The most interesting attempted escape which I know of, however, took place in a locked tavern, not unlike the Chatka and Curla. In it, a clever slave girl, taking advantage of just such a diversion as now rocked the Chatka and Curla, neck-thonged a free woman from behind and dragged her, helpless, to an alcove. There, intimidating and overpowering her, shestripped the free woman, and bound and gagged her. Then, in the confusion and noise of the brawl, she, pretending distaste at the activity of the ruffians involved, went to the gate, was released, and made away. She was free only a few hours, however, for, as an unescorted free woman, guardsmen swiftly went to her protection, prepared to help her safely home. In a few moments, they questioning her, it became clear to them that something was amiss. A free woman was found who thrust back her robe and veils. Her ears had been pierced. The free woman, then, as the guardsmen looked away, tore down her robes to. the shoulder, revealing the collar, which bore, of course, the name of her master. She was swiftly returned to him for a severe beating. The most interesting portion of this tale deals with the free woman who had been left, stripped, bound and gagged, in the alcove. In leaving the tavern the disguised slave girl, to cover her retreat, placed a discipline sign on the alcove occupied by the helpless free woman. It read "Take me, Masters." Sometimes a girl, as a punishment, is placed helplessly in an alcove, free for the use of all. Several of the men, patrons of the tavern, willing to oblige the tavern's proprietor, entered the alcove and, untying her ankles, well used the helpless free woman, they in the darkness not knowing the loftiness of her condition. This caused a great scandal in Ar. The slave who had so abused her was to be tortured and publicly impaled, but, to the amazement of the citizens of the city, the free woman herself spoke on the slave's behalf, and begged that she be only put lengthily under the leather. It was done in this manner, to satisfy the desires of the free woman; to the astonishment of all in the court, when the chained slave girl crept on her knees, head down, to render gratitude to the free woman, the free woman had knelt beside her and kissed her, and then turned away. Thereafter the free woman had seemed strange and restless. She began to take to walking upon the high bridges. Once, when a tarnsman snapped by, pursued by guardsmen, mounted, too, on tarns, she had torn the veils from her face and, boldly, supplicatingly, had lifted her robes, revealing her left thigh to the hip. The tarnsman, circling about, took mercy upon her and it is said she cried out with joy as his braided leather rope dropped about her and tightened on her body, jerking her, its prisoner, from the high bridge. The tarnsman, with his captive, escaped. He had returned to Ar later, when his city was at peace with Ar. With him was a beautiful slave girl who had once been the free woman of Ar. Much was she abused and spat upon by the free women of Ar in their fury but she did not seem unhappy. She had made her choice. Rendering love and service to a master had not seemed obviously inferior to her to the reduced sexuality and the squabbling competitiveness which had been expected of her as a free woman. Freedom and love are both estimable values. Some women choose freedom; others choose love. Let each make what choice seems best to her.

I felt a knotted, double strand of leather looped about my left wrist and pulled tight.

"Master," I said.

It was the fellow who had earlier opened the Kalmak and kissed me. I was not displeased to see him, nor to be on his thong.

"Come to the alcove," he said. I placed the tray I carried on a rack. The fight continued below. I was pulled by the leather thong on my left wrist toward an alcove in the wall of the level of the high balcony. There was shouting below. Several had now joined the fight. I heard the musicians begin to play, on Aurelion's orders, to attempt to pacify the crowd, to distract it. A dancer, I supposed, had been sent to the center of the floor. Usually such fights are stopped by the separation of the combatants and the awarding to each of a girl for the night. I supposed Lyrazina would be given to one, and an even more exquisite beauty to the other, thus contenting both. But if this strategy was to be successful, it did not seem to be yet successful. I heard glass break below.

"This one," said the man, indicating an alcove.

He released the thong on my wrist and stood behind me. I climbed the five steps into the alcove and crawled within.

It occurred to me that none had noted him conducting me to the alcove. All eyes had been on the fight below.

I crawled to the back of the alcove and, there, turned to face him, he whom I must now, as he chose, please.

He turned his back to me and, with the belts and buckles, closed the leather curtains on the alcove, that we might be closed within, and be undisturbed from the outside.

He gestured that I should remove my garments, and I did so, even to, reading his eyes, the red Koora on my head. He then gestured that I should crawl to him, and kneel, back on my heels, facing away from him. I did so. I felt my wrists, with binding fiber, tied behind my back.

"Master?" I asked.

"Do not face me," he said.

"Yes, Master," I said.

I sensed him remove, with a rustle of leather, an object from his tunic. Suddenly I felt the wadding of the gag of a slave hood thrust in my mouth and, with its straps, secured. It was done swiftly. I could utter no sound. I was gagged. Then the hood itself was pulled up and jerked down, over my head, and buckled under my chin. He threw me forward and I fell on the furs on my right shoulder. He tied together my ankles. I sensed him move aside some furs. Then I felt my body doubled up and my feet slipped inside the mouth of a slave sack. The sack was drawn up, over my body; I sat, doubled up; my head was pushed down a bit; the sack was drawn shut over my head and, with a snap, locked shut.

Then to my wonder I heard him open a door. It must have been behind the hanging at the rear of the alcove. I felt the sack being lifted through the opening, and then it was dragged along a wooden-floored passage; then he threw it lightly to his shoulder, and began to descend short flights of stairs.

I squirmed in the sack but was helpless. He was very strong.

I was kneeling.

I felt hands untying the binding fiber on my ankles, and at my wrists.

The slave hood was unbuckled and pulled up, over and off my head. I could see! Its leather lay against my breasts, held by its attachments to the gag. The gag straps were loosened. A hand extracted the heavy wadding, letting it fall open, to dry. I almost vomited, freed of the gag. Then I put my head back, and breathed deeply. The hood and gag were then pulled away. One of the men put them, with the binding fiber, in his belt. Two other men crouched beside me. Two others stood nearby. The man on my left, in his two hands, took my left wrist; the man on my right, with his two hands, took my right wrist. They stood, throwing me upright to my feet, between them.

I was unclothed, save for the black, enameled, belied collar, and the black, enameled belled ankle ring, as I had been in the alcove of the Chatka and Curla. My face was red from the slave hood. My body was broken out from the moisture and heat of the slave sack.

I stood between the two men, their hands on my wrists. I was in a torchlit anteroom, of large size. A long rug, some forty yards in length, narrow, red, led toward a large pair of white doors, which opened from the center. Two guards, helmeted, with spears, stood at that door. There were shields and crossed spears on either side of the door.