Alice Sebold

Lucky

Lucky pic_1.jpg

In the tunnel where I was raped, a tunnel that was once an underground entry to an amphitheater, a place where actors burst forth from underneath the seats of a crowd, a girl had been murdered and dismembered. I was told this story by the police. In comparison, they said, I was lucky.

But at the time, I felt I had more in common with the dead girl than I did with the large, beefy police officers or my stunned freshman-year girlfriends. The dead girl and I had been in the same low place. We had lain among the dead leaves and broken beer bottles.

During the rape my eye caught something among the leaves and glass. A pink hair tie. When I heard about the dead girl, I could imagine her pleading as I had, and wondered when her hair had been pulled loose from her hair tie. If that was something the man who killed her had done or if, to save herself the pain in the moment-thinking, hoping, no doubt, she would have the luxury to reflect on the ramifications of "assisting the assailant" later on-she had, on his urging, undone her hair herself. I will not know this, just as I will never know whether the hair tie was hers or whether it, like the leaves, made its way there naturally. I will always think of her when I think of the pink hair tie. I will think of a girl in the last moments of her life.

ONE

This is what I remember. My lips were cut. I bit down on them when he grabbed me from behind and covered my mouth. He said these words: "I'll kill you if you scream." I remained motionless. "Do you understand? If you scream you're dead." I nodded my head. My arms were pinned to my sides by his right arm wrapped around me and my mouth was covered with his left.

He released his hand from my mouth.

I screamed. Quickly. Abruptly.

The struggle began.

He covered my mouth again. He kneed me in the back of my legs so that I would fall down. "You don't get it, bitch. I'll kill you. I've got a knife. I'll kill you." He released his grip on my mouth again and I fell, screaming, on the brick path. He straddled me and kicked me in the side. I made sounds, they were nothing, they were soft footfalls. They urged him on, they made him righteous. I scrambled on the path. I was wearing soft-soled moccasins with which I tried to land wild kicks. Everything missed or merely grazed him. I had never fought before, was chosen last in gym.

Somehow, I don't remember how, I made it back on my feet. I remember biting him, pushing him, I don't know what. Then I began to run. Like a giant who is all powerful, he reached out and grabbed the end of my long brown hair. He yanked it hard and brought me down onto my knees in front of him. That was my first missed escape, the hair, the woman's long hair.

"You asked for it now," he said, and I began to beg.

He reached around to his back pocket to draw out a knife. I struggled still, my hair coming out painfully from my skull as I did my best to rip myself free of his grip. I lunged forward and grabbed his left leg with both arms, throwing him off balance and making him stagger. I would not know it until the police found it later in the grass, a few feet away from my broken glasses, but with that move, the knife fell from his hands and was lost.

Then it was fists.

Maybe he was angry at the loss of his weapon or at my disobedience. Whatever the reason, this marked the end of the preliminaries. I was on the ground on my stomach. He sat on my back. He pounded my skull into the brick. He cursed me. He turned me around and sat on my chest. I was babbling. I was begging. Here is where he wrapped his hands around my neck and began to squeeze. For a second, I lost consciousness. When I came to, I knew I was staring up into the eyes of the man who would kill me.

At that moment I signed myself over to him. I was convinced that I would not live. I could not fight anymore. He was going to do what he wanted to me. That was it.

Everything slowed down. He stood up and began dragging me over the grass by my hair. I twisted and half crawled, trying to keep up with him. Dimly, I had seen the dark entrance of the amphitheater tunnel from the path. As we neared it, and I realized it was our destination, a rush of fear ran through me. I knew I would die.

There was an old iron fence a few feet out from the tunnel entrance. It was three feet high and provided a narrow space through which you had to walk in order to enter the tunnel. As he dragged me, as I scrambled against the grass, I caught sight of that fence and became utterly convinced that if he brought me beyond this point, I would not survive.

For a moment, as he dragged me across the ground, I clung feebly to the bottom of that iron fence, before a rough pull yanked me clean. People think a woman stops fighting when she is physically exhausted, but I was about to begin my real fight, a fight of words and lies and the brain.

When people talk about climbing a mountain or riding rough water, they say they became one with it, their bodies so attuned to it that they often, when asked to articulate how they did it, cannot fully explain.

Inside the tunnel, where broken beer bottles, old leaves, and other, as yet indiscriminate, things littered the ground, I became one with this man. He held my life in his hand. Those who say they would rather fight to the death than be raped are fools. I would rather be raped a thousand times. You do what you have to.

"Stand up," he said.

I did.

I was shivering uncontrollably. It was cold out and the cold combined with the fear, with the exhaustion, made me shake from head to toe.

He dumped my purse and bag of books in the corner of the sealed-off tunnel.

"Take off your clothes."

"I have eight dollars in my back pocket," I said. "My mother has credit cards. My sister does too."

"I don't want your money," he said, and laughed.

I looked at him. Into his eyes now, as if he was a human being, as if I could speak to him.

"Please don't rape me," I said.

"Take off your clothes."

"I'm a virgin," I said.

He didn't believe me. Repeated his command. "Take off your clothes."

My hands were shaking and I couldn't control them. He pulled me forward by my belt until my body was up against his, which was up against the tunnel's back wall.

"Kiss me," he said.

And he drew my head forward and our lips met. My lips were pursed tightly together. He tugged harder on my belt, my body pressing up further against his. He grabbed my hair in his fist and balled it up. He drew my head back and looked at me. I began to cry, to plead.

"Please don't," I said. "Please."

"Shut up."

He kissed me again and this time, he inserted his tongue in my mouth. By pleading, I had left myself open to this. Again he pulled my head back roughly. "Kiss back," he said.

And I did.

When he was satisfied, he stopped and tried to work the latch on my belt. It was a belt with a strange buckle and he couldn't figure it out. To have him let go of me, for him to leave me alone, I said, "Let me, I'll do it."

He watched me.

When I was done, he unzipped the jeans I wore.

"Now take off your shirt."

I had a cardigan sweater on. I took that off. He reached over to help unbutton my shirt. He fumbled.

"I'll do it," I said again.

I unbuttoned the oxford-cloth shirt and, like the cardigan, I peeled it back from my body. It was like shedding feathers. Or wings.

"Now the bra."

I did.

He reached out and grabbed them-my breasts-in his two hands. He plied them and squeezed them, manipulating them right down to my ribs. Twisting. I hope that to say this hurt isn't necessary here.


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