But these words exist. These words record, these words stand witness; these words speak, if only to an audience of one. These words are real and they are me, or who I believe I have been; incomplete but truthful, through a mirror darkly but reflecting all the same. I have no doubt that one day you will find these words and that you will find me inside them: a seed to plant in your mind, to become a vine to filigree your memory of who I was and who I was to you. Words fail me but I will use them anyway. And in their failure and despite their failure I will live again and you will love me again, as you love me now.

You do not remember your birth but I remember mine. I remember the sudden shock of consciousness, awareness flinging itself at me and demanding to be embraced, and me not knowing enough to do anything other than embrace it back. I sometimes wonder if I had a choice, or if I could have known then what I know now, if I would have received its embrace or would have punched it in the throat, and sent it staggering away to pester someone else, to leave me alone in a newborn senescence from which I would not awake. But in this we are all alike, those who remember our birth and those who do not: None of us asked to be born.

I awoke in perfect awareness and to a voice in my head which spoke "You are Jane Sagan," and with those words the electric pricking of context, describing the relationship of "you," and of "are" and of "Jane" and of "Sagan"—putting together the words like pieces of spontaneously generated puzzle, and then clicking them into place so the puzzle made sense, even if we later discovered how much we really hated puzzles.

But the words were a lie. I wasn't Jane Sagan at all; I was a changeling, a creature stolen to take the place of someone else. Someone I did not know nor would ever know, someone whose entire life had been set aside for the mere utility of her genes, everything she ever was reduced to a long chemical strand—adenine, thymine, cytosine and guanine—the abrupt tattoo of these four notes replacing a symphony of experience. She was dead but she would not be allowed to rest, because I was needed here.

I wonder if she was in this body before me, if before my consciousness was dropped in this head she waited sleeping, dreaming of her life before and dreaming of her life to come. I wonder if she's dreaming still, housed in the interstices and the places in my mind I do not go. If she is here I wonder if she resents me for taking her place, or whether she is glad of the company, and enjoys the world through my eyes. I cannot tell.

But I dream of her. I dream she and I stand at her grave, standing apart with the headstone between us, close enough to touch although we never do. And she says "Talk to me" and I do, trying to explain a warrior's life to a woman who never fought, ashamed that I have nothing to share with her but death, which she already knows more about than I.

But she smiles and I know that she doesn't begrudge me that. I ask her to tell me about her and she does and speaks of home and children and of a life of connection, things I have not possessed in my own life but which she is happy to share. I wake up and her words dissipate, specifics evaporating and leaving behind a memory of comfort.

I dreamt of her before we met but I will not tell you that.

The name "Jane Sagan." The name itself mere words: The first name bland and common, the second name for a scientist who hoped for a better universe than the one we live in. I wonder if he were alive what he would think of the woman who used it now, and the cosmos in which she finds herself; whether he could embrace one or both, see beauty in either, or only entropy and slight regard; a rebuke on his lips for this demon-haunted world.

If he demanded his name back it would not matter. The name was random first and last, provided from a list designed to make sure only one Special Forces soldier owned a name at a time. There would not be another Jane Sagan until I bled my life away in battle, the name floating up off my corpse like the spirit of a Buddhist, to be reincarnated on the Wheel of Suffering: returning but learning nothing, repeating the same lessons again and once more, its owners torn from life on different worlds but performing the same actions.

My name is random but I earned it in time. I became Jane Sagan not through the whim of convention but through breathing and moving and fighting and discovering love—each of these coring through the undifferentiated mass of my existence, paring away that which was not me, shedding what was not essential and sometimes what was, demanding I retrieve what I lost or accept its loss; the diminution of a self only recently defined and still defining itself.

I lost some of what I should have been and could have been for you. The parts of me that I lent others who then left me unwillingly or willingly, as they earned the names they had, even as those names lifted up from them, their purpose spent—those which they signified already fading against the violence of bone and metal.

They took part of me with them. I kept part of them with me, to become me in the fullness of time, some of who I could have been replaced by all that was left of them. If you looked you could have seen them in me: discrete objects breaking down, atoms that would not willingly cohere to the molecule, a colloidal suspension of memory and more than memory; part of me and held within me, bound by names they no longer claimed but becoming me, to be called by my name, "Jane Sagan."

In the end I am who I am. I am what I have made myself and what has been made of me. Part of who I am is who you are too; I have given you me as well. I would take your name and hold it in me, and whisper my name in your ear.

I am not Death. I am killing; I am the verb, I am the action, I am the performance. I am the movement that cuts the spine; I am the mass which pulps the brain. I am the headsnap ejecting consciousness into the air.

I am not Death but she follows close behind, the noun, the pronouncement, the denouement and the end. She looks for where I have gone next, and where she is needed, and sometimes where she is wanted; desired as the worlds for those whom I have visited narrow down to a point too heavy to be long borne.

I have wondered whether death collapses the point into nothingness or expands it into eternity, but I do not wonder long. Death follows me but I do not look back to her and I do not dwell on what she does. I am killing, I am the action, and I have a job to do.

I am connected to those I kill: a T-shaped joint where their lives intersect mine, the line of their lives terminating in the contact while mine continues on to the next orthogonal encounter, toward the promise and threat of becoming the terminating arm—of the moment when death no longer follows but stands pitilessly before me, expanding or contracting everything I ever was or will be for her own unknowable aims.

I am connected to those I kill and I long to know them. I long to look down their line to see what has led them to me; whether they chose this moment or had it chosen. If they had chosen it, whether it was love or honor or duty or something else that set their line toward mine; if they had it chosen why they chose to accept it, and whether they would have accepted the choice if they knew I was waiting for them, preparing their final moment, every possible future imploding toward the point of my knife, the grain of my bullet, the grip of my hand.