“And never play the piano again,” Dot said. “I think I saw that movie, Keller.”

“All the boxing movies are like that, except the ones with Sylvester Stallone running up flights of steps. But how would that apply with horses?”

“I don’t know,” she said. “It’s been years since I saw National Velvet.”

“If you were a jockey, and they paid you to throw a race, and you didn’t-I mean, where’s the percentage in it?”

“You could bet on yourself.”

“You’d make more money betting on Kissimmee Dudley. He’s the long shot, right?”

“That’s a point.”

“And that way nobody’d have a reason to take out a contract on you, either.”

“Another point,” Dot said, “and if the jockeys are all as reasonable as you and I, Keller, you’re not going to see a dime beyond the two grand. But they’re very small.”

“The jockeys?”

“Uh-huh. Short and scrawny little bastards, every last one of them. Who the hell knows what somebody like that is going to do?”

Keller’s friend was short enough to be a jockey, but a long way from scrawny. Facially, he looked a little like Jerry Orbach. It was beginning to dawn on Keller that everybody in the OTB parlor, even the blacks and the Asians, looked a little like Jerry Orbach. It was sort of a generic horseplayer look, and they all had it.

“Kissimmee Dudley,” Keller said. “Where’d somebody come up with a name like that?”

The little man consulted his Racing Form. “By Florida Cracker out of Dud Avocado,” he said. “ Kissimmee ’s in Florida, isn’t it?”

“Is it?”

“I think so.” The fellow shrugged. “The name’s the least of that horse’s problems. You take a look at his form?”

The man reeled off a string of sentences, and Keller just let the words wash over him. If he tried to follow it he’d only wind up feeling stupid. Well, so what? How many of these Jerry Orbach clones would know what to do with a perforation gauge?

“Look at the morning line,” the man went on. “Hell, look at the tote board. Old Dudley ’s up there at forty-to-one.”

“That means he doesn’t have a chance?”

“A long shot’ll come in once in a while,” the man allowed. “Look at Hypertension. With him, though, his past performance charts showed he had a chance. A slim one, but slim’s better than no chance at all.”

“And Kissimmee Dudley? No chance at all?”

“He’d need a tailwind and a whole lot of luck,” the man said, “before he could rise to the level of no chance at all.”

Keller slipped away, and when he came back from the ticket window his friend asked him what horse he’d bet on. Keller’s response was mumbled, and the man had to ask him to repeat it.

“Kissimmee Dudley,” he said.

“That right?”

“I know what you said, and I suppose you’re right, but I just had a feeling.”

“A hunch,” the man said.

“Sort of, yes.”

“And you’re a man on a lucky streak, aren’t you? I mean, you just won twenty cents betting the favorite to show.”

The line was meant to be sarcastic, but something funny happened; by the time the man got to the end of the sentence, his manner had somehow changed. Keller was wondering what to make of it-had he just been insulted or not?

“The trick,” the fellow said, “is doing the wrong thing at the right time.” He went away and came back, and told Keller he probably ought to have his head examined, but what the hell.

“Kissimmee Dudley,” he said, savoring each syllable. “I can’t believe I bet on that animal. Only way he’s gonna win the seventh race is if he was entered in the sixth, but it’ll be some sweet payoff if he does. Not forty-to-one, though. Price is down to thirty-to-one.”

“That’s too bad,” Keller said.

“Except it’s a good sign, because it means some late bets are coming in on the horse. You see a horse drop just before post time from, say, five-to-one to three-to-one, that’s a good sign.” He shrugged. “When you start at forty-to-one, you need more than good signs. You need a rocket up your ass, either that or you need all the other horses to drop dead.”

9

Keller wasn’t sure what to watch for. He knew what you did to get your horse to run faster. You hit him with the whip, and dug your heels into his flanks.

But suppose you wanted to slow him down? You could sit back in the saddle and yank on the reins, but wouldn’t that be a little on the obvious side? Could you just hold off on the whip and cool it a little with the heel-digging? Would that be enough to keep your mount from edging out Kissimmee Dudley?

The horses were entering the starting gate, and he picked out Dudley and decided he looked like a winner. But then they all looked like winners to Keller, big well-bred horses, some taking their positions without a fuss, others showing a little spirit and giving their riders a hard time, but all of them sooner or later going where they were supposed to go.

Two of the jockeys were girls, Keller noticed, including the one riding the second favorite. Except you were probably supposed to call them women, you had to stop calling them girls these days around the time they entered kindergarten, from what Keller could tell. Still, when they were jockey-size, it seemed a stretch to call them women. Was he being sexist? Maybe, or maybe he was being sizeist, or heightist. He wasn’t sure.

“They’re off!”

And so they were, bursting out of the starting gate. Neither of the girl jockeys was riding Kissimmee Dudley, so if one of them won, well, she’d live to regret it, albeit briefly. Some people in Keller’s line of work didn’t like to take out women, while others were supposed to get a special satisfaction out of it. Keller didn’t care one way or the other. He wasn’t a sexist when it came to business, although he wasn’t sure that was enough to make him a hero in the eyes of the National Organization for Women.

“Will you look at that!”

Keller had been looking at the screen but without registering what he was seeing. Now he realized that Kissimmee Dudley was out in front, with a good lead on the rest of the field.

Keller’s little friend was urging him on. “Oh, you beauty,” he said. “Oh, run, you son of a bitch. Oh, yes. Oh, yes!”

Were any of the horses being held back? If so, Keller couldn’t see it. If he didn’t know better, he’d swear Kissimmee Dudley was simply outrunning all of the other horses, proving himself to be superior to the competition.

But wait a damn minute. That piebald horse-what did he think he was doing? Why was he gaining ground on Dudley?

“No!” cried the little man. “Where’d the Two horse come from? It’s that fucking Alvie Jurado. Fade, you cocksucker! Die, will you? Come on, Dudley!”

The guy had liked Jurado well enough when he was making money for him on Hypertension. Now, riding a horse called Steward’s Folly, he’d become the enemy. Maybe, Keller thought, the jockey was just trying to make it look good. Maybe he’d ease up at the very end, settling for the place money and avoiding any suspicion that he’d thrown the race.

But it was a hell of a show Jurado was putting on, standing up in the stirrups, flailing away with the whip, apparently doing everything he possibly could to get Steward’s Folly to the wire ahead of Kissimmee Dudley.

“It’s Kissimmee Dudley and Steward’s Folly,” the announcer cried. “Steward’s Folly and Kissimmee Dudley. They’re neck and neck, nose to nose as they hit the wire-”

“Shit on toast,” Keller’s friend said.

“Who won?”

“Who fucking knows? See? It’s a photo finish.” And indeed the word photo flashed on and off on the television screen. “Son of a bitch. Where did that fucking Jurado come from?”

“He gained a lot of ground in a hurry,” Keller said.

“The little prick. Now we have to wait for the photo. I wish they’d hurry. See, I really got behind that hunch of yours.” He showed a ticket, and Keller leaned over and squinted at it.


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