"Well, maybe Aaron can help us sift through John's bullshit. Aaron seems to have a good network of contacts."
Cassandra stiffened, almost imperceptibly, then nodded. "Aaron was always very good at that, immersing himself in our world. Helping others. Keeping order. It's what he does best." A small smile. "I remember, we were in London when Peel began recruiting his bobbies, and I told him, 'Aaron, finally, a career for you.' He'd have been horrible at it, of course. If he caught a hungry child stealing a loaf of bread, he wouldn't have arrested him, he'd have helped him steal more. He's a good man. I-" She paused. "So we'll talk to John again, then. Aaron should be able to get an address for us later today."
"I can probably get it tonight. If he owns the Rampart with Brigid and Ronald, then one of them has to have their address in the public record system. I'll also call Lucas, tell him I won't be coming back to Miami just yet, see whether he wants to join us."
Finding John's address was even simpler than I'd hoped. It was in the phone book. Just to be sure, though, I hacked into public records and double-checked. It may seem that supernaturals, particularly vampires, would avoid leaving a paper trail and, in most cases, they do. Few supernaturals will list themselves in the local phone books, as John had. Yet when it comes to such highly regulated matters as the issuing of liquor licenses, it's more dangerous to provide false information. Vampires carry valid driver's licenses and file their taxes like everyone else, though the name on their paperwork may or may not be their true birth name, depending on how they prefer to keep their identity current. Some pick a victim in their age range and take over his identity for a while. Others pay supernatural forgers to create fresh documents every decade or so. Like Cassandra, John apparently chose the latter route.
Next I called Lucas. As I'd expected-and hoped-he did want to join us. We discussed whether Cassandra and I should wait for him before visiting John, but he didn't think his presence would help. He'd catch the next flight to New Orleans, and we'd meet up after lunch.
By this point, it was after six, so sleep was out of the question. I fixed a fresh poultice for my stomach and cast a fresh healing spell. It helped. A few hours of sleep might have helped more, but I didn't have time for that. The painkillers might have helped, too, but I'd left them back in Miami, and not by accident. This trip, I needed to be clearheaded.
At seven, we went to a bistro down the road, where I had beignets and café au lait while Cassandra drank black coffee. After breakfast, Cassandra tried calling Aaron, but he wasn't answering his cell, so she left a message. Then we hailed a cab and headed out to interview the vampire again.
Embracing One's Cultural Heritage
We stood on the sidewalk in front of John's house. Cassandra looked up at it and sighed.
"You weren't really expecting a brick bungalow, were you?" I said. "At least it's not as bad as the Rampart." I peered through the wrought-iron fence. "Oh, I didn't see that… or that. Is that what I think-oooh." I pulled back. "You may want to wait outside."
Cassandra sighed again, louder, deeper.
Now, I have nothing against Victorian architecture, having grown up in a wonderful little house from that very era, but John's place was everything that gives the style a bad name, plus a good dose of southern Gothic. It looked like the quintessential haunted house, covered in ivy and peeling paint, windows darkened, spires rusting. On closer inspection, the disrepair was only cosmetic-the porch didn't sag, the wood wasn't rotting, even the crumbling walkway was crumbled artfully, the stones still solid enough that you wouldn't trip walking over them. The yard appeared overrun and neglected, yet even a novice gardener would recognize that most of the "weeds" were actually wild-looking perennials.
"This used to drive my mom crazy," I said, pointing at the lawn. "People paying to make their yard look like an abandoned lot. No wonder the neighbors have high walls. He has some nice gargoyles, though. I must admit, I've never seen them anatomically correct."
Cassandra followed my gaze, and shuddered.
"It sure is dark in there," I said. "Or are those blackout blinds? No, wait. It's paint. He's blacked out all the windows. Can't be too careful with those fatal sunbeams."
"The man is an idiot, Paige. If you doubted that last night, this house should seal the matter. We're wasting our time."
"Oh, but it's so much fun. I've never seen a real vampire's house before. How come your fence doesn't have wrought-iron bats?" I grabbed the gate and swung it open, then stopped dead. "Hey, I missed those. Forget the bats. That's what you need outside your condo."
Cassandra stepped into the gate opening, looked inside, and swore.
"I didn't think that word was in your vocabulary," I said. "Guess now we really know why the neighbors put up high fences."
There, flanking either side of the walkway, were a pair of raised fountains. The base of each was a shell-shaped bowl filled with water and lily pads. Standing in each bowl was a masculine version of Botticelli's famous "Birth of Venus." The man stood in the same pose as Venus, left hand coyly drawn up to cover his chest, right hand down by his genitals, yet instead of covering them, he held his optimistically endowed penis, pointing it upward. Water jetted from each penis and over the path into the basin of the twin statue opposite. The water didn't flow in a smooth stream, though. It spurted.
"Please tell me there is something wrong with his water pressure," Cassandra said.
"No, I believe that's the desired effect." I followed the path of the water over the walkway. "So, are we supposed to duck or run through between spurts?"
Cassandra marched around behind the left-hand statue, following a path undoubtedly created by countless delivery men.
"Hey," I said as I ducked between the statues. "That looks familiar."
Cassandra fixed me with a look.
"No," I said. "Not that. The face. Check out the statue faces. It's John, isn't it? He had them modeled after himself."
Her gaze flicked down. "Not entirely."
I grinned. "Cassandra, you and John? Say it isn't so."
"May I never be so desperate. I meant that if he was that gifted, I'd certainly have heard about it. The vampire community isn't that big."
"And neither, apparently, is John."
We climbed onto the porch, then both stopped to stare at the door knocker, an iron Nosferatu-style vampire head, teeth bared.
"You know," I said. "We might not be giving John enough credit. All this could be a clever example of reverse psychology. No one would ever suspect a real vampire would be stupid enough to live like this."
"One would hope that no person would ever be stupid enough to live like this."
She lifted the door knocker.
"Hold on," I said, putting my hand out to stop her. "Is this really such a good idea?"
"No," she said, wheeling and heading down the steps. "It is not. I saw a nice little boutique on the corner. Why don't we do some shopping, wait for Aaron to phone back-"
"I meant it might not be wise to announce ourselves. If he bolted last night, he might do the same again."
"Only if we're lucky."
"I think we should break in."
"Quite possibly the only suggestion that would make this excursion even more unbearable. If this involves crawling through a broken basement window, may I mention now that these pants are dry-clean-only, I didn't bring another change of clothes, and I'm certainly not going to-"