I'm out of my mind, he thought. He'd never even heard of anyone trying to do an ID photo underwater.
The animal was perfectly motionless, a great swath of gray in a field of infinite blue. But Quinn thought he saw movement on the far side of the whale. He lifted his head out of the water and looked back at the boat. Amy gave him a thumbs-up. He took a deep breath and made his dive to take the photo.
If he'd been wearing tanks, he might have let the weight belt take him down slowly, but he knew he'd be able to stay down for only forty to sixty seconds, so he went headfirst, kicking hard until he was down twenty or so feet. Then he leveled off, holding the camera in front of him, and looked up at the underside of the whale's tail.
There it was, in big, sans-serif, spray-paint-like letters: BITE ME! He nearly forgot to take the picture. How could this possibly be? Had the animal somehow been caught in a net when it was younger and marked by a sardonic fisherman before being released? Was it one of those animals that had swum up a river and got stranded, then been rescued by an army of fish-and-game people?
He centered the tail in the viewfinder and hit the shutter. Advanced the film and shot again. Then he needed to breathe. He turned and kicked to the surface, but again he saw the dark shape moving near the whale. Remora, he thought. Although it looked too big to be one of the parasite fish that often attached themselves to whales.
At the surface he looked back down at the singer, near the left pec where he'd seen the movement. The animal was doing ribbits. Quinn smiled around his snorkel, took three deep breaths, held, then dove again.
This time, before he could get the camera up, he saw the movement of a dark fin on the far side of the whale, and he squinted to see deep into the blue distance. Blue-water willies, was how he'd always thought of it. The feeling you get when you realize that something big and carnivorous could come at you from any direction, then you start looking for gray missiles in the blue, like looking for a malevolent face to appear at a dark window.
Then the whale moved. The wash of the tail pushed Quinn back, but he maintained his bearings and started toward the surface, trying to keep his eye on the animal. The whale turned around in little more than its own length and shot toward Nate. He kicked laterally, trying to move to one side or another, then up, so he'd be tossed over the top of the animal rather than under it as it came up, because it was definitely going to bump him.
He looked back beyond his fins as he kicked and saw the whale adjust its direction to keep coming toward him. Nate kicked once for the surface, then looked back again to see the animal's enormous mouth opening beneath him. No, this can't be happening, he thought.
The panic rising in his chest demanded air, but it was as if the entire ocean had opened up a hole behind him, and he wasn't going to make it to the surface. The whale came halfway out of the water as it scooped him up, and Nate saw sky, and white water, and baleen fringing the upper jaw above — all of it framed by the huge trapezoid that was the whale's open mouth. Then he felt the whale sinking back, and he saw the baleen close over him. He rolled into a ball, hoping not to be crushed by the jaws, hoping to be spit out as a horrible dining mistake. But then the great tongue came forward, warm and rough, driving him against the baleen plates — it was like being smashed into a wrought-iron fence by a wet Nerf Volkswagen. He could feel the baleen ripping the skin on his back as the tongue covered him, pressing the seawater out around him as it would strain krill, then crushing him until the last of the air exploded from his body and he blacked out.
PART TWO
Jonah's People
Men really need sea monsters in their personal oceans.
For the ocean, deep and black in the depths,
is like the low dark levels of our minds in which
the dream symbols incubate and sometimes rise
up to sight like the Old Man of the Sea.
— JOHN STEINBECK
CHAPTER SIXTEEN
Shoes Off in the Whale!
"Shoes off in the whale!" a male voice said out of the dark.
Quinn could see nothing. His entire body ached like, well, like it had been chewed. He crawled to his hands and knees on what felt like wet latex. He reached down and felt for his feet. He still had his flippers on, and logic protested through his confusion. "I'm not wearing shoes. These are fins."
"Shoes off in the whale! And don't try and make a break for the anus."
Two things that, if asked about an hour earlier, Nate might have said with conviction he'd never hear in a lifetime of conversation.
"What?" Quinn said, squinting into the dark. He realized that he was still wearing his dive mask and reached up to push it back.
"I'll bet he didn't bring the pastrami on rye I asked for either, did he?" came the voice.
Shapes began to define themselves in the darkness, and Nate saw a face not a foot away from his. He gasped and pulled away from it, for although it seemed to be examining him with great interest, the face was not human.
Clay Demodocus was known throughout the world as one of the calmest, most level-tempered, most generous and considerate individuals in the entire milieu of marine biology. His reputation preceded him when he went on assignment, and people took it for granted that he would remain amiable throughout a long voyage in cramped quarters, as well as efficient in his own work, respectful of the work of others, and cool-headed in an emergency. Because he often had to subjugate himself to the head researcher on any given assignment, Clay did not indulge in ego battles and testosterone-slinging contests with researchers or crew. None of these qualities were evident when he went over the desk of the Coast Guard commandant and stopped only inches from head-butting the tall, athletic-looking officer. "You call this search off now and I'll see to it that your name is remembered for all time in concert with Adolf Eichmann and Vlad the Impaler. Nathan Quinn is a legend in his field, and every time there's a documentary on whales on the Discovery Channel, or National Geographic, or Animal Planet, or PBS, or the fucking Cartoon Channel, I'll see to it that your name is mentioned right after Nate's as the man who left him out there. You'll be the official Coast Guard pariah for the next hundred years. This will be the Coast Guard's My Lai. Every time a kid drowns, your name will be mentioned — nay, every time someone gets a soaker, the name of Commodore Whateveryournameis shall be brought forth and your effigy burned in the streets and your head stuck on a pole, lipsticked, and marched around school yards, forever. And all because you're too goddamned lamebrained to put a couple of helicopters into the air to find my friend. Is that what you want?"
Clay had strong views on loyalty.
The commodore had been in the Coast Guard for most of his adult life, spending the majority of his time and energy either rescuing people or training others to do so, and as a result he was taken aback more than somewhat by Clay's tirade. He looked across his office to where Kona and Amy stood by the door, looking nearly as haggard as he felt. The surfer looked at him and shook his head sadly.
"It's been three days, Mr. Demodocus. In open water with no life preserver? You're not a tourist — you know the odds. If he were alive, he'd have drifted far out of where we're able to patrol by now anyway. We're doing no fewer than ten rescues a day on Maui. I can't have our helicopters out to sea when there's just no chance."