'Maybe, I don't know.'

'Why would that be?'

'You mean why did I care about a prostitute? I didn't. Not more than any other victim. But in homicide there is one rule that I have when it comes to the cases I get.'

'What is that rule?'

'Everybody counts or nobody counts.'

'Explain it.'

'Just what I said. Everybody counts or nobody counts. That's it. It means I bust my ass to make a case whether it's a prostitute or the mayor's wife. That's my rule.'

'I understand. Now, let's go to this specific case. I'm interested in hearing your description of what happened after the arrest and the reasons you may have for your violent actions at the Hollywood Division.'

'Is this being taped?'

'No, Detective, whatever you tell me is protected. At the end of these sessions I will simply make a recommendation to Assistant Chief Irving. The details of the sessions will never be divulged. The recommendations I make are usually less than half a page and contain no details from the dialogues.'

'You wield a lot of power with that half page.'

She didn't respond. Bosch thought for a moment while looking at her. He thought he might be able to trust her but his natural instinct and experience was that he should trust no one. She seemed to know his dilemma and waited him out.

'You want to hear my side of it?'

'Yes, I do.'

'Okay, I'll tell you what happened.'

Bosch smoked along the way home but realized that what he really wanted was not a cigarette, but a drink to deaden his nerves. He looked at his watch and decided it was too early to stop at a bar. He settled for another cigarette and home.

After negotiating the drive up Woodrow Wilson, he parked at the curb a half block from the house and walked back. He could hear gentle piano music, something classical, coming from the home of one of his neighbors but he couldn't tell which house. He didn't really know any of his neighbors or which one might have a piano player in the family. He ducked under the yellow tape strung in front of the property and entered through the door in the carport.

This was his routine, to park down the street and hide the fact that he lived in his own house. The house had been red-tagged as uninhabitable after the earthquake and ordered demolished by a city inspector. But Bosch had ignored both orders, cut the lock on the electric box, and had been living in it for three months.

It was a small house with redwood siding that stood on steel pylons anchored in the sedimentary bedrock folded and formed as the Santa Monica Mountains rose out of the desert during the Mesozoic and Cenozoic eras. The pylons had held true in their moorings during the quake, but the overlying house had shifted atop them, breaking partially

free of the pylons and seismic bolts. It slid. All of about two inches. Still, it was enough. Though short on distance the slide was long on damage. Inside, the woodframe house flexed and window and door frames lost their square. The glass shattered, the front door became terminally closed, frozen in a frame that had canted to the north with the rest of the house. If Bosch wanted to open that door, he would probably need to borrow the police tank with the battering ram. As it was, he'd had to use a crowbar to open the carport door. Now that door served as the main entrance to his home.

Bosch had paid a contractor five thousand dollars to jack the house up and then over the two inches it had moved. It was then put down in its proper space and rebolted to the pylons. After that, Bosch was content to work as time allowed on reframing windows and interior doors himself. The glass came first and in the months after that he reframed and rehung the interior doors. He worked from books on carpentry and often had to do individual projects two and three times until he had them reasonably correct. But he found the work enjoyable and even therapeutic. Working with his hands became a respite from his job in homicide. He left the front door as it was, thinking that somehow it was fitting, that it was a salute to the power of nature. And he was content to use the side door.

All of his efforts did not save the house from the city's list of condemned structures. Gowdy, the building inspector who had been assigned to this section of the hills, kept it red-tagged as condemned, despite Bosch's work, and so began the hiding game in which Bosch made his entrances and exits as surreptitiously as a spy's to a foreign embassy, He tacked black plastic tarps over the inside of the front windows so they would emit no telltale light. And he always watched for Gowdy. Gowdy was his nemesis.

In the meantime, Bosch hired a lawyer to appeal the inspector's edict.

The carport door granted entry directly into the kitchen. After he came in, Bosch opened the refrigerator and retrieved a can of Coca-Cola, then stood in the doorway of the aging appliance letting its breath cool him while he studied its contents for something suitable for dinner. He knew exactly what was on the shelves and in the drawers but still he looked. It was as if he hoped for the surprise appearance of a forgotten steak or chicken breast. He followed this routine with the refrigerator often. It was the ritual of a man who was alone. He knew this also.

On the back deck Bosch drank the soda and ate a sandwich consisting of five-day-old bread and slices of meat from plastic packages. He wished he had potato chips to go with it because he would undoubtedly be hungry later after having only the sandwich for dinner.

He stood at the railing looking down at the Hollywood Freeway, near capacity now with the Monday-evening commute. He had gotten out of downtown just before the crest of the rush-hour wave had broken. He would have to guard against going overtime on the sessions with the police psychologist. They were scheduled for 3:30 p.m. on Mondays, Wednesdays and Fridays. Did Carmen Hinojos ever let a session go over? he wondered. Or was hers a nine-to-five mission?

From his vantage on the mountain, he could see almost all northbound lanes of the freeway as it cut through the Cahuenga Pass to the San Fernando Valley. He was reviewing what had been said during the session, trying to decide whether it was a good or bad session, but his focus drifted and he began to watch the point where the freeway came into view as it crested the pass. Absent mindedly, he would choose two cars that came over about even with each other and follow them through the mile-long

segment of the freeway that was visible from the deck. He'd pick one or the other and follow the race, unknown to its drivers, until the finish line, which was the Lankershim Boulevard exit.

After a few minutes of this he realized what he was doing and spun around, away from the freeway.

'Jesus,' he said out loud.

He knew then that keeping his hands busy would not be enough while he was away from his job. He went back inside and got a bottle of Henry's from the refrigerator. Right after he opened the beer the phone rang. It was his partner, Jerry Edgar, and the call was a welcome distraction from the silence.

'Harry, how's things in Chinatown?'

Because every cop secretly feared that he or she might one day crack from the pressures of the job and become a candidate for therapy sessions at the department's Behavioral Sciences Section, the unit was rarely spoken of by its formal name. Going to BSS sessions was more often referred to as 'going to Chinatown' because of the unit's location there on Hill Street, several blocks from Parker Center. If it became known about a cop that he was going there, the word would spread that he had the Hill Street blues. The six-story bank building where the BSS was located was known as the 'Fifty-One-Fifty' building. This was not its address. It was the police radio code number for describing a crazy person. Codes like this were part of the protective structure used to belittle and, therefore, more easily contain their own fears.