Sam still felt like a stranger in a strange land at work. Every molecule in his body yearned to go back to West Yorkshire, to the lock-keeper’s cottage by the side of the Leeds-Liverpool canal that he and Kate had loved, with the wisteria climbing its walls. Sam hadn’t known what the plant was called but Kate had gone on about it so much when they’d first seen the house, he could hardly have avoided learning the name. But Kate’s parents lived near Spilling and she’d finally admitted she needed help looking after the boys so there was no way they’d be going back to Bingley. In the end, Sam thought with a mixture of pride and shame, it turns out I’m more sentimental than my wife.

‘If Geraldine didn’t do it-if you can prove that-I’ll be able to carry on,’ said Bretherick. ‘For her sake and Lucy’s. I expect that sounds odd to you, Sergeant.’ He smiled. ‘I must be the first man in the history of the world to feel relieved when he realises his family has been murdered.’

7

Wednesday, 8 August 2007

St Swithun’s Montessori School is a Victorian building with a clock-tower on its roof and green-painted iron railings separating its playground from the enormous landscaped garden of the old people’s home next door. I can hear children through the open windows as I approach the front door-singing, chanting, laughing, calling out to one another. It sounds as if a party is being thrown in every room.

I stop, confused. It’s the summer holidays. I was expecting to find the place empty apart from the odd secretary. There’s a sign on the door that says ‘Action Week One-Monday 6 to Friday 10 August’. I wonder if it’s some kind of holiday childcare scheme, and have the automatic thought: what are parents supposed to do for the rest of the holidays?

I walk in and find myself in a small square entrance hall with a flagstone floor. Class photographs line all four walls: rows and rows of children wearing green. This startles me; I feel as if I’ve been ambushed by tiny faces. Beneath each picture is a typed list of names and a date. One, to my left, is dated 1989. I see Lucy Bretherick’s green dress, over and over again.

The sight of all these children makes me ache for mine. I found it harder than ever to drop them off at nursery this morning. I didn’t want to let them out of my sight. I kept asking for one last kiss, until Jake eventually said, ‘Go to work, Mummy. I want to play with Finlay, not you.’ This made me laugh; clearly he’s inherited his father’s diplomacy.

I didn’t go to work. I rang HS Silsford, lied to the disgusting Owen Mellish and came here instead. I’ve never phoned in sick before, legitimately or otherwise.

‘Can I help you at all?’ A soft Scottish accent. I turn and find a tall, thin woman behind me. She looks my age but better preserved. Her skin is like a porcelain doll’s and her short, sleek black hair hugs her scalp like a swimming cap. She’s wearing a fitted jacket, the thinnest pencil skirt I’ve ever seen and sandals with stiletto heels. On her ring finger there’s a pile-up of gold and diamond bands reaching almost to her knuckle.

I smile, open my bag and pull out the two photographs that I found hidden behind the ones of Geraldine and Lucy. When I look up, I see that the Scottish woman’s face has been immobilised by shock, and it’s nothing to do with my cuts and bruises. ‘I know,’ I say quickly. ‘I look like Mrs What’s-her-name on the news who died. Everyone’s been telling me.’

‘You…’ She pauses to clear her throat, eyeing me warily. ‘You know her… her daughter was one of our pupils?’

My turn to look shocked. ‘Really? No, I didn’t know. I’m sorry.’ I have no plan other than to keep lying until I come up with a better strategy. ‘I’m sorry if I sounded flippant,’ I say. ‘I had no idea you knew the family personally.’

‘So… you’re not here in connection with the tragedy?’

‘No.’ I smile again. ‘I’m here because of these.’ I pass her the two photographs.

She holds them at a distance, then brings them close to her face, blinking at them. ‘Who are these people?’ she asks.

‘I was hoping you could tell me. I don’t know. I just recognised the uniform as belonging to this school.’ Inspiration rushes to my aid. ‘I found a handbag in the street and the photos were inside it. There was a wallet too, with quite a lot of money in it, so I’m trying to find the bag’s owner.’

‘Weren’t there credit cards? Contact details?’

‘No,’ I say quickly, impatient with my own fictions. ‘Do you know who the girl is? Or the woman?’

‘I’m sorry, before we go any further…’ She extends her hand. ‘I’m Jenny Naismith, the headmistress’s secretary.’

‘Oh. I’m… Esther. Esther Taylor.’

‘Pleased to meet you, Mrs Taylor,’ she says, eyeing my wedding ring. ‘This is a bit of a puzzle. I know every child at St Swithun’s and every parent-we’re like a big family here. This girl is not one of our pupils. I’ve never seen the woman before either.’

The bell rings, making my whole body shake as if in response to an electric shock. Jenny Naismith remains perfectly still, unperturbed. Doors all around us start to open, and children pour out. They aren’t wearing the green uniform. Some of them are in fancy dress-pirates, fairies and wizards. Several Spidermen and Supermen. For a few seconds, maybe half a minute, they’re a flood of colour, sweeping past us and out into the playground. As soon as I am able to make myself heard, I say, ‘Are you sure?’

‘Quite sure.’

‘But… why would a child who wasn’t at St Swithun’s be wearing the uniform?’

‘She wouldn’t.’ Jenny Naismith shakes her head. ‘This is very odd. Wait here.’ She points to a pair of brown leather armchairs against one wall. ‘I’d better show these to Mrs Fitzgerald.’

‘Who?’ I call after her.

‘The head.’

I start to follow her, but children are still spilling out of classrooms; by the time I’ve dodged the first lot I’ve lost sight of her.

I sit in a leather chair for a few seconds, then stand, sit then stand. Every time a door opens, I half expect a team of policemen to appear. But nothing happens. I stare at my watch and convince myself that the hands aren’t moving at all.

Eventually another bell rings, startling me as much as the first did, and the sea of children pours back into school. My legs get kicked so many times that eventually I pull them up on to the seat of my chair. The pupils of St Swithun’s seem to have selective vision; they see each other but they don’t see me. I could be invisible.

I look at my watch again, swear under my breath. Why did I let Jenny Naismith take the photographs away? I should have insisted on going with her.

I pick up my bag and walk along a series of corridors decorated with children’s artwork, large watercolour paintings of birds and animals. A passage from Geraldine’s diary comes into my mind. I don’t remember her exact words but it was something about spending her days enthusing about pictures that deserved to be shredded. How could she say that about her own daughter’s drawings? I’ve kept every work of art Zoe and Jake have ever produced. Zoe, being organised and imaginative, has a real eye for colour and composition, and Jake’s more casual paint-splats are no less attractive, as far as I can see, than the output of many a Turner Prize-winner.

I walk and walk, getting more lost as I move deeper into the building. St Swithun’s is a maze. How long must it take a child to learn his or her way round? I end up in a big hall with white tape stuck to the floor and wooden climbing frames covering one long wall. Blue mats are arranged in lines that are slightly askew, like stepping stones. This must be the gym. It’s also a dead end. I turn to leave, to go back the way I came, and bump into a young woman wearing red tracksuit bottoms, white pumps and a black Lycra vest-top. ‘Oops, sorry,’ she says nervously, twisting her high ponytail around her hand. Her forehead is large and flat, which gives her a severe look, but overall her face is pretty. Her breath smells of peppermint. When she notices my face, she backs away.


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