Tess met Michael and Rowan at her closet-sized office in the studio. Rowan looked at them skeptically. “Michael, I thought we agreed I’d be safe here.”

True, they’d spoken with studio security when they’d arrived and Michael was comfortable that the head of security understood the threat. But he wanted his own person there, someone who answered to him. Since John was out of town, Tess was the only option.

“Humor me, okay?”

Rowan rolled her eyes and changed the subject. “I’m going to call the Bureau and see where my old case files are. I thought they’d have been sent over by now. We can pick them up at FBI headquarters on the way back.”

“Fine. Be careful, Rowan.”

“Always.”

He watched Tess follow Rowan out and felt a pang of regret that he was leaving. But he wanted to check in with LAPD and see if they’d traced the flowers. It wouldn’t hurt to make sure the chief knew he was on the case. Might get them better information on the status of the investigation.

Rowan would be safe as long as she stayed within the confines of the studio.

He arrived at the police station just before three that afternoon, but the chief and Detective Jim Barlow were both in a meeting with the Feds. Michael waited, chatted with his former colleagues, and grew antsy as his wait stretched into an hour.

Finally, just as he was thinking of leaving, the chief’s secretary motioned to him. “You can go in now.”

Chief Bunker stood behind his desk, phone tucked between his ear and shoulder.

“Flynn, good to see you. Wish it was under better circumstances.” He slammed the phone down with a frown and shook Michael’s hand. “Barlow just left with the Feds to a crime scene. They tracked down the flowers.”

“And?”

“Shop near the San Fernando Mission. Records show that Christine Jamison sold a funeral wreath on Sunday to be delivered to Ms. Smith on Tuesday. Two uniforms went to her apartment. She’s dead.”

Michael was getting into his SUV when his cell phone chirped. Caller ID told him it was Tess. “What’s up?”

“Mickey!” She sounded breathless.

Adrenaline pumped. Something was wrong. “What happened?”

“Get over here quick. There was an incident on the set.”

“Is Rowan hurt?” His heart pounded.

“No, she thinks it was a prank. She told me not to call you, but-”

“I’ll be right there.” He ended the call, then dialed the chief’s direct line and asked him to send a patrol to the studio, even though he didn’t have all the details.

He made record time to the studio. On the movie set, the uniformed cops were already talking to Annette, who looked like she wanted to strangle them. He spotted Rowan standing at the back of the set. Safe. Tess ran up to him, launching immediately into an explanation.

“We were watching a rehearsal here in Studio B when the actors took a break, and David Cline-he’s the director-started talking with Rowan about changes and then someone screamed. I yelled for Rowan to stay put. I had my gun out, but so did she, and she led the way to the stage.”

Michael’s heart clenched at the image of his kid sister running around with a gun. While he’d trained her, she was still not ready for fieldwork. He should never have assigned her to watch over Rowan today. But in all honesty, he hadn’t thought anything would happen at the studio. Not with all the security measures they already had in place.

“Marcy Blair, one of the actresses, the one who screamed, was standing over a puddle of blood,” Tess continued. “No one was hurt. Rowan stared at it a long time, and I thought she was going to lose it. Then she bent down and touched it. It was fake. No one saw who dumped it. Everyone was on break. Marcy Blair was the first one back.”

Someone touched Michael’s arm and he whirled around, tense from the news and the lack of facts.

It was Rowan. Her pale face was drawn, but determined. “Michael, trust me. There’s no crime here. Send the police away.”

“How do you know?” He mentally hit himself for assuming security was sound. If something had happened to Tess or Rowan… he didn’t want to contemplate the thought. He would not leave them alone again. It was his job to protect Rowan, after all, studio security notwithstanding.

Rowan brought her face close to his and he swallowed. Something about this woman drew him in, but right now he was too angry and frustrated to dwell on it.

“Michael,” she said softly, “I know who spilled the fake blood. He’s a good kid, and I don’t want him to get in trouble. I’ll let you talk to him if you downplay this. Please tell the cops there was a misunderstanding.”

He almost refused. He felt like scaring the living shit out of someone, and a bratty kid seemed like a good target. “You’d better be right,” he said through clenched teeth.

Michael approached the uniforms, explained there was a misunderstanding, and said he would speak personally to the chief. That appeased them, and they left. Annette tried to lecture him about calling in outsiders like the police, but Michael ignored her. He’d call in whoever was necessary to get the job done.

Michael walked Rowan to her office, where she gathered her belongings. “Okay, what’s going on?”

“Adam Williams is my number-one fan,” she said a little ruefully. “He’s nineteen and comes from a troubled home. I met him two years ago when I came to L.A. to work on my first screenplay. He started following me around and I confronted him.” She locked her office and they walked outside to Michael’s SUV.

“He’s a good kid,” Rowan continued. “A little strange, but he doesn’t have anyone to talk to outside of cyberspace. When I went back to Colorado last time, we kept in touch through e-mail. I like him. I got him a job in the prop department when I came out here two months ago, saw him around Studio B today. This is something he’d do.” She shrugged and gave him a half-smile. “He likes scary jokes.”

“I should have him arrested.” Practical joke? Perhaps. Michael would be his own judge of the kid’s intentions.

“It would hurt him in ways you can’t imagine,” she said, a faraway look in her eyes. “You have to let me do this my way. I won’t have you threatening him. Adam’s not mentally retarded, but he’s a little slow.”

“We’ll see.” At her stern glare, he relented. “I’ll do it your way-at least at first.”

Rowan directed Michael to a small duplex only three blocks from the studio, in an older, well-maintained section of Burbank. “Adam lives in the rear unit. Please let me handle this,” she repeated.

He wanted to object, but her tense jaw showed her determination. At the same time, fatigue brightened her eyes. He touched her cheek with the tips of his fingers, but it turned into a caress. He dropped his arm. “I’ll be your backup.”

Rowan nodded, smiling wanly. She led the way down the drive to the rear unit and knocked on the door. No answer. She knocked again. “Adam, it’s me, Rowan.”

Shuffling. A bolt slid out of its lock; the door opened. Looking through the screen, over Rowan’s head, Michael saw a tall, skinny, pale kid with enormous brown eyes and short brown hair. He wore a black T-shirt and faded jeans. His face was clear, hairless. He looked so young Michael wondered if he even shaved.

Adam looked from Rowan to Michael and back again, shuffling his feet. “Hi.”

“May we come in, Adam?”

Adam glanced at Michael, suspicious.

“This is my friend, Michael Flynn. He works for the studio.” When Adam didn’t budge, Rowan added, “In security.”

Adam frowned at Rowan. “You knew it was me, didn’t you?”

“I’d like to come in,” she said.

Adam unlocked the screen door and let them in. Michael was surprised at how tidy the kid was, though the room’s décor was bizarre. The worn ’fifties-style furniture was functional if unattractive; the bookshelf in the corner overflowed with books, though Rowan’s four novels were stacked neatly on the top shelf. The horror posters tacked to the walls unnerved Michael, but it was the realistic dummy sitting in the corner with its head half off, blood and tendons hanging out, that made him jump. The blood looked so real it appeared wet. Upon closer examination, it was simply plastic.