From porch steps to flagstone path, to public sidewalk, I looked around for Dr. Jessup but didn't see him.

In the high desert, which rises far east beyond Pico Mundo, winter can be chilly, while our low-desert nights remain mild even in February. The curbside Indian laurels sighed and whispered in the balmy wind, and moths soared to street lamps.

The surrounding houses were as quiet as their windows were dark. No dogs barked. No owls hooted.

No pedestrians were out, no traffic on the streets. The town looked as if the Rapture had occurred, as if only I had been left behind to endure the reign of Hell on Earth.

By the time I reached the corner, Dr. Jessup rejoined me. His pajamas and the lateness of the hour suggested that he had come to my apartment from his home on Jacaranda Way, five blocks north in a better neighborhood than mine. Now he led me in that direction.

He could fly, but he plodded. I ran, drawing ahead of him.

Although I dreaded what I would find no less than he might have dreaded revealing it to me, I wanted to get to it quickly. As far as I knew, a life might still be in jeopardy.

Halfway there, I realized that I could have taken the Chevy. For most of my driving life, having no car of my own, I borrowed from friends as needed. The previous autumn, I had inherited a 1980 Chevrolet Camaro Berlinetta Coupe.

Often I still act as though I have no wheels. Owning a few thousand pounds of vehicle oppresses me when I think about it too much. Because I try not to think about it, I sometimes forget I have it.

Under the cratered face of the blind moon, I ran.

On Jacaranda Way, the Jessup residence is a white-brick Georgian with elegant ornamentation. It is flanked by a delightful American Victorian with so many decorative moldings that it resembles a wedding cake, and by a house that is baroque in all the wrong ways.

None of these architectural styles seems right for the desert, shaded by palm trees, brightened by climbing bougainvillea. Our town was founded in 1900 by newcomers from the East Coast, who fled the harsh winters but brought with them cold-climate architecture and attitude.

Terri Stambaugh, my friend and employer, owner of the Pico Mundo Grille, tells me that this displaced architecture is better than the dreary acres of stucco and graveled roofs in many California desert towns.

I assume that she is right. I have seldom crossed the city line of Pico Mundo and have never been beyond the boundaries of Maravilla County.

My life is too full to allow either a jaunt or a journey. I don't even watch the Travel Channel.

The joys of life can be found anywhere. Far places only offer exotic ways to suffer.

Besides, the world beyond Pico Mundo is haunted by strangers, and I find it difficult enough to cope with the dead who, in life, were known to me.

Upstairs and down, soft lamplight shone at some windows of the Jessup residence. Most panes were dark.

By the time I reached the foot of the front-porch steps, Dr. Wilbur Jessup waited there.

The wind stirred his hair and ruffled his pajamas, although why he should be subject to the wind, I do not know. The moonlight found him, too, and shadow.

The grieving radiologist needed comforting before he could summon sufficient strength to lead me into his house, where he himself no doubt lay dead, and perhaps another.

I embraced him. Only a spirit, he was invisible to everyone but me, yet he felt warm and solid.

Perhaps I see the dead affected by the weather of this world, and see them touched by light and shadow, and find them as warm as the living, not because this is the way they are but because this is the way I want them to be. Perhaps by this device, I mean to deny the power of death.

My supernatural gift might reside not in my mind but instead in my heart. The heart is an artist that paints over what profoundly disturbs it, leaving on the canvas a less dark, less sharp version of the truth.

Dr. Jessup had no substance, but he leaned heavily upon me, a weight. He shook with the sobs that he could not voice.

The dead don't talk. Perhaps they know things about death that the living are not permitted to learn from them.

In this moment, my ability to speak gave me no advantage. Words would not soothe him.

Nothing but justice could relieve his anguish. Perhaps not even justice.

When he'd been alive, he had known me as Odd Thomas, a local character. I am regarded by some people-wrongly-as a hero, as an eccentric by nearly everyone.

Odd is not a nickname; it's my legal handle.

The story of my name is interesting, I suppose, but I've told it before. What it boils down to is that my parents are dysfunctional. Big-time.

I believe that in life Dr. Jessup had found me intriguing, amusing, puzzling. I think he had liked me.

Only in death did he know me for what I am: a companion to the lingering dead.

I see them and wish I did not. I cherish life too much to turn the dead away, however, for they deserve my compassion by virtue of having suffered this world.

When Dr. Jessup stepped back from me, he had changed. His wounds were now manifest.

He had been hit in the face with a blunt object, maybe a length of pipe or a hammer. Repeatedly. His skull was broken, his features distorted.

Torn, cracked, splintered, his hands suggested that he had desperately tried to defend himself-or that he had come to the aid of someone. The only person living with him was his son, Danny.

My pity was quickly exceeded by a kind of righteous rage, which is a dangerous emotion, clouding judgment, precluding caution.

In this condition, which I do not seek, which frightens me, which comes over me as though I have been possessed, I can't turn away from what must be done. I plunge.

My friends, those few who know my secrets, think my compulsion has a divine inspiration. Maybe it's just temporary insanity.

Step to step, ascending, then crossing the porch, I considered phoning Chief Wyatt Porter. I worried, however, that Danny might perish while I placed the call and waited for the authorities. The front door stood ajar.

I glanced back and saw that Dr. Jessup preferred to haunt the yard instead of the house. He lingered in the grass.

His wounds had vanished. He appeared as he had appeared before Death had found him-and he looked scared.

Until they move on from this world, even the dead can know fear. You would think they have nothing to lose, but sometimes they are wretched with anxiety, not about what might lie Beyond, but about those whom they have left behind.

I pushed the door inward. It moved as smoothly, as silently as the mechanism of a well-crafted, spring-loaded trap.

FROSTED FLAME-SHAPED BULBS IN SILVER-PLATED sconces revealed white paneled doors, all closed, along a hallway, and stairs rising into darkness.

Honed instead of polished, the marble floor of the foyer was cloud-white, looked cloud-soft. The ruby, teal, and sapphire Persian rug seemed to float like a magic taxi waiting for a passenger with a taste for adventure.

I crossed the threshold, and the cloud floor supported me. The rug idled underfoot.

In such a situation, closed doors usually draw me. Over the years, I have a few times endured a dream in which, during a search, I open a white paneled door and am skewered through the throat by something sharp, cold, and as thick as an iron fence stave.

Always, I wake before I die, gagging as if still impaled. After that, I am usually up for the day, no matter how early the hour.

My dreams aren't reliably prophetic. I have never, for instance, ridden bareback on an elephant, naked, while having sexual relations with Jennifer Aniston.

Seven years have passed since I had that memorable night fantasy as a boy of fourteen. After so much time, I no longer have any expectation that the Aniston dream will prove predictive.