Nate swiveled around in his chair. "They went through our living quarters, too. The police have already been here." He saw Clay staring at his monitor. "Oh, and that. Sorry, Clay."

"You guys have insurance, right?" Amy said.

Clay didn't look away from his broken monitor. "Dr. Quinn, did you pay the insurance?" Clay called Nate «doctor» only when he wanted to remind him of just how official and absolutely professional they really ought to be.

"Last week. Went out with the boat insurance."

"Well, then, we're okay," Amy said, jostling Clay, squeezing his shoulder, punching his arm, pinching his butt. "We can order a new monitor tonight, ya big palooka." she chirped, looking like a goth version of the bluebird of happiness.

"Hey!" Clay grinned, "Yeah, we're okay." He turned to Nate, smiling. "Anything else broken? Anything missing?"

Nate pointed to the wastebasket where a virtual haystack of audiotape was spilling over in tangles. "That was spread all over the compound along with all the files. We lost most of the tape, going back two years."

Amy stopped being cheerful and looked appropriately concerned. "What about the digitals?" She elbowed Clay, who was still grinning, and he joined her in gravity. They frowned. (Nate recorded all the audio on analog tape, then transferred it to the computer for analysis. Theoretically, there should be digital copies of everything.)

"These hard drives have been erased. I can't pull up anything from them." Nate took a deep breath, sighed, then spun back around in his chair and let his forehead fall against the desk with a thud that shook the whole bungalow.

Amy and Clay winced. There were a lot of screws on that desk. Clay said, "Well, it couldn't have been that bad, Nate. You got it all cleaned up pretty quickly."

"The guy you hired showed up late and helped me." Nate was speaking into the desk, his face right where it had landed.

"Kona? Where is he?"

"I sent him to the lab. I had some film I want to see right away."

"I knew he wouldn't stand us up on his first day."

"Clay, I need to talk to you. Amy, could you excuse us a minute, please?"

"Sure," Amy said. "I'll go see if anything's missing from my cabin." She left.

Clay said, "You going to look up? Or should I get down on the floor so I can see your face?"

"Could you grab the first-aid kit while we talk?"

"Screws embedded in your forehead?"

"Feels like four, maybe five."

"They're small, though, those little drive-mount screws."

"Clay, you're always trying to cheer me up."

"It's who I am," Clay said.

Who Clay was, was a guy who liked things — liked people, liked animals, liked cars, liked boats — who had an almost supernatural ability to spot the likability in almost anyone or anything. When he walked down the streets of Lahaina, he would nod and say hello to sunburned tourist couples in matching aloha wear (people generally considered to be a waste of humanity by most locals), but by the same token he would trade a backhanded hang-loose shaka (thumb and fingers extended, three middle fingers tucked, always backhand if you're a local) with a crash of native bruddahs in the parking lot of the ABC Store and get no scowls or pidgin curses, as would most haoles. People could sense that Clay liked them, as could animals, which was probably why Clay was still alive. Twenty-five years in the water with hunters and giants, and the worst he'd come out of it was to get a close tail-wash from a southern right whale that tumbled him like a cartoon into the idling prop of a Zodiac. (Oh, there were the two times he was drowned and the hypothermia, but that stuff wasn't caused by the animals; that was the sea, and she'll kill you whether you liked her or not, which Clay did.) Doing what he wanted to do and his boundless affinity for everything made Clay Demodocus a happy guy, but he was also shrewd enough not to be too open about his happiness. Animals might put up with that smiley shit, but people will eventually kill you for it.

"How's the new kid?" Clay said, trying to distract from the iodine he was applying to Nate's forehead while simultaneously calculating the time to ship his new monitor over to Maui from the discount house in Seattle. Clay liked gadgets.

"He's a criminal," Nate said.

"He'll come around. He's a water guy." For Clay this said it all. You were a water guy or you weren't. If you weren't… well, you were pretty much useless, weren't you?

"He was an hour late, and he showed up in the wrong place."

"He's a native. He'll help us deal with the whale cops."

"He's not a native, he's blond, Clay. He's more of a haole than you are, for Christ's sake."

"He'll come around. I was right about Amy, wasn't I?" Clay said. He liked the new kid, Kona, despite the employment interview, which had gone like this:

Clay sat with the forty-two-inch monitor at his back, his world-famous photographs of whales and pinnipeds playing in a slide show behind him. Since he was conducting a job interview, he had put on his very best $5.99 ABC Store flip-flops. Kona stood in the middle of the office wearing sunglasses, his baggies, and, since he was applying for a job, a red-dirt-dyed shirt.

"Your application says that your name is Pelke — ah, Pelekekona Ke — " Clay threw his hands up in surrender.

"I be called Pelekekona Keohokalole — da warrior kine — Lion of Zion, brah."

"Can I call you Pele?"

"Kona," Kona said.

"It says on your driver's license that your name is Preston Applebaum and you're from New Jersey."

"I be one hundred percent Hawaiian. Kona the best boat hand in the Island, yeah. I figga I be number-one good man for to keep track haole science boss's isms and skisms while he out oppressing the native bruddahs and stealing our land and the best wahines. Sovereignty now, but after a bruddah make his rent, don't you know?"

Clay grinned at the blond kid. "You're just a mess, aren't you?"

Kona lost his Rastafarian, laid-backness. "Look, I was born here when my parents were on vacation. I really am Hawaiian, kinda, and I really need this job. I'm going to lose my place to live if I don't make some money this week. I can't live on the beach in Paia again. All my shit got stolen last time."

"It says here that you last worked as a forensic calligrapher. What's that, handwriting analysis?"

"Uh, no, actually, it was a business I started where I would write people's suicide notes for them." Not a hint of pidgin in his speech, not a skankin' smidgen of reggae. "It didn't do that well. No one wants to kill himself in Hawaii. I think if I'd started it back in New Jersey, or maybe Portland, it would have gone over really well. You know business: location, location, location."

"I thought that was real estate." Clay actually felt a twinge of missed opportunity, here, for although he had spent his life having adventures, doing exactly what he wanted to do, and although he often felt like the dumbest guy in the room (because he'd surrounded himself with scientists), now, talking to Kona, he realized that he had never realized his full potential as a self-deluded blockhead. Ahhh… wistful regrets. Clay liked this kid.

"Look, I'm a water guy," Kona said. "I know boats, I know tides, I know waves, I love the ocean."

"You afraid of it?" Clay asked.

"Terrified."

"Good. Meet me at the dock tomorrow morning at eight-thirty."

Now Nate rubbed at the crisscrrossed band-aids on his forehead as Clay went through the Pelican cases of camera equipment under the table across the room. The break-in and subsequent shit storm of activity had sidetracked him from what he'd seen this morning. It started to settle on him again like a black cloud of self-doubt, and he wondered whether he should even mention what he saw to Clay. In the world of behavioral biology, nothing existed until it was published. It didn't matter how much you knew — it wasn't real if it didn't appear in a scientific journal. But when it came to day-to-day life, publication was secondary. If he told Clay what he'd seen, it would suddenly become real. As with his attraction for Amy and the realization that years' worth of research was gone, he wasn't sure he wanted it to be real.