Rasa looked at her almost in surprise. "I'm sorry, Luet. I forgot who was with me. I'm not at my best. Would you please go find my children and my husband's children for me, and tell them I want to see them now?"
Now it was a request, a favor, and asked directly of her, so of course Luet bowed her head and left in search of servants to help her. Not that Luet wouldn't willingly have done the task herself, but Rasa's house was large, and if there was any urgency in Rasa's request-as there seemed to be-it would be better to have several people searching. Besides, the servants were more likely to know exactly where everyone was.
It was easy enough to find out where Nafai, Elemak, Sevet, and Kokor were, and send servants to summon them. Mebbekew, however, had not been seen for several hours, not since he first came into the house. Finally Izdavat, a youngish maid of more eagerness than sense, reluctantly mentioned that she had brought Mebbekew breakfast in Dol's room. "But that was some time ago, lady."
"I'm only sister, or Luet, please."
"Do you want me to see if he's still there, sister?"
"No, thank you," said Luet. "It would be improper for him still to be there, and so I'll go ask Dolya where he went." She headed off to the stairs in the teachers' wing of the house.
Luet was not surprised that Mebbekew had already managed to attach himself to a woman, even in this house where women were taught to see through shallow men. However, it did surprise her that Dolya was giving the boy the time of day. She had been worked over by champion flatterers and sycophants in her theatre days, and shouldn't have noticed Mebbekew except to laugh discreetly at him.
But then, Luet was quite aware that she saw through flatterers more easily than most women, since the flatterers never actually tried to work their seductive magic on her. Waterseers had a reputation for seeing through lies-though, truth to tell, Luet could only see what the Oversold showed her, and the Oversold was not noted for helping a daughter with her love life. As if I had a love life, thought Luet. As if I needed one. The Over-soul has marked my path for me. And where my path touches others' lives, I will trust the Oversold to tell them her will. My husband will discover me as his wife when he chooses to. And I will be content.
Content... she almost laughed at herself. All my dreams are tied up in the boy, we've been to the edge of death together, and still he pines for Eiadh. Are men's lives nothing but the secretions of overactive glands? Can't they analyze and understand the world about them, as women can? Can't Nafai see that Eiadh's love will be as permanent as rain, ready to evaporate as soon as the storm passes? Edhya needs a man like Elemak, who won't tolerate her straying heart. Where Nafai would be heartbroken at her disloyalty, Elemak would be brutally angry, and Eiadh, the poor foolish creature, would fall in love with him all over again.
Not that Luet saw all this herself, of course. It was Hushidh who saw all the connections, all the threads binding people together; it was Hushidh who explained to her that Nafai seemed not to notice Luet because he was so enamored of Eiadh. It was Hushidh who also understood the bond between Elemak and Eiadh, and why they were so right for each other.
And now Mebbekew and Dol. Well, it was another piece of the puzzle, wasn't it? When Luet had seen her vision of women in the woods behind Rasa's house, that night when she returned from warning Wetchik of the threat against his life, it had made no sense to her. Now, though, she knew why she had seen Dolya. She would be with Mebbekew, as Eiadh with Elemak. Shedemei would also be coming out to the desert, or at least would be involved with their journey, gathering seeds and embryos. And Hushidh also would come. And Aunt Rasa. Luet's vision had been of the women called out into the desert.
Poor Dolya. If she had known that taking Mebbekew into her room would take her on a path leading out of Basilica, she would have kicked him and bit him and hit him, if need be, to get him out of her room! As it was, though, Luet fully expected to find them together.
She knocked on Dol's door. As she expected, there was the sound of a flurry of movement inside. And a soft thump.
"Who is it?" asked Dol.
"Luet."
"I'm not conveniently situated at the moment."
"I have no doubt if it," said Luet, "but Lady Rasa sent me with some urgency. May I come in?"
"Yes, of course."
Luet opened the door to find Dolya lying in bed, her sheets up over her shoulders. There was no sign of Mebbekew, of course, but the bed had been well-rumpled, the bath was full of grey water, and a bunch of grapes had been left on the floor-not the way Dolya usually arranged things before taking a midday nap.
"What does Aunt Rasa want of me?" asked Dol.
"Nothing of you, Dol," said Luet. "She wants all her children and Wetchik's children to join her at once."
"Then why aren't you knocking at Sevet's or Kokor's door? They aren't here."
"Mebbekew knows why I'm here," said Luet. Remembering the thump she heard, and the brief amount of time before she opened the door, she reached a conclusion about his present whereabouts. "So as soon as I close the door, he can get up off the floor beside your bed, put some kind of clothing on, and come to Lady Rasa's room."
Dol looked stricken. "Forgive me for trying to deceive you, Waterseer," she whispered.
Sometimes it made Luet want to scream, the way everyone assumed that when she showed any spark of wit it must be a revelation from the Oversoul-as if Luet would be incapable of discerning the obvious on her own. And yet it was also useful, Luet had to admit. Useful in that people tended to tell her the truth more readily, because they believed she would catch them in their lies. But the price of this truthfulness was that they did not like her company, and avoided her. Only friends shared such intimacies, and only freely. Forced, or so they thought, to share their secrets with Luet, they withheld their friendship, and Luet was not part of the lives of most of the women around her. They held her in such awe; it made her feel unworthy and filled her with rage, both at once.
It was that anger that led Luet to torment Mebbekew by forcing him to speak. "Did you hear me, Mebbekew?"
A long wait. Then: "Yes."
"I'll tell Lady Rasa," said Luet, "that her message was received."
She started to back out the door and draw it closed behind her, when Dol called out to her. "Wait... Luet."
"Yes?"
"His clothes . .. they were being washed .. ."
"I'll send them up."
"Do you think they'll be dry by now?"
"Dry enough," said Luet. "Don't you think so, Mebbekew?"
Mebbekew sat upright, so his head appeared on the other side of the bed. "Yes," he said glumly.
"Damp clothes will cool you off," said Luet. "It's such a hot day, at least in this room." It was a fine joke, she thought, but nobody laughed.
Shedemei strode vigorously along the path to Wetchik's coldhouse, which was nestled in a narrow valley and shaded by tall trees just outside the place where the city wall curved around the Old Orchestra. It was the last and, she feared, the hardest part of her task of assembling the flora and fauna for the mad project of a voyage through space, back to the legendary lost planet Earth. I am going to all this trouble because I had a dream, and took it for interpretation to a dreamer. A journey on camels, and they think it will lead them to Earth.
Yet the dream was still alive within her. The life she carried with her on the cloud.
So she came to the door of Wetchik's coldhouse, not certain whether she really hoped to find one of his servants acting as caretaker.
No one answered when she clapped her hands. But the machines that kept the house cold inside might well mask her loudest clapping. So she went to the door and tried it. Locked.