ON A PAIR OF LEATHER SUSPENDERS
Three o'clock, if you approach it properly through the evening, is said to have its compensations. There are persons (with a hiccough) who pronounce it the shank of the evening, but as an hour of morning it has few apologists. It is the early bird that catches the worm; but this should merely set one thinking before he thrusts out a foot into the cold morning, whether he may justly consider himself a bird or a worm. If no glad twitter rises to his lips in these early hours, he had best stay unpecked inside his coverlet.
It is hard to realize that other two-legged creatures like myself are habitually awake at this hour. In a wakeful night I may have heard the whistles and the clank of far-off wheels, and I may have known dimly that work goes on; yet for the most part I have fancied that the world, like a river steamboat in a fog, is tied at night to its shore: or if it must go plunging on through space to keep a schedule, that here and there a light merely is set upon a tower to warn the planets.
A locomotive was straining at its buttons, and from the cab a smoky engineer looked down on me. A truck load of boxes rattled down the platform. Crates of affable familiar hens were off upon a journey, bragging of their families. Men with flaring tapers tapped at wheels. The waiting-room, too, kept, as it were, one eye open to the night. The coffee-urn steamed on the lunch counter, and sandwiches sat inside their glass domes and looked darkly on the world.
It was the hour when "the tired burglar seeks his bed." I had thought of dozing in a hotel chair until breakfast, but presently a flood appeared in the persons of three scrub women. the fountains of the great deep were opened and the waters prevailed.
It still lacked an hour or so of daylight. I remembered that there used to be a humble restaurant and kitchen on wheels—to the vulgar, a dog-wagon—up toward York Street. This wagon, once upon a time, had appeased our appetites when we had been late for chapel and Commons. As an institution it was so trite that once we made of it a fraternity play. I faintly remember a pledge to secrecy—sworn by the moon and the seven wandering stars—but nevertheless I shall divulge the plot. It was a burlesque tragedy in rhyme. Some eighteen years ago, it seems, Brabantio, the noble Venetian Senator, kept this same dog-wagon—he and his beautiful daughter Desdemona. Here came Othello, Iago and Cassio of the famous class of umpty-ump.
The scene of the drama opens with Brabantio flopping his dainties on the iron, chanting to himself a lyric in praise of their tender juices. Presently Othello enters and when Brabantio's back is turned he makes love to Desdemona—a handsome fellow, this Othello, with the manner of a hero and curled moustachios. Exit Othello to a nine o'clock, Ladd on Confusions. Now the rascal Iago enters—myself! with flowing tie. He hates Othello. He glowers like a villain and soliloquizes:
That was the kind of play. Finally, Desdemona is nearly smothered but is returned at last to Othello's arms. Iago meets his deserts. He is condemned to join ΔΚΕ, a rival fraternity. But the warm heart of Desdemona melts and she intercedes to save him from this horrid end. In mercy—behind the scenes—his head is chopped off. Then all of us, heroines and villains, sat to a late hour around the fire and told one another how the real stage thirsted for us. We drank lemonade mostly but we sang of beer—one song about
accompanied with a gesture several inches above the head. As the verses progressed it was customary to stand on chairs and to reach up on tiptoe to show the increasing depth.
But the dog-wagon has now become a gilded unfamiliar thing, twice its former size and with stools for a considerable company. I questioned the proprietor whether he might be descended from the noble Brabantio, but the dull fellow gave no response. The wagon has passed to meaner ownership.
Across the street Vanderbilt Hall loomed indistinctly. To the ignorant it may be necessary to explain that its courtyard is open to Chapel Street, but that an iron grill stretches from wing to wing and keeps out the town. This grill is high enough for hagenbeck, and it used to be a favorite game with us to play animal behind it for the street's amusement. At the hour when the crowd issued from the matinйe at the Hyperion Theatre, our wittiest students paced on all fours up and down behind this grill and roared for raw beef. E—— was the wag of the building and he could climb up to a high place and scratch himself like a monkey—an entertainment of more humor than elegance. Elated with success, he and a companion later chartered a street-organ—a doleful one-legged affair—and as man and monkey they gathered pennies out Orange Street.
I turned into the dark Campus by Osborn Hall. It is as ugly a building as one could meet on a week's journey, and yet by an infelicity all class pictures are taken on its steps. Freshman courses are given in the basement—a French class once in particular. Sometimes, when we were sunk dismally in the irregular verbs, bootblacks and old-clothes men stopped on the street and grinned down on us. And all the dreary hour, as we sweated with translation, above us on the pavement the feet and happy legs of the enfranchised went by the window.
Yale is a bad jumble of architecture. It is amazing how such incongruous buildings can lodge together. Did not the Old Brick Row cry out when Durfee was built? Surely the Gothic library uttered a protest against its newer adjunct. And are the Bicentennial buildings so beautiful? At best we have exchanged the fraudulent wooden ramparts of Alumni Hall for the equally fraudulent inside columns of these newer buildings. It is a mercy that there is no style and changing fashion in elm trees. As Viola might have remarked about the Campus: it were excellently done, if God did all.
Presently in the dark I came on the excavations for the Harkness quadrangle. So at last Commons was gone. In that old building we ate during our impoverished weeks. I do not know that we saved much, for we were driven to extras, but the reckoning was deferred. There was a certain tutti-frutti ice-cream, rich in ginger, that has now vanished from the earth. Or chocolate иclairs made the night stand out. I recall that one could seldom procure a second helping of griddlecakes except on those mornings when there were ants in the syrup. Also, I recall that sometimes there was a great crash of trays at the pantry doors, and almost at the instant two old Goodies, harnessed ready with mops and pails, ran out and sponged up the wreckage.
And Pierson Hall is gone, that was once the center of Freshman life. Does anybody remember The Voice ? It was a weekly paper issued in the interest of prohibition. I doubt if we would have quarreled with it for this, but it denounced Yale and held up in contrast the purity of Oberlin. Oberlin! And therefore we hated it, and once a week we burned its issue in the stone and plaster corridors of Pierson.
There was once a residence at the corner of York and Library where Freshmen resided. The railing of the stairs wabbled. The bookcase door lacked a hinge. Three out of four chairs were rickety. The bath-tub, which had been the chemical laboratory for some former student, was stained an unhealthy color. If ever it shall appear that Harlequin lodged upon the street, here was the very tub where he washed his clothes. Without caution the window of the bedroom fell out into the back yard. But to atone for these defects, up through the scuttle in the hall there was an airy perch upon the roof. Here Freshmen might smoke their pipes in safety—a privilege denied them on the street—and debate upon their affairs. Who were hold-off men! Who would make Βουλη! Or they invented outrageous names for the faculty. My dear Professor Blank, could you hear yourself described by these young cubs through their tobacco smoke, your learned ears, so alert for dactyl and spondee, would grow red.
Do Scott's boys, I wonder, still gather clothes for pressing around the Campus? Do they still sell tickets—sixteen punches for a dollar—five punches to the suit? On Monday mornings do colored laundresses push worn baby-carts around to gather what we were pleased to call the "dirty filth"? And do these same laundresses push back these self-same carts later in the week with "clean filth" aboard? Are stockings mended in the same old way, so that the toes look through the open mesh? Have college sweeps learned yet to tuck in the sheets at the foot? Do old-clothes men—Fish-eye? Do you remember him?—do old-clothes men still whine at the corner, and look you up and down in cheap appraisal? Pop Smith is dead, who sold his photograph to Freshmen, but has he no successor? How about the old fellow who sold hot chestnuts at football games—"a nickel a bush"—a rare contraction meant to denote a bushel—in reality fifteen nuts and fifteen worms. Does George Felsburg still play the overture at Poli's, reading his newspaper the while, and do comic actors still jest with him across the footlights?
Is it still ethical to kick Freshmen on the night of Omega Lambda Chi? Is "nigger baby" played on the Campus any more? The loser of this precious game, in the golden days, leaned forward against the wall with his coat-tails raised, while everybody took a try at him with a tennis ball. And, of course, no one now plays "piel." A youngster will hardly have heard of the game. It was once so popular that all the stone steps about the college showed its marks. And next year we heard that the game had spread to Harvard.
Do students still make for themselves oriental corners with Bagdad stripes and Turkish lamps? Do the fair fingers of Farmington and Northampton still weave the words "'Neath the Elms" upon sofa pillows? Do Seniors still bow the President down the aisle of chapel? do students still get out their Greek with "trots"? It was the custom for three or four lazy students to gather together and summon up a newsy to read the trot, while they, lolling with pipes on their Morris chairs, fumbled with the text and interlined it against a loss of memory. Let the fair-haired goddess Juno speak! Ulysses, as he pleases, may walk on the shore of the loud-sounding sea. Thereafter in class one may repose safely on his interlineation and snap at flies with a rubber band. This method of getting a lesson was all very well except that the newsy halted at the proper name. A device was therefore hit on of calling all the gods and heroes by the name of Smith. Homeric combat then ran like this: the heart of Smit was black with anger and he smote Smit upon the brazen helmet. And the world grew dark before his eyes, and he fell forward like a tower and bit the dust and his armor clanked about him. But at evening, from a far-off mountain top the white-armed goddess Smit-Smit (Pallas-Athena) saw him, and she felt compash—compassion for him.