"What I would like to know is where you stayed last Wednesday night, Mr. Harmer."

"The Mr., too, I guess that's Park Lane as well. In fact, if you'd been talking to the Jason of ten years back, you'd have had me to the station and scared hell out of me just like the cops of any other country. They're all the same; dough worshippers."

"I haven't your experience of the world's police forces, I'm afraid, Mr. Harmer."

Harmer grinned. "Stung you! A limey's got to be plenty stung before he's rude-polite like that. Don't get me wrong, though, Inspector. There aren't any police brands on me. As for last Wednesday night, I spent it in my car."

"You mean you didn't go to bed at all?"

"That's what I mean."

"And where was the car?"

"In a lane with hedges as high as houses each side, parked on the grass verge. An awful lot of space goes to waste in England in these verges. The ones in that lane were about forty feet wide."

"And you say you slept in the car? Have you someone who can bear witness to that?"

"No. It wasn't that kind of park. I was just sleepy and lost and couldn't be bothered going any further."

"Lost! In the east of Kent!"

"Yes, anywhere in Kent, if it comes to that. Have you ever tried to find a village in England after dark? Night in the desert is nothing to it. You see a sign at last that says Whatsit two and a half miles and you think: Good old Whatsit! Nearly there! Hurrah for England and signposts! And then half a mile on you come to a place where three ways fork, and there's a nice tidy signpost on the little bit of green in the middle and every blame one of that signpost's arms has got at least three names on it, but do you think one of them mentions Whatsit? Oh, no! That would make it far too easy! So you read 'em all several times and hope someone'll come past before you have to decide, but no one comes. Last person passed there a week last Tuesday. No houses; nothing but fields, and an advertisement for a circus that was there the previous April. So you take one of the three roads, and after passing two more signposts that don't take any notice of Whatsit, you come to one that says Whatsit, six and three-quarters. So you start off all over again, four miles to the bad, as it were, and it happens all over again. And again! And by the time Whatsit has done that on you half a dozen times, you don't care what happens as long as you can stop driving around corners and go to sleep. So I just stopped where I was and went to sleep. It was too late to drop in on Chris by that time, anyway."

"But not too late to get a bed at an inn."

"Not if you know where an inn is. 'Sides, judging by some of the inns I've seen here, I'd just as soon sleep in the car."

"You grow a heavy beard, I notice." Grant nodded at Harmer's unshaven chin.

"Yes. Have to shave twice a day, sometimes. If I'm going to be out late. Why?"

"You were shaved when you arrived at Miss Clay's cottage. How was that?"

"Carry my shaving things in the car. Have to, when you have a beard like mine."

"So you had no breakfast that morning?"

"No, I was planning to get breakfast from Chris. I don't eat breakfast anyway. Just coffee, or orange juice. Orange juice in England. My God, your coffee — what do you think they do to it? The women, I mean. It's —»

"Leaving the coffee aside for a moment, shall we come to the main point? Why did you tell the sergeant on duty that you had slept at Sandwich?"

The man's face changed subtly. Until then he had been answering at ease, automatically; the curves of his broad, normally good-natured face slack and amiable. Now the slackness went; the face grew wary, and — was it? — antagonistic.

"Because I felt there was something wrong, and I didn't want to be mixed up in it."

"That is very extraordinary, surely? I mean, that you should be conscious of evil before anyone knew that it existed."

"That's not so funny. They told me Chris was drowned. I knew Chris could swim like an eel. I knew that I had been out all night. And the sergeant was looking at me with a Who-are-you-and-what-are-you-doing-here expression."

"But the sergeant had no idea that the drowning was more than an accident. He had no reason to look at you in that way."

Then he decided to drop the subject of Harmer's lie to the sergeant.

"How did you know, by the way, where to find Miss Clay? I understood that she kept her retreat a secret."

"Yes, she'd run away. Gave us all the runaround, in fact, including me. She was tired and not very pleased at the way her last picture had turned out. On the floor, I mean; it isn't released yet. Coyne didn't know how to take her. A bit in awe of her, and afraid at the same time she'd put one over on him. You know. If he'd called her 'kid' and 'chocolate' the way old Joe Myers used to back in the States, she'd have laughed and worked like a black for him. But Coyne's full of his own dignity, the 'big director' stuff, and so they didn't get on too good. So she was fed up, and tired, and everyone wanted her to go to different places for holidays, and it seemed she couldn't make up her mind, and then one day we woke up and she wasn't there. Bundle — that's her housekeeper — said she didn't know where she was, but no letters were to be forwarded and she'd turn up again in a month, so no one was to worry. Well, for about a fortnight no one heard of her, and then last Tuesday I met Marta Hallard at a sherry party at Libby Seemon's — she's going into that new play of his — and she said that on Saturday she had run into Chris buying chocolates at a place in Baker Street — Chris never could resist chocolates between pictures! — and she tried to worm out of Chris where she was hiding out. But Chris wasn't giving anything away. At least she thought she wasn't. She said: 'Perhaps I'm never coming back. You know that old Roman who grew vegetables with his own hands and was so stuck on the result that he made the arrangement permanent. Well, yesterday I helped pull the first cherries for Covent Garden market and, believe me, getting the Academy Award for a picture is nothing to it! "

Harmer laughed under his breath. "I can hear her," he said, affectionately. "Well, I went straight from Seemon's to Covent Garden and found out where those cherries came from. An orchard at a place called Bird's Green. And on Wednesday morning bright and early Jason sets off for Bird's Green. That took a bit of finding, but I got there about three o'clock. Then I had to find the orchard and the people who were working in it on Friday. I expected to find Chris straightaway, but it seemed that they didn't know her. They said that when they were picking, early on Friday morning, a lady passing in a car had stopped to watch and then asked if she might help. The old boy who owned the place said they didn't need paid help, but if she liked to amuse herself good and well. 'She were a good picker, he said, 'wouldn't mind paying her another time. Then his grandson said he'd seen the lady — or thought he'd seen her — one day lately in the post office at Liddlestone — about six miles away. So I found Liddlestone, but the post office regular staff was 'home to her tea' and I had to wait till she came back. She said that the lady who sent 'all the telegrams' — seems they never saw so many telegrams in their lives as Chrissent — was living over at Medley. So I set out in the half-dark to find Medley, and ended by sleeping in a lane. And sleeping out or no sleeping out, that was a better piece of detective work than you're doing this morning, Inspector Grant!"

Grant grinned good-humoredly. "Yes? Well, I've nearly done." He got up to go. "I suppose you had a coat with you in the car?"

"Sure."

"What was it made of?"

"Brown tweed. Why?"

"Have you got it here?"

"Sure." He turned to a wardrobe, built in the passage where the sitting room led into the bedroom, and pulled the sliding door open. "Have a look at my whole wardrobe. You're cleverer than I am if you can find the button."