelings. I took three long breaths, straightened up and opened my eyes.
Sergeant Doakes stared at me from three feet away, just inside the stairwell, one foot on the first step. His face was a dark carved mask of curious hostility, like a rottweiler that wants to rip your arms off but is mildly interested in knowing first what flavor you might be. And there was something in his expression that I had never seen on anybody's face before, except in the mirror. It was a deep and abiding emptiness that had seen through the comic-strip charade of human life and read the bottom line.
“Who are you talkin' to?” he asked me with his bright hungry teeth showing. “You got somebody else in there with you?”
His words and the knowing way he said them cut right through me and turned my insides to jelly. Why choose those words? What did he mean by “in there with me”? Could he possibly know about the Dark Passenger? Impossible! Unless…
Doakes knew me for what I was.
Just as I had known Last Nurse.
The Thing Inside calls out across the emptiness when it sees its own kind. Was Sergeant Doakes carrying a Dark Passenger, too? How could it be possible? A homicide sergeant, a Dexter-dark predator? Unthinkable. But how else to explain? I could think of nothing and for much too long I just stared at him. He stared back.
Finally he shook his head, without looking away from me. “One of these days,” he said. “You and me.”
“I'll take a rain check,” I told him with all the good cheer I could muster. “In the meantime, if you'll excuse me…?”
He stood there taking up the entire stairwell and just staring. But finally he nodded slightly and moved to one side. “One of these days,” he said again as I pushed past him and onto the stairs.
The shock of this encounter had snapped me instantly out of my sniveling little self-involved funk. Of course I wasn't committing unconscious murders. Aside from the pure ridiculousness of the idea, it would be an unthinkable waste to do these things and not remember. There would be some other explanation, something simple and cold. Surely I was not the only one within the sound of my voice capable of this kind of creativity. After all, I was in Miami, surrounded by dangerous creatures like Sergeant Doakes.
I went quickly up the stairs, feeling the adrenaline rushing through me, almost myself again. There was a healthy spring in my step that was only partly because I was escaping the good sergeant. Even more, I was eager to see this most recent assault on the public welfare-natural curiosity, nothing more. I certainly wasn't going to find any of my own fingerprints.
I climbed the stairs to the second floor. Some of the framing had been knocked into place, but most of the floor was still without walls. As I stepped off the landing and onto the main area of the floor, I saw Angel-no-relation squatting in the center of the floor, unmoving. His elbows were planted on his knees, his hands cupped his face, and he was just staring. I stopped and looked at him, startled. It was one of the most remarkable things I had ever seen, a Miami homicide technician swatted into immobility by what he had found at a crime scene.
And what he had found was even more interesting.
It was a scene out of some dark melodrama, a vaudeville for vampires. Just as there had been at the site where I had taken Jaworski, there was a stack of shrink-wrapped drywall. It had been pushed over against a wall and was now flooded with light from the construction lights and a few more the investigating team had set up.
On top of the drywall, raised up like an altar, was a black portable workbench. It had been neatly centered so the light hit it just right-or rather, so the light illuminated just right the thing that sat on top of the workbench.
It was, of course, a woman's head. Its mouth held the rearview mirror from some car or truck, which stretched the face into an almost comical look of surprise.