Shamron joined him on the beach.

Gabriel looked up. “Why did you go back to the Office? Why couldn’t you stay in Tiberias and live life? Why did you go running back when they called?”

“Too much unfinished business. I’ve never known anyone who left the secret world with all his affairs in order. We all leave behind bits of loose thread. Old operations, old enemies. They pull at you, like memories of old lovers. I also couldn’t bear to watch the Alsatian and Lev destroying my service any longer.”

“Why did you keep Lev?”

“Because I was forced to keep Lev. Lev made it clear to the prime minister that he would not go quietly if I tried to push him out. The last thing the prime minister wanted was a paralyzed Operations division. He got weak knees and made Lev untouchable.”

“He’s a snake.”

“The prime minister?”

“Lev.”

“A venomous snake, however, who needs to be handled carefully. When the Alsatian resigned, Lev believed he was next in the line of succession. Lev is no longer a young man. He can feel the keys to the throne room slipping through his fingers. If I come and go quickly, Lev may still get his chance. If I serve out my full term, if I linger and take a long time to die, then perhaps the prime minister will choose a younger prince as my successor. Needless to say, I do not count Lev as one of my supporters at King Saul Boulevard.”

“He never liked me.”

“That’s because he was envious of you. Envious of your professional accomplishments. Envious of your talent. Envious of the fact you earned three times as much in your cover job as Lev earned on his Office salary. My God, he was even envious of Leah. You’re everything Lev wanted to see in himself, and he hated you for it.”

“He wanted to be part of the Black September team.”

“Lev is brilliant, but he was never field material. Lev is a headquarters man.”

“Does he know you’re here?”

“He knows nothing,” Shamron said coldly. “And if you decide to come back, he’ll know nothing about that either. I’ll handle you personally, just like the old days.”

“Killing Tariq isn’t going to bring back Dani. Or Leah. Haven’t you learned anything? While we were busy killing the members of Black September, we didn’t notice that the Egyptians and the Syrians were preparing to drive us into the sea. And they nearly succeeded. We killed thirteen members of Black September, and it didn’t bring back one of the boys they slaughtered in Munich.”

“Yes, but it felt good.”

Gabriel closed his eyes: an apartment block in Rome ’s Piazza Annabaliano, a darkened stairwell, a painfully thin Palestinian translator named Wadal Abdel Zwaiter. Black September’s chief of operations in Italy. He remembered the sound of a neighbor practicing piano-a rather tedious piece he didn’t recognize-and the sickening thud of the bullets tearing through tissue and cracking bone. One of Gabriel’s shots missed Zwaiter’s body and shattered a bottle of fig wine that he had purchased moments earlier. For some reason Gabriel always thought of the wine, dark, purple and brown, flowing over the stone floor, mingling with the blood of the dying man.

He opened his eyes, and Rome was gone. “It feels good for a while,” he said. “But then you start to think you’re as bad as the people you’re killing.”

“War always takes a toll on the soldiers.”

“When you look into a man’s eyes while pouring lead into his body, it feels more like murder than war.”

“It’s not murder, Gabriel. It was never murder.”

“What makes you think I can find Tariq?”

“Because I’ve found someone who works for him. Someone I believe will lead us to Tariq.”

“Where is he?”

“Here in England.”

“Where?”

“ London, which presents me with a problem. Under our agreements with British intelligence, we’re obligated to inform them when we are operating on their soil. I would prefer not to live up to that agreement, because the British will inform their friends at Langley, and Langley will pressure us to knock it off for the sake of the peace process.”

“You do have a problem.”

“Which is why I need you. I need someone who can run an operation in England without arousing suspicion among the natives. Someone who can run a simple surveillance operation without fucking it up.”

“I watch him, and he leads me to Tariq?”

“Sounds simple, doesn’t it?”

“It’s never that simple, Ari. Especially when you’re involved.”

Gabriel slipped into the cottage and tossed his jacket onto the cot in the sitting room. Immediately he felt the Vecellio pulling at him. It was always this way. He never left the house without first spending one more moment before his work, never returned home without going directly to his studio to gaze at the painting. It was the first thing he saw each afternoon when he awoke, the last thing he saw each morning before he went to sleep. It was something like obsession, but Gabriel believed only an obsessive could be a good restorer. Or a good assassin, for that matter.

He climbed the stairs to his studio, switched on the fluorescent lamp, gazed at the painting. God, how long had he been at it already? Six months? Seven? Vecellio had probably completed the altarpiece in a matter of weeks. It would take Gabriel ten times that long to repair it.

He thought of everything he had done so far. Two weeks studying Vecellio himself. Life, influences, techniques. A month analyzing The Adoration of the Shepherd with several pieces of high-tech equipment: the Wild microscope to view the surface, X-ray photography to peer below the surface, ultraviolet light to expose previous retouching. After the assessment, four months removing the dirty, yellowed varnish. It was not like stripping a coffee table; it was tedious, time-consuming work. Gabriel first had to create the perfect solvent, one that would dissolve the varnish but leave the paint intact. He would dip a homemade cotton swab into the solvent and then twirl it over the surface of the painting until it became soiled with dirty varnish. Then make another swab and start all over again. Dip… twirl… discard. Dip… twirl… discard. Like swabbing the deck of a battleship with a toothbrush. On a good day he could remove a few square inches of dirty varnish.

Now he had begun the final phase of the job: retouching those portions of the altarpiece damaged or destroyed over the centuries. It was mind-bending, meticulous work, requiring him to spend several hours each night with his face pressed against the painting, magnifying glasses over his eyes. His goal was to make the retouching invisible to the naked eye. The brush strokes, colors, and texture all had to match the original. If the surrounding paint was cracked, Gabriel painted false cracks into his retouching. If the artist had created a unique shade of lapis lazuli blue, Gabriel might spend several hours mixing pigment on his palette trying to duplicate it. His mission was to come and go without being seen. To leave the painting as he had found it, but restored to its original glory, cleansed of impurity.

He needed sleep, but he needed time with the Vecellio more. Shamron had wakened his emotions, sharpened his senses. He knew it would be good for his work. He switched on the stereo, waited for the music to begin, then slipped his Binomags on his head and picked up his palette as the first notes of La Bohème washed over him. He placed a small amount of Mowolith 20 on the palette, added a bit of dry pigment, thinned down the mixture with arcosolve until the consistency felt right. A portion of the Virgin’s cheek had flaked away. Gabriel had been struggling to repair the damage for more than a week. He touched his brush to the paint, lowered the magnifying visor on the Binomags, and gently tapped the tip of the brush against the surface of the painting, carefully imitating Vecellio’s brushstrokes. Soon he was completely lost in the work and the Puccini.