The first book in the Cordelia Gray series, 1972

A crime novelist, by virtue of his unpleasant craft, has the duty to create at least one highly reprehensible character in each book and it is perhaps inevitable that from time to time their sanguinary misdeeds should impinge upon the dwellings of the just. A writer whose characters have chosen to act out their tragicomedy in an ancient university city is in particular difficulty. He can, of course, call it Oxbridge, invent colleges named after improbable saints and send his characters boating on the Camsis, but this timid compromise merely confuses characters, readers and the author alike, with the result that no one knows precisely where he is and two communities are offered opportunities for offence instead of one.

The greater part of this story is unrepentantly set in Cambridge, a city in which, undeniably, there live and work policemen, coroners, doctors, students, college servants, flower sellers, Dons, scientists, and even, no doubt, retired Majors. None of them, to my knowledge, bears the slightest resemblance to his counterpart in this book. All the characters, even the most unpleasant, are imaginary; the city, happily for us all, is not.

PDJ

On the morning of Bernie Pryde's death – or it may have been the morning after, since Bernie died at his own convenience,- nor did he think the estimated time of his departure worth recording – Cordelia was caught in a breakdown of the Bakerloo Line outside Lambeth North and was half an hour late at the office. She came up from Oxford Circus underground into the bright June sunshine, sped past the early morning shoppers scanning the windows of Dickins and Jones and plunged into the cacophony of Kingly Street, threading her way between the blocked pavement and the shining mass of cars and vans which packed the narrow street. The hurry she knew was irrational, a symptom of her obsession with order and punctuality. There were no appointments booked; no clients to be interviewed; no case outstanding; not even a final report to be written. She and Miss Sparshott, the temporary typist, at Cordelia's suggestion were circulating information about the Agency to all the London solicitors in the hope of attracting custom; Miss Sparshott would probably be busy with it now, eyes straying to her watch, tapping out her staccato irritation at every minute of Cordelia's lateness. She was an unprepossessing woman with lips permanently taut as if to prevent the protruding teeth from springing from her mouth, a receding chin with one coarse hair which grew as quickly as it was plucked, and fair hair set in stiff corrugated waves. That chin and mouth seemed to Cordelia the living refutation that all men are born equal and she tried from time to time to like and sympathize with Miss Sparshott, with a life lived in bed-sitting-rooms, measured in the five-penny pieces fed to the gas stove and circumscribed by fell seams and hand hemming. For Miss Sparshott was a skilled dressmaker, an assiduous attender at the GLC evening classes. Her clothes were beautifully made but so dateless that they were never actually in fashion; straight skirts in grey or black which were exercises in how to sew a pleat or insert a zip fastener;

blouses with mannish collars and cuffs in insipid pastel shades on which she distributed without discretion her collection of costume jewellery; intricately cut dresses with hems at the precise length to emphasize her shapeless legs and thick ankles.

Cordelia had no premonition of tragedy as she pushed open the street door which was kept perpetually on the latch for the convenience of the secretive and mysterious tenants and their equally mysterious visitors. The new bronze plaque to the left of the door gleamed brightly in the sun in incongruous contrast to the faded and dirt-encrusted paint. Cordelia gave it a short glance of approval.

Pryde's Detective Agency

(Props: Bernard G. Pryde

Cordelia Gray)

It had taken Cordelia some weeks of patient and tactful persuasion to convince Bernie that it would be inappropriate to append the words 'ex-CID Metropolitan Police' to his name or prefix 'Miss' to hers. There had been no other problem over the plaque since Cordelia had brought no qualifications or relevant past experience to the partnership and indeed no capital, except her slight but tough twenty-two-year-old body, a considerable intelligence which Bernie, she suspected, had occasionally found more disconcerting than admirable, and a half exasperated, half pitying affection for Bernie himself. It was obvious very early to Cordelia that in some undramatic but positive way life had turned against him. She recognized the signs. Bernie never got the enviable front left hand seat in the bus; he couldn't admire the view from the train window without another train promptly obscuring it; the bread he dropped invariably fell buttered side downwards; the Mini, reliable enough when she drove it, stalled for Bernie at the busiest and most inconvenient intersections. She sometimes wondered whether, in accepting his offer of a partnership in a fit of depression or of perverse masochism, she was voluntarily embracing his ill-luck. She certainly never saw herself as powerful enough to change it..

The staircase smelt as always of stale sweat, furniture polish and disinfectant. The walls were dark green and were invariably damp whatever the season as if they secreted a miasma of desperate respectability and defeat. The stairs, with their ornate wrought-iron balustrade, were covered with split and stained linoleum patched by the landlord in various and contrasting colours only when a tenant complained. The Agency was on the third floor. There was no clatter of typewriter keys as Cordelia entered and she saw that Miss Sparshott was engaged in cleaning her machine, an ancient Imperial which was a constant cause of justified complaint. She looked up, her face blotched with resentment, her back as rigid as the space bar.

'I've been wondering when you would turn up, Miss Gray. I'm concerned about Mr Pryde. I think he must be in the inner office but he's quiet, very quiet, and the door's locked.'

Cordelia, chill at heart, wrenched at the door handle:

'Why didn't you do something?'

'Do what, Miss Gray? I knocked at the door and called out to him. It wasn't my place to do that, I'm only the temporary typist, I've no authority here. I should have been placed in a very embarrassing position if he had answered. After all, he's entitled to use his own office I suppose. Besides, I'm not even sure if he's there.'

'He must be. The door's locked and his hat is here.'

Bernie's trilby, the stained brim turned up all round, a comedian's hat, was hanging on the convoluted hatstand, a symbol of forlorn decrepitude. Cordelia was fumbling in her shoulder-bag for her own key. As usual, the object most required had fallen to the bottom of the bag. Miss Sparshott began to clatter on the keys as if to disassociate herself from impending trauma. Above the noise she said defensively:

'There's a note on your desk.'

Cordelia tore it open. It was short and explicit. Bernie had always been able to express himself succinctly when he had something to say: