Quite medieval, really. However much science and educational theory and advanced thinking you pump into a college or a university, it always retains a strong hint of its medieval origins, and the fact that Spook was a New World college in a New World university made surprisingly little difference.

The faces of the congregation, which I could see so well from my place, had an almost medieval calm upon them, as they listened to the Rector’s very respectable prose. Except, of course, for McVarish’s knowing smirk. But I could see Hollier, who had not pushed himself into the front row, though he had a right to be there, and his thin, splendid features looked hawkish and solemn. Not far from him was a girl in whom I had found much to interest me, one Maria Magdalena Theotoky, who had come the day before to join my special class in New Testament Greek. Girls who want to work on that subject are usually older and more obviously given to the scholarly life than was Maria. She was beyond doubt a great beauty, though it was beauty of a kind not everybody would notice, or like, and which I suspected did not appeal greatly to her contemporaries. A calm, transfixing face, of the kind one sees in an ikon, or a mosaic portrait—it was oval in shape; the nose was long and aquiline; if she were not careful about her front teeth it would be a hook in middle age; her hair was a true black, the real raven’s-wing colour, with blue lights in it, but no hint of the dreadful shade that comes with dye. What was Maria doing at Cornish’s funeral? It was her eyes that startled you when you looked at her, because you could see some of the white below the iris, as well as above, and when she blinked—which she did not seem to do as often as most people—the lower lid moved upward as the upper lid moved down, and that is something you rarely see. Her eyes, fixed in what may have been devotion, startled me now. She had covered her head with a loose scarf, which most of the women in the chapel had not done, because they are modern, and set no store by St. Paul’s admonition on that subject. But what was she doing there?

The comic turn of the funeral—and many a funeral boasts its clown—was John Parlabane, who was, I had heard, infesting Spook. He was in his monk’s robe at the funeral, mopping and mowing in the very Highest of High Anglican style. Not that I mind. At the Name of Jesus, every knee shall bow, but Parlabane didn’t stop short at bowing; he positively cringed and crossed himself with that crumb-brushing movement which is supposed to show long custom and which he, born a Protestant of some unritualistic sect, grossly overdid. The scarred skin of his face—I remembered how and when he came by those scars—was composed in a sanctimonious leer that seemed meant to combine regret for the passing of a friend with ecstasy at the thought of the glory that friend was now enjoying.

I am an Anglican, and a priest, but sometimes I wish my coreligionists wouldn’t carry on so.

As a priest at this funeral I had my special duty. The Rector had asked me to speak the Committal, and then the choir sang: I heard a voice from heaven saying unto me, Write: From henceforth blessed are the dead which die in the Lord: even so saith the spirit, for they rest from their labours.

So Francis Cornish rested from his labours, though whether he had died in the Lord I can’t really say. Certainly he had laid labours upon me, for his estate was a big one and was reckoned not simply in money but in costly possessions, and I had to come to grips with it, and with Hollier—and with Urquhart McVarish.

Three days later the three of us sat in Arthur Cornish’s office in one of the big bank towers in the financial district, while he told us who was who and what was what. He was not uncivil, but his style was not what we were used to. We knew all about meetings where anxious deans fluttered and fussed to make sure that every shade of opinion was heard, and strangled decisive action in the slack, dusty ropes of academic scruple. Arthur Cornish knew what had to be done, and he expected us to do our parts quickly and efficiently.

“Of course I am to look after all the business and financial side,” he said. “You gentlemen are appointed to attend to the proper disposal of Uncle Frank’s possessions—the works of art and that sort of stuff. It could turn out to be quite a big job. The things that have to be shipped and moved to new owners should be put in the hands of a reliable shipper, and I’ll give you the name of the firm I’ve chosen; they’ll take orders from you, countersigned by my secretary. She will help you in every way possible. I’d like to get it done as soon as you can manage it, because we want to get on with probate and the dispersal of legacies and gifts. So may I ask you to move as quickly as you can?”

Professors do not like to be asked to move quickly, and particularly not by a man who is not yet thirty. They can move quickly, or so they imagine, but they don’t like to be bossed. We had no need to look at one another for Hollier, McVarish, and I to close ranks against this pushy youth. Hollier spoke.

“Our first task must be to find out what has to be disposed of in the way of works of art, and ‘that sort of stuff’, to use your own phrase, Mr. Cornish.”

“I suppose there must be an inventory somewhere.”

Now it was McVarish’s turn. “Did you know your uncle well?”

“Not really. Saw him now and then.”

“You never visited his dwelling?”

“His home? No, never. Wasn’t asked.”

I thought I had better put in a few words. “I don’t think home is quite the word one would use for the place where Francis Cornish lived.”

“His apartment, then.”

“He had three apartments,” I continued. “They occupied a whole floor of the building, which he owned. And they are crammed from floor to ceiling with works of art—and that sort of stuff. And I didn’t say over-furnished: I said crammed.”

Hollier resumed the job of putting the rich brat in his place. “If you didn’t know your uncle, of course you cannot imagine how improbable it was that he possessed an inventory; he was not an inventory sort of man.”

“I see. A real old bachelor’s rat’s-nest. But I know I can depend on you to sort it out. Get help if you need it, to catalogue the contents. We must have a valuation, for probate. I suppose in aggregate it must be worth quite a lot. Any clerical assistance you need, lay it on and my secretary will countersign chits for necessary payments.”

After a little more of this we left, passing through the office of the secretary who had countersigning powers (a middle-aged woman of professional charm) and through the office of the other secretaries who were younger and pattered away on muted, expensive machines, and past the uniformed man who guarded the portals—because the big doors really were portals.

“I’ve never met anybody like that before,” I said as we went down sixteen floors in the elevator.

“I have,” said McVarish. “Did you notice the mahogany panelling? Veneer, I suppose, like young Cornish.”

“Not veneer,” said Hollier. “I tapped it to see. Not veneer. We must watch our step with that young man.”

McVarish sniggered. “Did you notice the pictures on his walls? Corporation taste. Provided by a decorator. Not his Uncle Frank’s sort of stuff.”

I had looked at the pictures too, and McVarish was wrong. But we wanted to feel superior to the principal executor because we were a little in awe of him.