"He's a famous author," Dulcie said softly. "He's… Well, I don't know. To accuse a man like that…" Looking around the study, looking at the papers that Joe was neatly pawing together, she shivered. "Prying into Elliott Traynor's business makes me nervous."

"Come on," he said, pawing the envelope open and pushing the papers in. "Get the kit, let's get out of here. I need fresh air, away from these people." Quickly he pushed beneath the draperies and slid the window lock. He had the glass open when Dulcie returned with the yawning kit. And they left the Traynor's with far more silence than they had entered, softly sliding the window closed behind them, as they dropped down among the bushes.

But Joe Grey was back inside the cottage again by the time Charlie got to work. He had watched from the oak tree as Vivi and Elliott left the house, had come in through the window, returning to Elliot's study, his curiosity not nearly satisfied.

He had no idea what else he would find-and no idea that he would catch Charlie snooping, exactly as he and Dulcie had done, hiding her prying with energetic bouts of vacuuming and dusting.

Whetheryou're a cop with a search warrant or the weekly cleaning person come to scour the bathrooms and vacuum the rugs, if you peek through someone's private papers you can stir matters you might wish you'd let lie. The more bizarre the results of such prying, the more compelled one may feel to keep searching, to see what else might come to light.

Charlie Getz had no idea, when she let herself into the Traynor cottage at nine on Monday morning, of the bloody mess she'd have to clean up or of what she would find later in Elliott Traynor's study.

The cottage the Traynors had rented was one of the most charming in the village, with its pale stone exterior and winding brick walk through a lush and tastefully planted garden. The high roof, above tall clerestory windows, was sheltered by an ancient oak. The front porch was laid with pale stone. The hand-carved front door opened into a handsome foyer brightened by a skylight and by a floor of cream-toned Mexican tiles. From the high-ceilinged living room to the tile-floored kitchen, the interior was filled with light.

The furnishings were casual and well designed, the copies of antique Persian rugs well made and rich in color, every detail planned for a tasteful but durable upscale rental. The owners had only recently refurnished, storing their antique pieces in the insulated attic among chests of outgrown children's toys and personal mementos.

Unloading her grocery bag, Charlie rinsed the salad greens and the pound of Bing cherries she had bought for Vivi, put the cherries into a flat plastic container, and slipped them in the freezer-frozen cherries for Vivi to suck on during the day, a childish habit that seemed to Charlie to have weird sexual connotations.

Moving into the living room, she watered the plants with a specially prepared plant food that was kept in a gallon plastic bottle under the wet bar. It was when she returned to the bright kitchen to get the vacuum from the cleaning closet next to the pantry, that she smelled something sour and metallic, a vile stink like spoiling meat, seeping out around the pantry door. Had some food gone bad, or a can of something exploded?

That didn't seem likely. She had stocked the shelves herself, only three weeks before, with freshly purchased staples, following instructions from the rental agent. Reaching for the doorknob, she hesitated, filled with a strange apprehension.

Slowly she pulled the pantry door open-and slammed it closed again, trying to catch her breath.

Her first thought was that some kind of meat had been butchered in there and been flung around, then left lying in globs on the floor. Who would do such a thing? And there were hanks of hair on it, pieces of fur.

Dark fur, mixed with gore and blood.

Fur mottled like…

Terrified, ripping open the door again, she expected to see tortoiseshell fur mottled black and brown. Those cats roamed everywhere, they were likely to slip into anyone's house. But who would…?

Oh, not the kit. Please, not the kit.

Having flung open the door, she forced herself to look carefully.

Relief flooded her. This wasn't the kit's tortoiseshell fur, nor Dulcie's tabby-striped coat. This fur was coarse and rough-black and gray, not brown.

Raccoons?

Raisins and crackers were mixed with the blood. From the shelves, the contents of burst cans of corn and fruit salad dripped down. Raccoons couldn't do that-the cans had been blown open by some tremendous force.

She turned away, her breakfast wanting to come up. What kind of horrible prank was this? What sick joke? She stood holding her hand to her mouth, trying to mask the smell, trying to keep from heaving. Trying to construct a plausible scenario.

Chill air touched her from above, a cold draft. Looking up at the pantry ceiling, she saw the access door had been tampered with, the plywood cover apparently pulled aside, then pushed crookedly back again into place, its unpainted parts marking its altered position. Would raccoons be able to pull aside an attic door, would they know how to do that?

Certainly raccoons had broken into several village houses that were supposedly vermin proof. She remembered when a dozen of the beasts got into the Carvers' house through the attic and down into an upstairs bedroom, terrifying old Mrs. Carver nearly to apoplexy. And that wasn't the only bizarre tale of the damage raccoons could do. When two of them got into the high school by shoving aside an acoustical tile, they took over the principal's office and quite effectively rearranged his filing system before they could be evicted. As she stood studying the bloody mess, trying not to be sick, she realized she was looking, among a pattern of dark splatters, at a ragged hole in the Sheetrock.

A bullet hole? Was that what happened, had these animals been shot? She thought the bullet would have to have been a hollow-point, to tear the beasts up like that and to make that huge ragged hole in the wall.

She imagined the animals breaking in, making a racket as they attacked the food, then Elliott flinging open the door and shooting them. Afterward, he must have pushed the plywood back over the ceiling opening, maybe thinking that more of the beasts were up there.

Couldn't he have thought of some other approach than killing them? The police carried animal nets for this kind of emergency. Or the police would have called a specialist. There were several services in the area that had humane traps to deal with such cases. She felt rage that he had called no one, that he had shot the them. And then, to top it off, he had left the mess for her to clean up.

Swallowing back her anger, she fetched rubber gloves from her tote bag, and put on one of the surgical masks she carried for use when she didn't want to breathe caustic fumes. Tying a dish-towel over her hair, she cursed the Traynors. She was a cleaning professional, not a dead body disposal service. Not in this situation. This wasn't the aftermath of police business, to which she had been summoned. She felt like walking out, telling them to clean up their own mayhem.

With a roll of paper towels and a dustpan to use as a scoop and several heavy garbage bags, she cleared out the spilled food and scrubbed away the blood where it had splattered on the walls and shelves. She dumped the undamaged cans in a bucket of hot, soapy water and scrubbed each one. As she cleaned, she found three other holes. From one, she dug out a soft-nosed bullet smashed like a mushroom. The other was too deeply embedded. When she had finished scrubbing and disinfecting and carried the bags out to the garbage, she saw that her work wasn't finished.