Thoughapartment. Eve mused, was a poor word for it. The living area was enormous, full of color and flowers and soft, soft fabrics. More art decorated the walls here as well.
She noted wide doorways right and left, another leading down the side of the room and calculated that Browning and Brightstar didn't live on the fifteenth floor. Theywere the fifteenth floor.
"Please be seated," the droid told them. "Professor Browning will be right with you. And might I offer you some refreshment?"
"We're fine, thanks."
"Family money," Peabody said out of the side of her mouth when they were left alone. "Both of them, but Brightstar's seriously loaded. Not Roarke loaded, but she can roll naked in it without worrying. Angela Brightstar'sthe Brightstar of Brightstar Gallery on Madison. Swank artsy joint. I went to a showing there once with Charles."
Eve stepped up to a painting that was slashes of color, lumps of texture. "How come people don't paint houses or something? You know, stuff that's real?"
"Reality is all perception."
Leeanne Browning entered. You couldn't say she came in, Eve thought. When a woman was a good six feet tall, lushly built, and draped in a glistening robe of silver, she entered.
Her hair was a long fall of sunlight to her waist, her face equally striking with its wide mouth and deeply indented top lip. Her long nose tipped up at the end, and her wide eyes were a vivid shade of purple.
Eve recognized her as the model for the white statue in the entrance area.
"Excuse my appearance." She smiled in the way a woman smiled when she knew she made an impression. "I was posing for my companion. Why don't we sit, have something cool, and you can tell me what brings the police to my door."
"You have a student. Rachel Howard?"
"I have a number of students." She arranged herself on a poppy colored sofa, as cannily, Eve thought, as the art was arranged on the wall. And for the same purpose.Look at me, and admire. "But yes," she continued, "I know Rachel. She's the sort of student who is easily remembered. Such a bright young thing, and eager to learn. Though she's only taking my course as a filler, she does good work."
Her smile was lazy. "I hope she's not in any trouble-though I must admit, I think it's a pity if young girls don't get in some trouble now and then."
"She's in a great deal of trouble, Professor Browning. She's dead."
The smile vanished as Leeanne pushed herself straight. "Dead? But how did this happen? She's just a child. Was there an accident?"
"No. When did you see her last?"
"At class, last night. God, I can't quite think." She pressed her fingers to her temple. "Rodney! Rodney, bring us something… something cold. I'm sorry, I'm so very sorry to hear this."
The flirtation, the smug female arrogance was gone now. Her hand dropped into her lap, then lifted helplessly. "I can't believe it. I honestly can't believe it. You're certain it's Rachel Howard?"
"Yes. What was your relationship with her?"
"She was a student. I saw her once a week, and she attended a workshop I give the second Saturday of each month. I liked her. She was, as I said, bright and eager. A pretty young thing with her life ahead of her. The sort you see on campus year after year, but she was just a little brighter, just a bit more eager and appealing. God, this is horrible. Was it a mugging? A boyfriend?"
"Did she have a boyfriend?"
"I don't know. I really didn't know very much about her personal life. A young man picked her up after class once, I recall. She was often in a clutch of young people-she was the sort who was. But I did notice her with another boy on campus a couple of times-that struck me because they looked so striking together. The Young American Hope. Thank you, Rodney," she said as the droid set a tray with three glasses of frothy pink liquid on the table.
"Is there anything else, madam?"
"Yes, would you tell Ms. Brightstar I need her."
"Of course."
"Do you remember her mentioning anyone named Diego?"
"No. Honestly, we were not confidantes. She was a student, one I noticed particularly because of her looks and her vitality. But I don't know what she did outside of class."
"Professor, can you tell me what you did last night, after class?"
There was a hesitation, and a sigh. "I suppose that's the sort of thing you need to ask." She picked up her glass. "I came straight home, so I'd have gotten here about nine-twenty. Angie and I had a late supper, talked about work. I had no classes today, so we stayed up until nearly one. We listened to music, we made love, we went to sleep. We didn't get up this morning until after ten. Neither of us has been out today. It's so bloody hot, and she's working in the studio."
She shifted, held out a hand as Angela Brightstar came into the room. She wore a blue smock that fell to mid-calf and was a rainbow of paint splotches. Her hair was a curling mass, the color of port wine, and currently bundled on top of her hair and anchored with a trailing scarf.
Her face was delicate, fine-boned with a pink, doll-like mouth and vague gray eyes. Her body seemed very small and lost inside the baggy smock.
"Angie, one of my students was killed."
"Oh, sweetheart." Angie took her hand, and despite the paint splotches, sat beside her. "Who was it? How did it happen?"
"A young girl, I'm sure I mentioned her to you. Rachel Howard."
"I don't know. I'm so bad with names." She brought Leeanne's hand to her cheek, rubbed it there. "You're the police?" she asked Eve.
"Yes. Lieutenant Dallas."
"Now see, I know that name. I've been puzzling over it since Monty called up, but I can't put it in the right slot. Do you paint?"
"No. Ms. Brightstar, would you verify what time Professor Browning got home last night?"
"I'm not very good with time either. Nine-thirty?" she looked at Leeanne for confirmation. "Somewhere around there."
There was no motive here, Eve thought, no vibe-at least not yet. Curious, she opened her bag, selected one of the candid shots of Rachel.
"What do you think of this, Professor Browning?"
"It's Rachel."
"Oh, what a pretty girl," Angie said. "What a nice smile. So young and fresh."
"Could you give me your opinion on the image itself. Professionally."
"Oh." Leeanne took a deep breath, angled her head. "It's quite good, actually. An excellent use of light, and color. Nice angles. Clean and uncluttered. It shows the subject's youth and vitality, centers that so the eye is drawn, as Angie's was, to the smile, to how fresh she is. Is that what you mean?"
"Yes. Could you set up a shot like that without the subject being aware?"
"Of course, if you have good instincts." She lowered the image. "Did the killer take this?"
"Possibly."
"She was murdered?" Angie wrapped an arm around Leeanne. "Oh, this is awful. How could anyone hurt a young, sweet girl like that?"
"Sweet?" Eve echoed.
"Just look at her face-look at her eyes." Angie shook her head. "You can tell. You can look at her face and see the innocence."
As they rode back down in the elevator, Eve brought the images of Rachel into her head. As she'd been, and as he'd left her. "Maybe that's what he wanted," she murmured. "Her innocence."
"He didn't rape her."
"It wasn't sexual. It was… spiritual. Her light was pure," she remembered. "It might mean her soul. Isn't there some deal, some superstition about the camera stealing the soul?"
"I've heard that. Where are we headed now, Lieutenant?" Peabody asked.
"We're going to college."
"Icy. A lot of college guys are totally hot." She hunched her shoulders when Eve sent her a bland stare. "Just because McNab and I are in a committed, mature relationship-"
"I don't want to hear about your committed, mature anything with McNab. It gives me the creeps."