"All the same, though, like you say," Quiss said, "it's better than nothing."

"To be a parasite? To end up with your head stuck inside some cheap biological time machine? I don't believe it. I thought more, even of you. I haven't lied to you, you know. The truth is quite awful enough. It's not as though these zombies really do influence the people whose brains they inhabit. The seneschal might like to pretend that they do, that free will increases with time and these people account for the sudden impulses in the primitives they haunt, but that's all nonsense. The creatures around the holes may make them think that, but experiments I have carried out myself indicate quite definitely that only the illusion of this effect exists and anyway, which is the more likely explanation?

"I tell you: these people are as good as dead. Theirs is a dreaming death."

"Still better than nothing," Quiss insisted. "Definitely."

The red crow was silent for some time, flapping lazily in front of him, hovering there, black eyes staring, expressionless. Eventually it said, "Then, warrior, you have no soul."

It flew in a semi-circle around him, heading back for the black wall which was the castle's base. 'We'd better get back," it said. "Ask the seneschal about this place, if you like. He will be angry, but he will not punish you and he cannot punish me. Ask him," the red crow said as it beat back to the curved wall of the roots of the Castle Doors, the Castle of Bequest, "anything at all. He will confirm that I almost none escape, that most end up here, or- the brave ones, the really civilised ones - kill themselves."

They arrived back at the door; it was still ajar. The red crow flapped at its side as Quiss, following it back, walked past the pillars and columns and dreaming people. At the same man, in furs, on a stool, he had looked at earlier, he stopped and turned to the red crow saying, "Let me ask you something."

"Yes, of course you can have a preview," the red crow said, and started to fly towards him. "There's an empty -"

"Oh no," Quiss said, shaking his head, looking at the bird as it stopped near him. Quiss nodded at the skinny man in the furs with his head stuck in the glass ceiling. "I was just wondering if you knew anything about him, say. What's his name? How long's he been here?"

"What?" the red crow said, sounding a little confused, even upset (Quiss concealed the thrill of triumph which shivered through him). "Him?" The red crow fluttered a little closer. "Oh, he's been here for ages," it said, its voice recovering its usual composure. "Name's... Godot? Goriot? Gerrut; something like that. The records aren't perfect, you know. An odd case... listen, are you sure you don't want to see what it's like? I can show you where -"

"No," Quiss said firmly, and walked smartly to the door leading back to the castle. "I'm not interested. Let's go back now."

And he had gone to the seneschal, who in the kitchens" clamour had confirmed most of what the red crow had said.

"So?" the seneschal had said, obviously annoyed. "You have seen your most likely fate; what of it? What am I supposed to do about it? Just think yourself lucky you didn't take the red crow up on its offer; once you're in one of those things properly you don't come out of your own free will; too beguiling. If somebody doesn't come to get you out you stay there, tapping every form of human excitement. By the time your belly rumbles you're hooked. You come out for food and it's just a grey dream compared to what you have just left.

"That's what the bird was up to. It would have shown you the free ceiling-port down there, then just have left you. And don't trust it on free will, either. The ceiling-ports allow full control of the primitives" minds. Everything can be altered. Every mind contains its own universe. We can be sure of nothing. That is all I have to say. If you want to enter officially that place which you have already seen informally, file a notice of surrender with me through the proper channels. Now go away, please." The seneschal had scowled, and gone back up the rickety wooden steps to his office, away from the continuing chaos of the kitchens.

Quiss had gone back to the games room, his old legs quite exhausted by the time he got back.

He said nothing to Ajayi.

He stood on the parapet of the balcony.

Yes, the red crow had been right. It did not know it, it could never have been sure, it had probably only dwelled on the awfulness of the dreamers" fate to bluff him into trying the experience out, so that it could leave him there, but it had been right, nevertheless, about the eventual effect of its revelation.

The thought of that low, limitless space beneath the castle had filled Quiss's thoughts - and, more importantly, his dreams - for almost a hundred days and nights since. A deep, dark depression had settled on him, weighing him down like some heavy suit of armour. He felt like some warrior, chain-mailed, stumbling into quicksand...

He could not keep his mind from dwelling on what he had seen, on the sheer extent of the place beneath them, that impression of claustrophobic infinity. So many people, so many failed hopes, lost games, surrendered dreams; and the castle, a single island of warped chance in a frozen ocean of missed opportunities.

That bright, beguiling image he had held on to all these days, of those brown arms, that blue sky, the single shining line of contrail; it returned only to hurt him now, taunt him in his dreams. In that deep, dark, echoless and echo-filled space far beneath him, his mind was already lost; sideless, wall-less the place, bottomless his despair.

His hope, his determination - once so fierce, so furious and powerful and energetic - had ground to a halt, rusted up; seized.

The castle's doing. That was its effect, on those within it as well as on itself. To grind down, to slowly, slowly abrade and at the same time fuse, wearing away and seizing up at once, like sand-laden water in some huge engine. He felt like that now. He felt like some grain of sand inside the place, no more important.

He stared down at the crags and snow far below him, rocked once back and forward on his feet, felt himself tremble. His jaw wanted to shake, but he clenched his teeth. The wind gusted, swaying him. Cold as a glacier, he thought, smiling grimly. A slow-flowing glacier. A fit image to take to his death, he thought, and remembered the room of flowed glass, the final straw which had eventually followed the red crow's revelation. That had been the real trigger, that was why he really stood here.

It was a room he had discovered, just that day, on one of his now infrequent walks. He had wandered, lost as usual, then he had come to a room inside the thick walls where the wind blew in and snow heaped on the glass floor under the windows.

In the window spaces there were the remains of metal frames; he noticed this as he went to the aperture to look out and so get his bearings from the landscape beyond (he should see the slate mines if his sense of direction was right, but it had been failing him with increasing frequency lately).

Something like clear tar had flowed from the almost empty frames, where only a thin edge of glass lay in the bottom of each hexagon of the metal frames. The glass under his feet was dark. He looked out of the windows, eyes narrowed against the cold, funnelled wind moaning quietly through the deep slit. The floor sloped slightly, up to the windows. Clear stuff, like ice, stuck to the walls under the windows. He stooped, grunting with effort, to examine it, finally got down stiffly to his knees, scraping at the floor (there was a slate floor just underneath the thin covering of glass). He tapped at the clear stuff still in the window frames above, then ran one finger down from the glass still in the frames, over the sill, down over the clear flow on the walls until finally his finger slid all the way down without a flaw, crack or join registering under his fingertip, to the floor.