Haymitch grabs my shoulders and pins me against the wall. “Who cares? It’s all a big show. It’s all how you’re perceived. The most I could say about you after your interview was that you were nice enough, although that in itself was a small miracle. Now I can say you’re a heartbreaker. Oh, oh, oh, how the boys back home fall longingly at your feet. Which do you think will get you more sponsors?”

The smell of wine on his breath makes me sick. I shove his hands off my shoulders and step away, trying to clear my head.

Cinna comes over and puts his arm around me. “He’s right, Katniss.”

I don’t know what to think. “I should have been told, so I didn’t look so stupid.”

“No, your reaction was perfect. If you’d known, it wouldn’t have read as real,” says Portia.

“She’s just worried about her boyfriend,” says Peeta gruffly, tossing away a bloody piece of the urn.

My cheeks burn again at the thought of Gale. “I don’t have a boyfriend.”

“Whatever,” says Peeta. “But I bet he’s smart enough to know a bluff when he sees it. Besides you didn’t say you loved me. So what does it matter?”

The words are sinking in. My anger fading. I’m torn now between thinking I’ve been used and thinking I’ve been given an edge. Haymitch is right. I survived my interview, but what was I really? A silly girl spinning in a sparkling, dress. Giggling. The only moment of any substance I hail was when I talked about Prim. Compare that with Thresh, his silent, deadly power, and I’m forgettable. Silly and sparkly and forgettable. No, not entirely forgettable, I have my eleven in training.

But now Peeta has made me an object of love. Not just his. To hear him tell it I have many admirers. And if the audience really thinks we’re in love . . . I remember how strongly they responded to his confession. Star-crossed lovers. Haymitch is right, they eat that stuff up in the Capitol. Suddenly I’m worried that I didn’t react properly.

“After he said he loved me, did you think I could be in love with him, too?” I ask.

“I did,” says Portia. “The way you avoided looking at the cameras, the blush.”

They others chime in, agreeing.

“You’re golden, sweetheart. You’re going to have sponsors lined up around the block,” says Haymitch.

I’m embarrassed about my reaction. I force myself to acknowledge Peeta. “I’m sorry I shoved you.”

“Doesn’t matter,” he shrugs. “Although it’s technically illegal.”

“Are your hands okay?” I ask. “They’ll be all right,” he says.

In the silence that follows, delicious smells of our dinner waft in from the dining room. “Come on, let’s eat,” says Haymitch. We all follow him to the table and take our places. But then Peeta is bleeding too heavily, and Portia leads him off for medical treatment. We start the cream and rose-petal soup without them. By the time we’ve finished, they’re back. Peeta’s hands are wrapped in bandages. I can’t help feeling guilty. Tomorrow we will be in the arena. He has done me a favor and I have answered with an injury. Will I never stop owing him?

After dinner, we watch the replay in the sitting room. I seem frilly and shallow, twirling and giggling in my dress, although the others assure me I am charming. Peeta actually is charming and then utterly winning as the boy in love. And there I am, blushing and confused, made beautiful by Cinna’s hands, desirable by Peeta’s confession, tragic by circumstance, and by all accounts, unforgettable.

When the anthem finishes and the screen goes dark, a hush falls on the room. Tomorrow at dawn, we will be roused and prepared for the arena. The actual Games don’t start until ten because so many of the Capitol residents rise late. But Peeta and I must make an early start. There is no telling how far we will travel to the arena that has been prepared for this year’s Games.

I know Haymitch and Effie will not be going with us. As soon as they leave here, they’ll be at the Games Headquarters, hopefully madly signing up our sponsors, working out a strategy on how and when to deliver the gifts to us. Cinna and Portia will travel with us to the very spot from which we will be launched into the arena. Still final good-byes must be said here.

Effie takes both of us by the hand and, with actual tears in her eyes, wishes us well. Thanks us for being the best tributes it has ever been her privilege to sponsor. And then, because it’s Effie and she’s apparently required by law to say something awful, she adds “I wouldn’t be at all surprised if I finally get promoted to a decent district next year!”

Then she kisses us each on the cheek and hurries out, overcome with either the emotional parting or the possible improvement of her fortunes.

Haymitch crosses his arms and looks us both over.

“Any final words of advice?” asks Peeta.

“When the gong sounds, get the hell out of there. You’re neither of you up to the blood bath at the Cornucopia. Just clear out, put as much distance as you can between yourselves and the others, and find a source of water,” he says. “Got it?”

“And after that?” I ask.

“Stay alive,” says Haymitch. It’s the same advice he gave us on the train, but he’s not drunk and laughing this time. And we only nod. What else is there to say?

When I head to my room, Peeta lingers to talk to Portia. I’m glad. Whatever strange words of parting we exchange can wait until tomorrow. My covers are drawn back, but there is no sign of the redheaded Avox girl. I wish I knew her name. I should have asked it. She could write it down maybe. Or act it out. But perhaps that would only result in punishment for her.

I take a shower and scrub the gold paint, the makeup, the scent of beauty from my body. All that remains of the design-team’s efforts are the flames on my nails. I decide to keep them as reminder of who I am to the audience. Katniss, the girl who was on fire. Perhaps it will give me something to hold on to in the days to come.

I pull on a thick, fleecy nightgown and climb into bed. It takes me about five seconds to realize I’ll never fall asleep. And I need sleep desperately because in the arena every moment I give in to fatigue will be an invitation to death.

It’s no good. One hour, two, three pass, and my eyelids refuse to get heavy. I can’t stop trying to imagine exactly what terrain I’ll be thrown into. Desert? Swamp? A frigid wasteland? Above all I am hoping for trees, which may afford me some means of concealment and food and shelter, Often there are trees because barren landscapes are dull and the Games resolve too quickly without them. But what will the climate be like? What traps have the Gamemakers hid den to liven up the slower moments? And then there are my fellow tributes . . .

The more anxious I am to find sleep, the more it eludes me. Finally, I am too restless to even stay in bed. I pace the floor, heart beating too fast, breathing too short. My room feels like a prison cell. If I don’t get air soon, I’m going to start to throw things again. I run down the hall to the door to the roof. It’s not only unlocked but ajar. Perhaps someone forgot to close it, but it doesn’t matter. The energy field enclosing the roof prevents any desperate form of escape. And I’m not looking to escape, only to fill my lungs with air. I want to see the sky and the moon on the last night that no one will be hunting me.

The roof is not lit at night, but as soon as my bare feel reach its tiled surface I see his silhouette, black against the lights that shine endlessly in the Capitol. There’s quite a commotion going on down in the streets, music and singing and car horns, none of which I could hear through the thick glass window panels in my room. I could slip away now, without him noticing me; he wouldn’t hear me over the din, But the night air’s so sweet, I can’t bear returning to that stuffy cage of a room. And what difference does it make? Whether we speak or not?