“That is true,” he said. “But for you to carry several million New Yen, alone, through Paris He shrugged.

“And if I were to lose it? Would Señor register the loss? Or would there be another bag, another four million?” She reached for the shoulder strap and stood.

“There would be another bag, certainly, although it requires some effort on our part to assemble that amount of cash. And, no, Señor would not ‘register’ its loss, in the sense you mean, but I would be disciplined even for the pointless loss of a lesser sum. The very rich have the common characteristic of taking care with their money, you will find.”

“Nonetheless. I go by myself. Not alone, but leave me with my thoughts.”

“Your intuition.”

“Yes.”

If they followed, and she was sure they did, they were invisible as ever. For that matter, it seemed most likely that they would leave Alain unobserved. Certainly the address he had given her that morning would already be a focus of their attention, whether he were there or not.

She felt a new strength today She had stood up to Paco It had had something to do with her abrupt suspicion, the night before, that Paco might be there, in part, for her, with his humor and his manliness and his endearing ignorance of art. She remembered Virek saying that they knew more about her life than she herself did. What easier way, then, for them to pencil in those last few blanks in the grid that was Marly Krushkhova? Paco Estevez. A perfect stranger Too perfect.

She smiled at herself in a wall of blue mirror as the escalator carried her down into the métro, pleased with the cut of her dark hair and the stylishly austere titanium frames of the black Porsche glasses she’d bought that morning. Good lips, she thought, really not bad lips at all, and a thin boy in a white shirt and dark leather jacket smiled at her from the up escalator, a huge black portfolio case beneath his arm.

I’m in Paris, she thought. For the first time in a very long time, that alone seemed reason to smile. And today I will give my disgusting fool of a former lover four million New Yen, and he will give me something in return A name, or an address, perhaps a phone number. She bought a first-class ticket; the car would be less crowded, and she could pass the time guessing which of her fellow passengers belonged to Virek.

* * *

The address Alain had given her, in a grim northern suburb, was one of twenty concrete towers rising from a plain of the same material, speculative real estate from the middle of the previous century. The rain was falling steadily now, but she felt as though she were somehow in collusion with it; it lent the day something conspiratorial, and beaded on the chic rubber bag stuffed with Alain’s fortune. How queer to stroll through this hideous landscape with millions beneath her arm, on her way to reward her utterly faithless former lover with these bales of New Yen.

There was no answer when she buzzed the apartment’s numbered speaker button. Beyond smudged sheet glass, a darkened foyer, entirely bare. The sort of place where you turned the lights on as you entered; they turned themselves off again, automatically, invariably before your elevator had arrived, leaving you to wait there in the smell of disinfectant and tired air. She buzzed again. “Alain?” Nothing.

She tried the door. It wasn’t locked. There was no one in the foyer. The dead eye of a derelict video camera regarded her through a film of dust. The afternoon’s watery light seeped in from the concrete plain behind her. Bootheels clicking on brown tile, she crossed to the bank of elevators and pressed button 22. There was a hollow thump, a metallic groan, and one of the elevators began to descend. The plastic indicators above the doors remained unlit. The car arrived with a sigh and a high-pitched, fading whine. “Cher Alain, you have come down in the world. This place is the shits, truly.” As the doors slid open on the darkness of the car, she fumbled beneath the Italian bag for the flap of her Brussels purse She found the flat little green tin flashlight she’d carried since her first walk in Paris, with the lion-headed Pile Wonder trademark embossed on its front, and pulled it out. In the elevators of Paris, you could step into many things: the arms of a mugger, a steaming pile of fresh dog shit.

And the weak beam picking out the silver cables, oiled and shining, swaying gently in the vacant shaft, the toe of her right boot already centimeters past the scuffed steel edge of the tile she stood on; her hand automatically jerking the beam down in terror, down to the dusty, littered roof of the car, two levels below. She took in an extraordinary amount of detail in the seconds her flash wavered on the elevator. She thought of a tiny submarine diving the cliffs of some deep seamount, the frail beam wavering on a patch of silt undisturbed for centuries: the soft bed of ancient furry soot, a dried gray thing that was a used condom, the bright reflected eyes of crumpled bits of tinfoil, the frail gray barrel and white plunger of a diabetic syringe... She held the edge of the door so tightly that her knuckle joints ached. Very slowly, she shifted her weight backward, away from the pit. Another step and she clicked off her light.

“Damn you,” she said. “O Jesus.”

She found the door to the stairwell. Clicking the little flash back on, she began to climb. Eight floors up, the numbness began to fade, and she was shaking, tears ruining her makeup.

Rapping on the door again. It was pressboard, laminated with a ghastly imitation of rosewood, the lithographed grain just visible in the light from the long corridor’s single strip of biofluorescence. “Damn you Alain? Alan!” The myopic fisheye of the door’s little spyglass, looking through her, blank and vacant. The corridor held a horrible smell, embalmed cooking odors trapped in synthetic carpeting.

Trying the door, knob turning, the cheap brass greasy and cold, and the bag of money suddenly heavy, the strap cutting into her shoulder. The door opening easily. A short stretch of orange carpet flecked with irregular rectangles of salmon-pink, decades of dirt ground into it in a clearly defined track by thousands of tenants and their visitors.

“Alain?” The smell of black French cigarettes, almost comforting. And finding him there in that same watery light, silver light, the other tower blocks featureless, beyond a rectangle of window, against pale rainy sky, where he lay curled like a child on the hideous orange carpet, his spine a question mark beneath the taut back of his bottle-green velour jacket, his left hand spread above his ear, white fingers, faintest bluish tint at the base of his nails.

Kneeling, she touched his neck. Knew. Beyond the window, all the rain sliding down, forever. Cradling his head, legs open, holding him, rocking, swaying, the dumb sad animal keening filling the bare rectangle of the room. And after a time, becoming aware of the sharp thing under her palm, the neat stainless end of a length of very fine, very rigid wire, that protruded from his ear and between the spread cool fingers.

Ugly, ugly, that was no way to die; it got her up, anger, her hands like claws To survey the silent room where he had died. There was no sense of him there, nothing, only his ragged attaché Opening that, she found two spiral notebooks, their pages new and clean, an unread but very fashionable novel, a box of wooden matches, and a half-empty blue packet of Gauloise. The leather-bound agenda from Browns was gone. She patted his jacket, slid fingers through his pockets, but it was gone.

No, she thought, you wouldn’t have written it there, would you? But you could never remember a number or an address, could you? She looked around the room again, a weird calm overtaking her. You had to write things down, but you were secretive, and you didn’t trust my little book from Browns, no; you’d meet a girl in some cafe and write her number in a matchbook or on the back of some scrap, and forget it, so that I found it weeks later, straightening up your things.