Chapter Four

I won’t be a carer any more come the end of the year, and though I’ve got a lot out of it, I have to admit I’ll welcome the chance to rest—to stop and think and remember. I’m sure it’s at least partly to do with that, to do with preparing for the change of pace, that I’ve been getting this urge to order all these old memories. What I really wanted, I suppose, was to get straight all the things that happened between me and Tommy and Ruth after we grew up and left Hailsham. But I realise now just how much of what occurred later came out of our time at Hailsham, and that’s why I want first to go over these earlier memories quite carefully. Take all this curiosity about Madame, for instance. At one level, it was just us kids larking about. But at another, as you’ll see, it was the start of a process that kept growing and growing over the years until it came to dominate our lives.

After that day, mention of Madame became, while not taboo exactly, pretty rare among us. And this was something that soon spread beyond our little group to just about all the students in our year. We were, I’d say, as curious as ever about her, but we all sensed that to probe any further—about what she did with our work, whether there really was a gallery—would get us into territory we weren’t ready for yet.

The topic of the Gallery, though, still cropped up every once in a while, so that when a few years later Tommy started telling me beside the pond about his odd talk with Miss Lucy, I found something tugging away at my memory. It was only afterwards, when I’d left him sitting on his rock and was hurrying towards the fields to catch up with my friends, that it came back to me.

It was something Miss Lucy had once said to us during a class. I’d remembered it because it had puzzled me at the time, and also because it was one of the few occasions when the Gallery had been mentioned so deliberately in front of a guardian.

We’d been in the middle of what we later came to call the “tokens controversy.” Tommy and I discussed the tokens controversy a few years ago, and we couldn’t at first agree when it had happened. I said we’d been ten at the time; he thought it was later, but in the end came round to agreeing with me. I’m pretty sure I got it right: we were in Junior 4—a while after that incident with Madame, but still three years before our talk by the pond.

The tokens controversy was, I suppose, all part of our getting more acquisitive as we grew older. For years—I think I’ve said already—we’d thought that having work chosen for the billiards room, never mind taken away by Madame, was a huge triumph. But by the time we were ten, we’d grown more ambivalent about it. The Exchanges, with their system of tokens as currency, had given us a keen eye for pricing up anything we produced. We’d become preoccupied with T-shirts, with decorating around our beds, with personalising our desks. And of course, we had our “collections” to think of.

I don’t know if you had “collections” where you were. When you come across old students from Hailsham, you always find them, sooner or later, getting nostalgic about their collections. At the time, of course, we took it all for granted. You each had a wooden chest with your name on it, which you kept under your bed and filled with your possessions—the stuff you acquired from the Sales or the Exchanges. I can remember one or two students not bothering much with their collections, but most of us took enormous care, bringing things out to display, putting other things away carefully.

The point is, by the time we were ten, this whole notion that it was a great honour to have something taken by Madame collided with a feeling that we were losing our most marketable stuff. This all came to a head in the tokens controversy.

It began with a number of students, mainly boys, muttering that we should get tokens to compensate when Madame took something away. A lot of students agreed with this, but others were outraged by the idea. Arguments went on between us for some time, and then one day Roy J.—who was a year above us, and had had a number of things taken by Madame—decided to go and see Miss Emily about it.

Miss Emily, our head guardian, was older than the others. She wasn’t especially tall, but something about the way she carried herself, always very straight with her head right up, made you think she was. She wore her silvery hair tied back, but strands were always coming loose and floating around her. They would have driven me mad, but Miss Emily always ignored them, like they were beneath her contempt. By the evening, she was a pretty strange sight, with bits of loose hair everywhere which she wouldn’t bother to push away off her face when she talked to you in her quiet, deliberate voice. We were all pretty scared of her and didn’t think of her in the way we did the other guardians. But we considered her to be fair and respected her decisions; and even in the Juniors, we probably recognised that it was her presence, intimidating though it was, that made us all feel so safe at Hailsham.

It took some nerve to go and see her without being summoned; to go with the sort of demands Roy was making seemed suicidal. But Roy didn’t get the terrible telling-off we were expecting, and in the days that followed, there were reports of guardians talking—even arguing—about the tokens question. In the end, it was announced that we would get tokens, but not many because it was a “most distinguished honour” to have work selected by Madame. This didn’t really go down well with either camp, and the arguments rumbled on.

It was against this background that Polly T. asked Miss Lucy her question that morning. We were in the library, sitting around the big oak table. I remember there was a log burning in the fireplace, and that we were doing a play-reading. At some point, a line in the play had led to Laura making some wisecrack about the tokens business, and we’d all laughed, Miss Lucy included. Then Miss Lucy had said that since everyone at Hailsham was talking about little else, we should forget the play-reading and spend the rest of the lesson exchanging our views about the tokens. And that’s what we were doing when Polly asked, completely out of the blue: “Miss, why does Madame take our things anyway?”

We all went silent. Miss Lucy didn’t often get cross, but when she did, you certainly knew about it, and we thought for a second Polly was for it. But then we saw Miss Lucy wasn’t angry, just deep in thought. I remember feeling furious at Polly for so stupidly breaking the unwritten rule, but at the same time, being terribly excited about what answer Miss Lucy might give. And clearly I wasn’t the only one with these mixed emotions: virtually everybody shot daggers at Polly, before turning eagerly to Miss Lucy—which was, I suppose, pretty unfair on poor Polly. After what seemed a very long while, Miss Lucy said:

“All I can tell you today is that it’s for a good reason. A very important reason. But if I tried to explain it to you now, I don’t think you’d understand. One day, I hope, it’ll be explained to you.”

We didn’t press her. The atmosphere around the table had become one of deep embarrassment, and curious as we were to hear more, we wanted most for the talk to get away from this dodgy territory. The next moment, then, we were all relieved to be arguing again—a bit artificially perhaps—about the tokens. But Miss Lucy’s words had puzzled me and I kept thinking about them on and off for the next few days. That’s why that afternoon by the pond, when Tommy was telling me about his talk with Miss Lucy, about how she’d said to him we weren’t being “taught enough” about some things, the memory of that time in the library—along with maybe one or two other little episodes like that—started tugging at my mind.


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