Yet Mother didn't seem afraid.

"I think perhaps we should leave now," Kokor whispered to Hushidh.

"Not so," said Hushidh. "You must stay."

"Why?"

"Because if you tried to leave, it would alarm Rashgallivak and probably cause him to act. He would order the soldiers to detain you and all would be lost."

"He'll do that eventually anyway," whispered Kokor.

"Ah, but will he wait long enough?"

"Long enough for what?"

"Think," said Hushidh.

Kokor thought. What would mere delay profit them?

Unless someone was coming to help. But who could possibly stand against the soldiers of the Palwashantu?

"The city guard!" cried Kokor, delighted to have thought of it.

Could she help it if her words fell into a chance silence in the argument between Mother and Rash?

"What?" cried Rashgallivak. "What did you say?" He whirled and looked out the door. "There's no one there," he said. Then he looked at Rasa. "But they are coming, aren't they? That's what this is all about- delaying me until you can get the guard to come and stop me. Well, the delay is over. Take them!"

At once the soldiers strode toward the women in the hallway, and Kokor screamed.

"Run you little fools!" cried Mother.

But Kokor could not run, because one of the soldiers already had her by the arm and another pair of soldiers had Sevet, too, and that bastard Hushidh wasn't doing one thing to help them.

"Do something, you little bitch!" cried Kokor. "Don't let them do this to us!"

Hushidh looked her in the eye for a moment as the soldiers dragged her toward the door. Then she seemed to make a decision.

"Stop, Rashgallivak!" cried Hushidh. "Stop this instant."

Rash only laughed. It chilled Kokor to the bone, his laugh. It was the laugh of a man who knew he had won.

This pathetic man who had been the steward in the house of Wetchik only a few days ago now laughed in delight at the power his soldiers gave him.

"Order them to stop!" cried Hushidh. "Or you will never be able to order them to do anything again!"

"No, Hushidh!" cried Mother.

What in the world did Mother think that Hushidh could do now? Kokor could see Sevet in the grasp of the soldiers, their blank faces so terrifying, so inhuman. It was wrong, for her sister to be in their grasp. Wrong for these hands to be gripping Kokor's arms and dragging her away. "Do it, Hushidh!" Kokor cried. Whatever it is Mother thinks you can do, do it.

To anyone but Hushidh, the scene was simple-Rash and two of his soldiers blocking anyone from interfering, as the other four soldiers were dragging Kokor and Sevet through the wide front door of Rasa's house. Aunt Rasa herself was shouting ineffectually-"It's you who's injuring Sevet! You'll be expelled from the city! Kidnapper!"-and other women and girls of the house were gathering, huddling in the hallway, listening, watching.

To Hushidh the Raveler, however, the scene was very different. For she could see not only the people, but also the webs that bound them together. To Hushidh, the frightened girls and women were not individuals or even little clumps-all of them were tightly bound to Rasa, so that instead of being helplessly alone as others would see her, Hushidh knew that she spoke from the strength of dozens of women, that their fear fed her fear, their anger her anger, and when she cried out in the majesty of her wrath, she was far larger than one mere woman. Hushidh even saw the powerful webs connecting Rasa to the rest of the city, great ropy threads like arteries and veins, pumping the lifeblood of Rasa's identity. When she cried out against Rashgallivak, it was the fury of the whole city of women in her voice.

Yet Hushidh could also see that Rasa, though she was surrounded by this vast web, also felt herself to be quite alone, as if the web came right up to her but didn't quite connect, or touched her only slightly. That was what Rash's exercise of raw power was doing to Rasa- making her feel as if her strength and power in the city amounted to nothing after all, for she could not resist the power of these soldiers.

At the same time, there was another web of influence-Rashgallivak's. And this one Hushidh knew was actually contemptible and weak. Where Rasa's links with her household were strong and real, her power in the city almost tangible to Hushidh, Rashgallivak had very little respect from his soldiers. He was able to command them only because he paid them, and then only because they rather liked what he was commanding them to do. Rashgallivak,-compared to Rasa, was almost isolated. As for his men, their connections to each other were much stronger than their connections to him. And even then, they were nothing like the bonds among the women.

Most men were like this, Hushidh knew-relatively unconnected, unbound, alone. But these men were particularly untrusting and ungiving, and so the bonds that held them to each other were fragile indeed. It was not love at all, really, but rather a yearning for the honor and respect of the other men that held them. Pride, then. And at this moment they were proud of their strength as they dragged these women out of the house, proud to defy one of the great woman of Basilica; they looked so grand in each other's eyes. Indeed, all their connection with each other at this moment was tied up with the respect they felt they were earning by their actions.

So fragile. Hushidh had only to reach out and she could easily snap the bonds between these men. She could leave Rashgallivak hopelessly alone. And even though Rasa was demanding that she not do it, at this moment Hushidh felt much more deeply her connection to Sevet and Kokor, for these girls had been her tormentors, her enemies, and now she had the chance to be their savior, to set them free, and they would know she haA done it. It would undo one of the deepest injuries in her heart; what was Rasa's command compared to that need?

Hushidh knew exactly why she was acting even as she acted-so well did she understand herself, for as a rav-eler she could see even her own connections with the world around her-yet she acted anyway, because that .was who she was at this moment, the powerful savior who had the power to undo these powerful men.

So she spoke, and undid them. It wasn't the words she. said; this was no magical incantation that would disconnect the bonds that held them to each other. It was her tone of contempt, her face, her body, that gave her words the power to strike at the heart of each of the soldiers and make them believe that they were utterly alone, that other men would have only contempt for what they were doing. "Where is your honor in dragging this injured woman away from her mother," she said. "Baboons in the wild have more manhood than you, for mothers can trust their infants with the males of the tribe."

Poor Rash. He heard the words, and thought that he could counter Hushidh by arguing with her. He didn't realize that, with these men caught up in the story Hushidh was weaving around them, every word he said would drive these men farther away from him, for he sounded weaker and more cowardly with every sound he made. "You shut up, woman! These men are soldiers who do their duty-"

"A coward's duty. Look what this so-called man has led you to do. He's made you into filthy rodents, stealing bright and shining beauty and dragging it off to his hole where he will cover you with shit and call it glory."

First one, then another of the men let go of Kokor and Sevet. Sevet immediately sank to her knees, weeping silently. Kokor, for her part, put on a very convincing show of disgust and loathing, shuddering as she tried in vain to brush away the very memory of the soldiers' touch on her arms.

"See how you have disgusted the beautiful ones," said Hushidh. "That's what Rashgallivak has made of you. Slugs and worms, because you follow him. Where can you go to become men again? How can you find a way to be clean? There must be somewhere you can hide from your shame. Slither off and find it, little slugs; burrow deep and see if you can hide your humiliation! Do you think those masks make you look strong and powerful? They only mark you as servants of this contemptible gnat of a man. Servants of nothing"