"Well, was the Reverend Father shocked?" Grant asked.

"Not as shocked as Brother Aloysius. He didn't for a moment imagine we'd got anything on him. By the way he behaved, I should think some other police forces must be anxious to catch up with him."

"I shouldn't wonder."

"Where are we going, sir?"

"Chelsea Reach. Beloved of painters and folk dancers."

Williams looked benignly at his superior and noticed how much better he was looking now that the Tisdall boy had turned up.

The police boat drew in to the bank at 276 River Walk where a large grayish motorboat was moored. The police boat edged gingerly nearer until only a foot separated the gunwales.

Grant stepped across. "Come with me, Williams. I want witnesses."

The cabin was locked. Grant glanced up at the house opposite and shook his head. "I'll have to risk it. I'm sure I'm right, anyhow."

While the river police stood by, he forced the lock and went in. It was a tidy, seamanlike cabin; everything was neat and ship-shape. Grant began to go through the lockers. In the one under the starboard bunk he found what he was looking for. An oilskin coat. Black. Bought in Cannes. With the button missing from the right cuff.

"You take that, Williams, and come up to the house with me."

The maid said that Miss Keats was in, and left them in a dining room on the ground floor; a very austere and up-to-the-minute apartment.

"Looks more like a place to have your appendix out than to put roast beef into you," Williams observed.

But Grant said nothing.

Lydia came in, smiling, her bracelets jangling and her beads clashing.

"I'm sorry I couldn't take you upstairs, my dear Leo person, but I have some clients who mightn't understand that this is just a friendly visit."

"So you knew who I was, at Marta's?"

"Of course. You don't flatter my powers of divination, my dear Mr. Grant. Won't you present your friend?"

"This is Sergeant Williams."

She looked faintly disconcerted, Grant thought, but managed to be gracious to the sergeant. Then she saw what was under Williams's arm.

"What are you doing with my coat?" she asked sharply.

"Then it is your coat? The one in the locker of the boat?"

"Of course it is my coat! How dare you force my cabin! It is always kept locked."

"The lock will be repaired, Miss Keats. Meanwhile I regret to tell you that I must arrest you for the murder of Christine Clay at the Gap at Westover on Thursday morning, the 15th, and warn you that anything you say may be used in evidence against you."

Her face changed from her habitual expression of satisfaction to the convulsed fury he had seen when Judy Sellers had made light of her powers. "You can't arrest me," she said. "It is not in my stars. Who should know if not I? The stars have no secrets from me. The stars have predicted a glorious destiny for me. It is you, poor mistaken fool, who will go on stumbling and making mistakes. My sign is achievement. Whatever I will I can do. It is set there in the sky that it shall be so. Destiny. 'Some are born great' — that is true and the rest is lies. One is born great or is not great at all. I was born to achieve. To be a leader. To be looked up to by mankind —»

"Miss Keats, I should be grateful if you would prepare to come with us at once. Any clothes you want can be sent after you."

"Clothes? What for?"

"For use in prison."

"I don't understand. You can't put me in prison. It isn't in my stars. They said that what I wanted I could do."

"Everyone can do what they want if they want it enough. But no one with impunity. Will you send for your maid and explain to her? She will fetch your hat if you want it."

"I don't want it. I am not going with you. I am going to a party this afternoon at Marta's. She's got Christine's part, you know. In the new film. That's one good turn I did. It was all written a long time ago what we should do. It falls into place, like the cog things in a musical box, you know. Or perhaps you don't know. Are you musical? And from Marta's I'm going to Owen Hughes. After that we shall see. If you come back in the evening we can talk about it. Do you know Owen? A charming person. He had his appointed place, too. If it hadn't been for Owen it would never have come into my head. No, I don't mean that. Great enterprises belong to great minds. They would happen in any case. But the releasing agent is often very small. Like electric light and the switch. I used that simile in a lecture in Scotland the other week. It went very well. Neat, don't you think? Will you have some sherry? I'm afraid I'm very remiss. It's the consciousness of these people upstairs waiting to be told."

"Told what?"

"About me, of course. No, about themselves. That is what they came for. I'm a little muddled. They want to know what destiny has in store for them. And only I can tell them. Only I, Lydia Keats —»

"May I use your telephone, Miss Keats?"

"Certainly. It is in the cupboard place in the hall. One of the new colored kind. The telephone, not the cupboard. What was I saying?"

Grant said to Williams, "Ask them to send Reynolds around at once."

"Is that the painter? I shall be glad to meet him. He was born to greatness. It is not a matter of application, or mixing pigments, you know. It is having the matter in you. And that the stars arrange. You must let me do a horoscope for you. You are a Leo person. Very attractive people. Kingly born. I have been sorry sometimes that I was not August born. But Aries people are leaders. Talkative, too, I'm afraid." She giggled. "I do talk a lot they tell me. Chatterbox, they called me as a child."

Chapter 26

Half an hour later Reynolds, the police surgeon, gave the screaming, raving thing that had been Lydia Keats a morphine injection so that they might remove her to the station in some sort of decency.

Grant and Williams, standing in the door, watching the disappearing ambulance, found no words.

"Well," Grant said at length, pulling himself together, "I suppose I'd better get along and see Champneis."

"The people that made the laws of this country ought to be shot," Williams said with sudden venom.

Grant looked startled. "Capital punishment, you mean?"

"No! Closed hours."

"Oh, I see. There's a flask in my cupboard. You can help yourself."

"Thank you, sir. Don't take on, miss!" This to the sobbing maid in the background. "Things like that will happen."

"She was a very kind mistress to me," she said. "It hurts me to see her like that."

"Take care of that coat, Williams," Grant said as they went down the path to the car that had been sent for them, glad beyond speech to leave the house behind.

"Tell me, sir, how did you find out it was that woman of all people?"

Grant produced the pages he had torn from the magazine.

"I found that in a magazine in the barbershop at the Marine. You can read it for yourself."

It was an article written by some Midwest sob sister, who had been in New York for a vacation. New York was full of film stars who had either run out on their studies or were on their way back to them, and in New York also was Miss Lydia Keats. And the thing that most impressed the sob sister was not shaking hands with Grace Marvel, but the success of Miss Keats's prophecies. She had made three startling ones. She had prophesied that within three months Lyn Drake would have a serious accident; and everyone knew that Lyn Drake was still on his back. She had said that Millard Robinson would within a month lose a fortune by fire; and everyone knew how the reels of the new million-dollar film had been burned to a cinder. And her third statement prophesied the death by drowning of a woman star of the first magnitude, whose name, of course, she gave, but the sob sister equally of course could not reveal. "If this third prophecy, so circumstantial, so unequivocal, comes true, then Miss Keats is established as the possessor of one of the most uncanny talents in the world. All humanity will be besieging her. But don't go swimming with Miss Keats, little blonde star! The temptation might be too much for her!"


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