“Lieutenant Minter wants to show you something,” the officer said.

“Good,” I said. “I wanted to ask him something.”

We went through the door and Minter was there waiting for me, sitting on the corner of a desk, his posture ramrod straight. A handsome man with a trim body, smooth coffee skin, perfect diction and a ready smile, Minter was in charge of the Media Relations Office. It was an important job in the LAPD but one that always confounded me. Why would any cop-after getting the training and the gun and the badge-want to work in media relations, where zero police work was ever done? I knew the job put you on TV almost every night and got your name in the paper all the time, but it wasn’t cop work.

“Hey, Jack,” Minter said to me in a friendly manner as we shook hands.

I immediately acted like I had called for the meeting.

“Hey, Lieutenant. Thanks for seeing me. I was wondering if I could get a mug shot of the suspect named Hicks for my story.”

Minter nodded.

“No problem, he’s an adult. You want any others?”

“No, probably just him. They don’t like running mug shots, so I probably will only be able to use one, if I’m lucky.”

“It’s funny that you want a photo of Hicks.”

“Why?”

He reached behind his back to the desk and brought around a file. He opened it and handed me an 8 × 10 photo. It was a surveillance shot with police codes in the lower right frame. It was of me handing Darnell Hicks the fifty dollars he had charged me in street tax the day before. I immediately noted how grainy the shot was and knew it had been taken from a distance and at a low angle. Remembering the parking lot where the payoff had taken place, I knew I had been in the heart of the Rodia projects and the only way the shot could have been taken was if it had been taken from inside one of the surrounding apartment buildings. I now knew what Grossman had meant by community support and cooperation. At least one resident in Rodia had allowed them to use an apartment as a surveillance post.

I held the photo up.

“Are you giving me this for my scrapbook?”

“No, I was just wondering if you can tell me about it. If you have a problem, Jack, I can help.”

He had a phony smile on his face. And I was smart enough to know what was happening. He was trying to squeeze me. A photo out of context like this could certainly send the wrong message if leaked to a boss or competitor. But I smiled right back.

“What do you want, Lieutenant?”

“We don’t want to stir up controversy where there isn’t any needed, Jack. Like with this photo. It could have several different meanings. Why go there?”

The point was clear. Lay off the community backlash angle. Minter and the command staff above him knew that the Times set the table as far as what was news in this town. The TV channels and everybody else followed its lead. If it could be controlled or at least contained, then the rest of the local media would fall in line.

“I guess you didn’t get the memo,” I said. “I’m out. I got a pink slip on Friday, Lieutenant, so there isn’t anything you can do to me. I’m down to my last two weeks. So if you want to send this picture to somebody at the paper, I would send it to Dorothy Fowler, the city editor. But it’s not going to change who I talk to on this story or what I write. Besides that, do the narcs down in South Bureau know you’re showing their surveillance shots around like this? I mean, this is dangerous, Lieutenant.”

I held the photo up so he could see it now.

“More than what it says about me, it says your drug team had a setup inside somebody’s apartment in Rodia. If that gets out, those Crips down there will probably go on a witch hunt. You remember what happened up on Blythe Street a couple years ago, don’t you?”

Minter’s smile froze on his face as I watched his eyes go over the memory. Three years earlier the police had conducted a similar peep-and-sweep operation at a Latino gang-operated drive-through drug market on Blythe Street in Van Nuys. When surveillance photos of drug deals were turned over to lawyers defending those arrested, the gang soon figured out what apartment the shots had been taken from. One night the apartment was firebombed and a sixty-year-old woman was burned to death in her bed. The police department didn’t get much positive media attention out of it and I thought Minter was suddenly reliving the fiasco.

“I gotta go write,” I said. “I’ll go down to media relations and pick up the mug shot on my way out. Thanks, Lieutenant.”

“Okay, Jack,” he said routinely, as if the subterranean context of our conversation had not existed. “Hope to see you again before you go.”

I stepped through the door back into the press conference room. Some of the cameramen were still there, packing up their equipment. I looked around for Angela Cook but she hadn’t waited for me.

After picking up the mug shot of Darnell Hicks I walked back to the Times building and up to the third-floor newsroom. I didn’t bother checking in because I had already sent my editor a budget line on the drug sweep story. I planned to make some calls and flesh it out before I went back to Prendo and tried to convince him it was a story that ought to go out front on the home page as well as the print edition.

The 928-page printout of the Winslow confession as well as the other documents I’d sent to the copy shop were waiting for me on my desk. I sat down and had to resist the urge to immediately dive into the confession. But I pushed the six-inch stack to the side and went to the computer. I opened my address book on the screen and looked up the number for the Reverend William Treacher. He was the head of a South L.A. association of ministers and was always good for a viewpoint contrary to that of the LAPD.

I had just picked up the phone to call Preacher Treacher, as he was informally known by his flock as well as the local media, when I felt a presence hovering over me and looked up to see Alan Prendergast.

“Didn’t you get my message?” he asked.

“No, I just got back and wanted to call Preacher Treacher before everybody else did. What’s up?”

“I wanted to talk about your story.”

“Didn’t you get the budget line I sent? Let me make this call real quick and then I might have more to add to it.”

“Not today’s story, Jack. Cook’s already putting it together. I want to hear about your long-term story. We have the futures meeting in ten minutes.”

“Wait a minute. What do you mean Cook’s already putting today’s story together?”

“She’s writing it up. She came back from the press conference and said you were working together on it. She already called Treacher, too. Got good stuff.”

I held back on telling him that Cook and I weren’t supposed to be working together on it. It was my story and I’d told her so.

“So whadaya got, Jack? It’s related to today’s thing, right?”

“Sort of, yeah.”

I was still stunned by Cook’s move. Competition within the news-room is common. I just hadn’t expected her to be so bold as to lie her way onto a story.

“Jack? I don’t have much time.”

“Uh, right. Yeah, it’s about the murder of Denise Babbit-but from the killer’s angle. It’s about how sixteen-year-old Alonzo Winslow came to be charged with murder.”

Prendo nodded.

“You have the goods?”

By “the goods,” I knew he was asking if I had direct access. He wouldn’t be interested in a story with police said used as attribution everywhere. He wouldn’t want to see the word allegedly anywhere near this piece if he was going to try to give it a good ride on the futures budget. He wanted a crime feature, a story that went behind the basic news everybody already had and rocked the reader’s world with gritty reality. He wanted breadth and depth, the hallmark features of any Times story.