“We slaved away all of that Sunday. I lost my fright because Willard and Charlie were so pleased with what I could do, and although they still talked about me as though I had no ears to hear them, and no understanding, the atmosphere became cheerful and excited and I was the reason for it. I must not pretend that I mastered the mechanisms of Abdullah in an instant, and even when I had done so I had to be taught not to be too quick; I thought the essence of the work was to do it as fast as possible. Willard and Charlie knew, though they never bothered to tell me, that a very deliberate, and even slow, pace created a far better effect on the spectators. And I had much to learn. When I sat inside Abdullah my head was at the level of his neck, and here his robes parted a little to allow me to see through a piece of wire mesh that was painted the colour of his gown. It was by observing the actions of the Rube that I timed my own work. I had to learn to pump the little treadle that made the mechanical noise which simulated the finely scientific machinery of the automaton, and it was easy to forget, or to pump too fast and make Abdullah too noisy. The hardest part was ducking my head just enough to see what card the Rube had chosen and laid on the tray; as I said, this was ground glass, and there was a mirror underneath it so that I could see the suit and value of his card, but it was not as easy or as convenient as you might suppose, because the light was dim. And I had to be quick and accurate in choosing a card of greater value. A deck identical with the one used by the Rube was set up in a rack concealed by Abdullah’s folded legs; it had eight pigeon-holes, in which each suit was divided into the cards from two to ten, and the Jack, Queen, King, and Ace by themselves. It was dark in Abdullah, and there was not much time for choosing, so I had to develop a good deal of dexterity.

“It was thrilling, and I worked feverishly to make myself perfect. How many times we went through the routine, when once I had mastered the general principle of it, I cannot guess, but I remember well that it was the management of the arms that gave me the most trouble, and any mistiming there made a mess of the whole deception. But we toiled as only people toil who are busy at the delicious work of putting something over on the public. There was a short noonday pause for a picnic, of which my share was milk and a lot of sticky buns; Gus had left instructions that I was not to be starved or overworked, because I was still weak, and I certainly was not starved.

“It was a hot day, and hotter still inside Abdullah. Also, Abdullah had a heavy smell, because of all the paper mache and glue and size with which he was made. During my thirty-six hours or so of imprisonment I had been compelled to urinate, in spite of my awful thirst, and this had done nothing to freshen the atmosphere of that close confinement. Moreover, although I did not know it then, I learned later that the former operator of Abdullah had been a dwarf who cannot have been fastidious about his person, and there was a strong whiff of hot dwarf as I grew hotter myself. I suppose I became rather feverish, but although I would not describe my emotion as happiness I was possessed by an intensity of interest and ambition that was better than anything I had ever known in my life. When you were teaching me magic, Ramsay, I felt something like it, but not to the same degree, because—please don’t be hurt—you were so toothachingly rotten at all your simple tricks. But this was the real thing. I didn’t know quite what this reality was, but it was wonderful, and I was an important part of it.

“Charlie, who was as good-hearted as he was soft-headed, did all he could to make a game of it. He played the part of the Rube, and he did his best to include every kind of Rube he could think of. He was a terrible ham, but he was funny. He approached Abdullah as Uncle Zeke, the euchre champion of Pumpkin Centre, and as Swifty Dealer, the village tinhorn sport, and as Aunt Samantha, who didn’t believe she could be bested by any Chinaman that ever lived, and as a whole gallery of such caricatures. I had to beg him not to be so funny, because I couldn’t concentrate on my work when I was laughing so much. But Willard never laughed. He was the taskmaster, demanding the greatest skill I could achieve in the management of the mechanism. Charlie was a hearty praiser; he would gladly tell me that I was a wonderful kid and a gift to the carnival business and the possessor of a golden future. But Willard never praised a good piece of management; he was sharp about mistakes, and demanded more and more refinement of success. I didn’t care. I felt that inside Abdullah I had entered into my kingdom.

“Come five o’clock Willard and Charlie thought we were ready to show our work to Gus. I had never been associated with any kind of show folk, and I thought it quite wonderful the way Gus climbed into the freight-car and behaved as if she had never seen any of us before; Willard and Charlie too behaved as if it were a real show and Gus a stranger. Willard gave a speech that I had not heard before, about the wonders of Abdullah, and the countless hours and boundless ingenuity that had gone into his construction; during all of it I kept as still as a mouse, and fully convinced myself that Gus did not know I was anywhere near; perhaps she thought I had run away. Then Gus, at the right time, came forward reluctantly and suspiciously, like a real Rube and not one of Charlie’s comic turns, and cut the deck and chose a card: either Gus knew some sleight-of-hand herself or Willard had prepared a sharp test for me, because it was the Ace of Spades; there was no card to top it. And then I had one of those flashes which, I think I may say without boasting, have lifted my work above that of even a very good illusionist. At the bottom of the tray that held the court cards in spades, there was a Joker, and that was what I caused Abdullah to put down on the tray to top Gus’s Ace. Of course it would not do so, but it showed that I was able to meet an unexpected situation, and Charlie gave a whoop that would have drawn a crowd if there had been anybody hanging around the railway siding on a late Sunday afternoon.

“Gus was impressed, but the expression of her jockey’s face did not change. ‘O.K. I guess it’ll do,’ was what she said, and immediately the three began haggling again about some of the questions that had come up in the morning. I did not understand them then, but they concerned Abdullah’s place in the show, which Willard insisted should be next to last, the place of honour reserved for the top attraction. It was now held by Andro, against whom Willard harboured a complicated grudge. Gus did not want to be rushed, and insisted that Abdullah should not be shown for a while, until we were far from Deptford.

“Charlie begged very hard that Abdullah should go into the show at once. Business wasn’t good; they needed a strong attraction, especially now Hannah was getting out of hand and would have to be sat on; nobody would know the kid was in Abdullah because they would all be convinced Abdullah was a mechanical marvel. Yes, countered Gus, but how was she going to explain to the Talent a kid who turned up without warning and whom they would certainly know was the secret of Abdullah’s card-playing genius? Would they just tell her that? A kid out of nowheres! Especially if there was any inquiry by Nosey Parkers and policemen. Could Hannah be trusted not to spill the beans? She was a religious old bitch and would love to do a mean thing for a holy reason. Ah, said Charlie, Gus surely knew how to handle Hannah; if Hannah had to go for as much as eight hours without the assistance of Elephant Gus, where would she be? And here Willard struck in to say that he knew a thing or two about Hannah that would keep her in order. And so on, at length, because they all argued in a circle, enjoying the contention rather than wishing to reach a conclusion. I had had a hard day, and the inside of Abdullah was like a Turkish bath; they had quite forgotten the living reality of the thing they were discussing. So I fell into an exhausted sleep. I did not understand it at the time, but I came to understand it very well later: when I was in Abdullah, I was Nobody. I was an extension and a magnification of Willard; I was an opponent and a baffling mystery to the Rube; I was something to be gawped at, but quickly forgotten, by the spectators. But as Paul Dempster I did not exist. I had found my place in life, and it was as Nobody.”